Street Songs of Love

  • Record Label: Fantasy
  • Release Date: Jun 29, 2010

Generally favorable reviews - based on 15 Critics

Critic score distribution:
  1. Positive: 12 out of 15
  2. Negative: 0 out of 15
Buy On
  1. Street Songs of Love is the most raucous, rawest, and finest album Escovedo's yet released.
  2. In an ideal world, Street Songs of Love would be topping the charts. Sadly, it's not all that likely, but with the management magic of Jon Landau behind him and songs as good as those on Street Songs of Love, Alejandro Escovedo may finally be recognized as one of America's finest musical treasures.
  3. Uncut
    Escovedo is as reflective as he is melodic. [Juul 2010, p.116]
  4. Now pushing 60, he's making some of the fiercest music of his career.
  5. 80
    The wonderful Street Songs of Love brightens slightly without losing intensity.
  6. Hints of glam and punk inform the rootsy proceedings, giving these alternately gritty and lyrical songs a satisfying glow.
  7. While his weathered humanity may be better captured on sublime offerings like More Miles Than Money, it gilds the edges of Street Songs, a collection bursting with unflagging energy.
  8. Street Songs of Love is among his very best and a worthy successor to 2008's "Real Animal."
  9. Real Animal tamer Tony Visconti (Marc Bolan, David Bowie, Thin Lizzy) again harnesses Escovedo considerably more effectively than Stephen Bruton, Chris Stamey, and John Cale at a juncture in the local rocker's four-decade career when he enjoys a stable national profile. Street Songs of Love continues that instinctive trend, though profits are down.
  10. He may be feeling wounded by love, but Escovedo's follow-up to 2008's career-defining Real Animals is an almost equally strong testament to his durability.
  11. An exhilarating, life-affirming blast of no-bullshit rock'n'roll, Street Songs of Love features Escovedo reteaming with famed David Bowie/T. Rex producer Tony Visconti, who also manned the boards for his arresting 2008 album, "Real Animal."
  12. What makes it work is the sheer exuberance of the performances, the roar coming from the speakers. This is an album about the heart, but it hits below the belt--it wants to make you move.

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