User Score
Universal acclaim- based on 337 Ratings
User score distribution:
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Positive: 285 out of 337
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Mixed: 32 out of 337
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Negative: 20 out of 337
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OliverC.Jul 12, 2007Interpol's worst album yet. If it was from any other band it would get a 7, but for interpol, who had never previously recorded a bad song, to come out with this is a shame. Rest My Chemistry is an abomination IMO. Still, there are some gems.
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JorisV.Dec 1, 2007
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ChrisCJul 15, 2007It's sounds like Interpol without all those things Interpol does to be different and engaging. Which makes it just run of the mill Oughties indie. Weak.
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nashFeb 4, 2009Oh dear. Aren't bands supposed to improve over time? it seems that Interpol have regressed some what and I doubt they will ever reach the highs of TOTBL. There are some good songs but the others are mediocre so say the least.
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MattD.Jul 10, 2007Wow, this just sounds phoned in. I never thought the riffs would be so repetitive and boring. Never does the album soar like Antics did. It sounds like a 5, but I took off a point for lack of effort.
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AlanMJul 11, 2007Middle of the road at best.
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dragonflypillsJul 10, 2007
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IainMJul 20, 2007This album is nowhere near as good as expected, a lacklustre and slightly turgid offering.
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HoratioSJul 6, 2007A catchy and rewarding listen. It even makes up for the fact that they stole their album artwork from an obscure foreign band. I was not a fan of Turn On the Bright Lights or Antics but this one has a few tracks that would sound amazing in a stadium which they could easily sell out.
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jacokk.Jul 6, 2007Very, very poor album. Best tracks: 1,10,11
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maesg.Jul 8, 2007The only progression this band has made is moving from the "joy division/ 80's)" section of the music spectrum to the 50's 60's pop tracks. They may name track with edgy titles like "Theres No I in Threesome" but the track's skeleton is comparable to CCR, etc
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CraigW.Jul 11, 2007I predict a lack of staying power in this one unlike the last two
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MattW.Jul 12, 2007
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smithsgirlJul 17, 2007
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BrookeO.Jul 18, 2007I agree with the review. Was really looking forward to this, but I am very displeased. Sounds like a band that has run out of ideas, but still trying really hard to come up with something that is "important' and "relevant". Personally, I think the new Editors album blows this out of the water!
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knJul 30, 2007Far from bad; however, the boys of Interpol need to turn on the bright lights that caught our attention in the first place. As it is, Our Love To Admire is one of those albums fans are bound to love and everyone else will simply wonder what the hot fuss is all about. And yes, it sounds exactly like their first two albums--to the point of frustration.
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IanC.Jul 9, 2007OLTA meanders within the same digitally delayed, Joy Division realm as usual, but doesn't evoke the same emotions at all. Bright Lights gets a 9 or 10, Antics gets a 6 or 7, and this gets a 5 at best. Some nice little harmonic moments but overall this one is forgettable.
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kdevilhAug 14, 2007i listened to it about three times through... and that was enough. You'll find much of the same content and detached feeling on their second effort, Antics, only with slightly less successful results. I gave them two chances - but no more.
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ElliottMJul 11, 2007Fatally overproduced.
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PhilipJul 11, 2007Depressing to listen to given their past work. You can tell yourself it's just a change of direction, but it's hard to not call that sugarcoating. Play this album and then follow it with anything from Turn on the Bright Lights and you will see how much more they used to care.
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JoeT.Jul 13, 2007The band pile on more instruments and let the spaces between 'em breathe less with each album. This is musical progression? I miss the dreamy vistas of their debut. They could have gone somewhere interesting after that one...
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cablesJul 14, 2007a crushing disappointment.
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Awards & Rankings
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The black-clad New York quartet still sounds inflexibly menacing, grasping tighter than ever to its doomy post-punk influences and delving further into frontman Paul Banks's emotional unrest.
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Our Love to Admire fleshes out the dark edges of Interpol's sound to create a polished, muscular-sounding record that teems with life and bristling potency.
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With giant gyrating reverberated guitars and a grandiose brass section, this is the sound of a rock band attempting the sweeping gallantry of Sibelius or Tchaikovsky and getting away with it. It represents a smugly victorious ending to what is a phenomenally strong and well-polished album.