Metascore
80

Generally favorable reviews - based on 28 Critic Reviews

Critic score distribution:
  1. Positive: 24 out of 28
  2. Negative: 0 out of 28
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  1. Apr 24, 2017
    100
    Pleasure is easily Feist’s most difficult album, far from the immediate accessibility of The Reminder, but she's a captivating performer and it may well be her richest statement.
  2. Apr 28, 2017
    91
    Pleasure isn’t all novelty. It’s a demanding record expressing demanding emotions.
  3. Apr 28, 2017
    90
    Tonally, Feist exposes a storm of feeling on Pleasure, probing an abyss of her own confusion, lack of trust in others and self-imposed isolation, and yet also a core tendency to love and care.
  4. Apr 26, 2017
    90
    Pleasure presents a unique, uncompromising vision of intimacy and enjoyment.
  5. Uncut
    Apr 21, 2017
    90
    Some of Feist's most affecting and exhilarating music to date. [Jun 2017, p.16]
  6. 85
    Even though it’s Feist’s barest full-length, it’s also her most playful, her most consistently inventive. On the surface it sounds wafer-thin, but at its core there’s no shortage of heft.
  7. 83
    Feist is sounding her most directional in a decade.
  8. 83
    Many of the songs are slow-building numbers that gradually swell to a heightened moment of release. But Feist is too gifted a songwriter to ever need to rely on a mere formula; each time, the payoff is delightfully unexpected.
  9. Apr 21, 2017
    83
    Feist is back, and, for the first time, it feels like she can finally feel the warmth that everyone has felt in her presence this whole time.
  10. Magnet
    Jun 27, 2017
    80
    She's no longer interested in the simple pleasures of immediate hooks. Instead, we get something more complex, challenging and provocative. [No. 143, p.54]
  11. May 25, 2017
    80
    Charming, heart baring, polish-free and not buffed beyond recognition. Alive, basically. A pleasure.
  12. May 17, 2017
    80
    The quiet/loud dynamics of Pleasure showcase an artist who’s satiating her capricious appetite, all while keeping her listeners guessing with a knowing wink.
  13. Q Magazine
    May 9, 2017
    80
    This unashamedly adult collection drags Feist deeper still into major talent territory. [Jul 2017, p.107]
  14. May 4, 2017
    80
    The result is her most satisfying and unified album to date.
  15. May 3, 2017
    80
    Emerging from the murk and into the new-found quiet of middle age, Feist’s Pleasure is a document of stark beauty that’s entirely and unequivocally her own.
  16. May 3, 2017
    80
    It’s the work of a confident, mature songwriter with a clear and distinct voice.
  17. 80
    These songs about maturity and internal toughness often move in mysterious ways, leaving plenty of space for Feist’s probing guitar work and an atmosphere that really breathes.
  18. Apr 28, 2017
    80
    Her pop hits remain enjoyable, but what makes Feist’s albums hold up is the unexpected. Pleasure perhaps asks more of the listener than her first two records did, but really, the best pleasures do.
  19. Apr 28, 2017
    80
    While it’s not always the easiest of listens, the raw emotional honesty and potency of her arrangements makes it truly a pleasure to have Leslie Feist back.
  20. Apr 27, 2017
    80
    Feist has made her sex-and-death record, and in turn she has created her boldest statement yet. It's messy, confusing, thrilling, and of course, filled with pleasure.
  21. Apr 21, 2017
    80
    Pleasure the album flows cohesively and poetically. [Apr - Jun 2017, p.80]
  22. Apr 27, 2017
    77
    Pleasure features a number of songs that stretch towards the five-minute mark, making more sense as part of the whole rather than individually.
  23. Apr 28, 2017
    70
    These songs build slow as they add instrumental muscle on a skeletal form, arriving at something at once scary and lovely. The musical palette is wide and subtle.
  24. Apr 27, 2017
    70
    Unafraid in her songwriting to lay bare her faults and flat-out embracing flaws in the album's jagged production. Pleasure isn't a perfect album, and that's the point.
  25. Mojo
    Apr 25, 2017
    60
    A record that is demanding and compelling, though often beautiful. [Jun 2017, p.90]
  26. May 9, 2017
    50
    Unfortunately, the album ends up being a whole that is less than the sum of its parts, making no real impact on the listener as it quietly meanders along.
  27. Apr 27, 2017
    40
    The pleasures that Pleasure describes are mundane to the point of tedium, trite beyond cliché. And the music itself is, despite the strength of Feist’s voice, mostly intolerable.
  28. 40
    Unfortunately, there’s not much pleasure here for the listener, manoeuvred into the position of reluctant psychoanalyst.
User Score
8.0

Generally favorable reviews- based on 65 Ratings

User score distribution:
  1. Positive: 58 out of 65
  2. Negative: 5 out of 65
  1. Apr 28, 2017
    10
    Great album! Its a grower, every new listen, you discover new things. Its a very cohesive album. Highlights are Pleasure, Any Party, Baby BeGreat album! Its a grower, every new listen, you discover new things. Its a very cohesive album. Highlights are Pleasure, Any Party, Baby Be Simple and Century. Full Review »
  2. Apr 28, 2017
    8
    On 'Pleasure', Feist has created a very intimate and introspective world where she dares to dive into truly darkly emotional feelings. AtOn 'Pleasure', Feist has created a very intimate and introspective world where she dares to dive into truly darkly emotional feelings. At times sweet and effortlessly executed, and at others confusing, intimidating and disturbing, the album never fails to surprise with witty twists, almost philosophical utterances and a constant knack for the delicately odd. Wonderful album, in its own introverted way. Full Review »
  3. Apr 3, 2018
    9
    Wonderful, peculiar album meant for a long, lonely night of driving, Feist tries on a lot of sounds and musical trends in this album. I hearWonderful, peculiar album meant for a long, lonely night of driving, Feist tries on a lot of sounds and musical trends in this album. I hear Arcade Fire. I hear Yo La Tengo. I hear PJ Harvey. Not all of it works - after the excellent, confident opening title track, much of the first half of the album meanders along - but that feeling of dislocation and longing is there. Feist has never been very good at explaining her work - she uses a lot of words without exactly saying "this is what we were going for" but the effect of the album is fierce. The songs that are meant to be existentially substantial - A Man is Not His Song, End of the Century - are ambitious and haunting. Feist asks some big questions in this album and has some answers. I like that. Full Review »