Oxymoron - ScHoolboy Q
Metascore
78

Generally favorable reviews - based on 31 Critics

Critic score distribution:
  1. Positive: 27 out of 31
  2. Negative: 0 out of 31
  1. 91
    It’s something special, just like it was always planned to be.
  2. Feb 24, 2014
    90
    While his darker material seems unchanged by fame, it’s really his lighter, more radio-friendly material that gets taken to the next level on Oxymoron.
  3. Feb 25, 2014
    88
    Both heavy with bass and filled with memorable hooks, Q's long-gestating major label debut is tight in length and rich with intent.
  4. Feb 25, 2014
    85
    Make no mistake, Oxymoron is rather brilliant, and provides a perfect foundation to build upon in later releases. An exciting release from an exciting artist.
  5. Feb 26, 2014
    82
    While Lamar dazzles with precise storytelling, Q conjures attention with brusque physicality. Both MCs are aiming for different marks, and although Q's style is too unkempt to produce an album full of clean shots, his misses on Oxymoron are often just as compelling.
User Score
7.9

Generally favorable reviews- based on 139 Ratings

User score distribution:
  1. Positive: 27 out of 34
  2. Negative: 5 out of 34
  1. Feb 26, 2014
    9
    The expectations for Q's upcoming album were high no doubts about that, Oxymoron might be the most anticipated hip hop debut release we haveThe expectations for Q's upcoming album were high no doubts about that, Oxymoron might be the most anticipated hip hop debut release we have during 2014 and the comparisons to Lamar's stellar conceptual major label drop "good kid, m.A.A.d. city", is, mainly the main reason to why people can not enjoy this for what it is. It is not a continuation of it. And to continue on there, it's pretty much why this album is getting the floods with hate, cause that's what many mentally is setting it for, ignored as it's own piece of work by the average/hip hop listener.
    They are label mates, but the lanes between these two are like fire and water, completely different. Oxymoron must be listened as.. Oxymoron and none other.
    Oxymoron is a grower, not a one ticket go. Give it a week with you, let it sit at least.

    This is not driven with minimalistic production or flowed as focused, or having the cinematic delivery about a quiet kids journey through a rough city.
    No, this is the gangsta, the wildly "ni**a" with the burnt blunt and trigger, telling his side of view, if it's slanging or a first strap given by his grandmother. It's always kept interesting with a brilliant, slightly over-the-top vocal delivery and flows with banger productions from the elites like Pharrell and Alchemist.

    Oxymoron is less of a schizo "Habits & Contradictions" was and more of a triumph, banger or at times grimey, sonically and vocally. Though, this dark and introspect has Q never been, as on tracks as a "Hoover Street" and "Prescriptions/Oxymoron". Two absolutely fantastic tracks with Q painting his dusts vivid, a wide picture of a turned Crip member. The switch up they both got middle through in, is just amazing.

    ScHoolboy Q's major label debut is one hell of a killer, with a big fist aimed at your lips, ready to bust it bloody for no reason. But what a gangster does, ain't always a play on the grams or gangbanging, is, getting women too, to love.
    This groovey Q and long-time TDE contributant, BJ The Chicago Kid sets a perfect mood on "Studio", a vibe which much draws feelings back to a track of Snoop and the late Nate Dogg, with that being said, our generations "Ain't No Fun (If The Homies Can't Have None)".

    Yeah we got a 2 Chainz feature on here, so what, it bangs. And what not to love more, then hearing the legend, one and only Kurupt on a track, on the run of a police sire called production signed and sealed with the name of Tyler The Creator. Who also, handles the hook.

    There are many highlights on Q's Oxymoron, too many to drop. We got the beautifully produced Chromatics-sampled track "Man of tHe Year" ready to bounce an audience and ready for spins on to the radio-familia, then a Clipse inspired "Los Awesome" with a tasty, heavy, on the fense of over-production, with raw verses from Q and labelmate Jay Rock who ended it with a filthy murder.

    With 2013, the year of big album disappointments, from Jay Z to Drake to Ye, Q does the opposite, he delivers, if it's not the most lyrically, it'll be the most outlandish flow to do you a victim. The first great major release Oxymoron to enter with a big bang for the year to follow. One of the most creative, fun, hard gripping and original albums to hit the mainstream the last decade.

    It feels new, it feels rich, it feels adventurous, experimental. Q's Oxymoron has a lot of feelings around it, a more varied experience than his previous work.
    ScHoolboy Q's most polished and cohesive, in my opinion, best album yet. The crazy odd boy breaking it in with gangster rap in to the mainstream scene à la 2014.

    Six stand-out tracks out of the twelve: Gangsta, Los Awesome, Studio, Prescription/Oxymoron, Blind Threats and Break tHe Bank.

    If didn't get, I absolutely love this. Going to let it sit, but can say, that this project, can end up being a favorite of the year, and many years already passed.
    Full Review »
  2. Feb 25, 2014
    10
    This album is what I was excpecting from schoolboy q. It was a very enjoyable gangster rap album with plenty of bangers. I am giving it a 10This album is what I was excpecting from schoolboy q. It was a very enjoyable gangster rap album with plenty of bangers. I am giving it a 10 because people had mixed opinions about the leak and I think it deserves a higher score than people have been giving it. I love all the singles and songs like blind threats and prescription/oxymoron. Very good album. Just don't expect it to be like Good Kid m.A.A.d city Full Review »
  3. Feb 25, 2014
    10
    Above average production, flow, and delivery. Oxymoron is one of the most definitive albums of our generation. It speaks well on howAbove average production, flow, and delivery. Oxymoron is one of the most definitive albums of our generation. It speaks well on how mainstream rap is evolving and changing it's sound. The album has both its serious moments with it's dark and erie title track, but it also keeps a sense of fulfillment and joy with tracks like Man Of The Year. Full Review »