Universal acclaim - based on 26 Critics

Critic score distribution:
  1. Positive: 25 out of 26
  2. Negative: 0 out of 26
  1. Apr 17, 2012
    OutKast's duo have made a cohesive statement that not only cries at the boundaries of rap music but vaults over them to a place where the music sounds like neon colors and the only rule is that you must free your mind. Your ears will follow.
  2. 100
    Their records sound very different, but they're both astounding.
  3. You could of course, if you like, rip the best tracks from each album and burn them together into some kind of RIAA-baiting SuperLoveBoxxx CDR that creams all opposition with its x-ray vision, amazing strength and ability to leap multiple genres in a single bound, but that would be missing the point.
  4. No one musical entity, or group in the world comes close to the sum of their parts.
  5. 100
    This 'boxxx holds an explosion of creativity that couldn't have been contained in just one LP. [Nov 2003, p.118]
  6. Both albums are sublime. Taken together they're hip-hop's Sign o' the Times or The White Album: a career-defining masterpiece of breathtaking ambition.
  7. [The album's] ambition flies so far beyond that of anyone doing rap right now (or pop, or rock, or R&B), awards shows may need to create a special category for it. [19 Sep 2003, p.83]
  8. What's lost is considerable: namely, the justly vaunted lyrical chemistry between Andre 3000 and Big Boi. But what's gained is even more remarkable: the powerful, singular, undiluted visions of two of rap's most fearless sonic explorers.
  9. No "Ms. Jackson," no "Rosa Parks," no "Bombs Over Baghdad," no "The Whole World" either. Just commercial ebullience, creative confidence, and wretched excess, blessed excess, impressive excess.
  10. Double the pleasure, double the fun? Definitely, definitely.
  11. 90
    The genius of past Outkast isn't diluted or diminished across these disks, rather it's doubled, expanded and explored. [Sep 2003, p.99]
  12. Both records are visionary, imaginative listens, providing some of the best music of 2003, regardless of genre.
  13. If you can name me just one rapper that made a more complete record in 2003 than either of these two Southern boys' efforts, I’ll call you a liar.
  14. Imperfect and ambitious, sometimes startling and always smart.
  15. Flaws aside, Speakerboxxx more than lives up to its billing.... The Love Below, however, is a revelation.
  16. Where Dre twists Prince remnants to his own astroboyish amorous ends, Big Boi holds up OutKast's P-Funk revival tent.
User Score

Universal acclaim- based on 259 Ratings

User score distribution:
  1. Negative: 11 out of 177
  1. MalikM.
    Jul 15, 2007
  2. rickr
    Oct 16, 2003
    holy what? this cd is too funky-fresh to exist. i dont believe its real....i wanna concieve my first child to this album.
  3. Jan 4, 2013
    This is not one album by Outkast, rather, it's two solo albums sold together as a group album. One is by Big Boi and the other is by AndreThis is not one album by Outkast, rather, it's two solo albums sold together as a group album. One is by Big Boi and the other is by Andre 3000. Unfortunately for Big Boi, 3000's record is so compelling and overwhelming that no one has time for Big Boi's album. 3000 clearly stands out, releasing an album the completely moves beyond the boundaries of hip-hop into Prince-esque territory, combining jazz, funk, soul, pseudo-rock and hip hop into one fascinating album that has left fans thirsty for a new solo album from 3000 since 2003. Overall, Speakerboxxx/The Love Below is another astounding Outkast album, yet one could say it started the divide that has left Outkast on a hiatus ever since their mediocre followup record Idlewild was released. Full Review »