Metascore
58 out of 100

Mixed or average reviews - based on 15 Critics

Critic score distribution:
  1. Positive: 6 out of 15
  2. Negative: 4 out of 15
  1. Jan 3, 2012
    30
    How does this sucker sound? Not very good.
  2. Jan 3, 2012
    10
    It is samey, ugly and spectacularly stupid at the same time.
  3. Nov 30, 2011
    10
    The Path Of Totality is an album that doesn't work because it tries to be something it's not; no, it fails because of not just its terrible premise but its truly dreadful execution.
  4. Dec 13, 2011
    0
    To Korn's credit, The Path Of Totality is its most radical reinvention to date. It's also the worst slab of sludge it ever shat.
User Score

Generally favorable reviews- based on 58 Ratings

User score distribution:
  1. Positive: 18 out of 28
  2. Negative: 7 out of 28
  1. 10
    A successful experiment that results in one of Korn's finest albums. While some of Korn's latest outings have been less then stellar, the choice to try something new proved right for the group from Bakersfield. Full Review »
  2. 6
    It is not bad at all. I expected it to be dull, especially after the release of "Narcissistic Cannibal" single, but even my first listen of the whole album made me rather benevolent. There is a couple of songs worth listening, even if one's not a fan of either dubstep or Korn ("Bleeding Out", or "Fuels the Comedy" from extended album edition). Mixing those genres seems a good move, once again towards mainstream, as it comes to dubstep, though creating something new, when blending it with metal. Potential was huge, but on the other hand, dubstep and metal parts aren't well-proportioned as Jonathan Davis had promised them to be. Repetitive measures and rhytm can push away those Korn hard-fans who awaited their band to create something more olschool. The album also can't be called "innovative", just because at moments (for example "My Wall") it sounds underproduced and incomplete. Full Review »
  3. 2
    This album is the essence of problems entailed in mainstream music and its narrow-mindedness. Korn got together with the laughing stock of the music production community and created an utterly dreadful album based on stereotypes and musical illiteracy. Although one or two tracks are bearable, the rest is just a total misunderstanding. Moreover despite being so stereotypical and unoriginal, Davis is trying to convince people that it is "groundbreaking" and that they're breaking the rules, hence it is controversial. No Davis, it is not controversial because you are breaking the rules, it is quite the opposite - you're trying to follow the worst trends in a mercenary way. And I won't even start discussing the fact that the whole thing is based on the complete misunderstanding of the dubstep genre, which unfortunately is strengthened by Skrillex's disgracefully lazy approach to the genre. Full Review »