• Record Label: Sub Pop
  • Release Date: Oct 18, 2019
Metascore
73

Generally favorable reviews - based on 11 Critic Reviews

Critic score distribution:
  1. Positive: 9 out of 11
  2. Negative: 0 out of 11
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  1. Oct 18, 2019
    86
    What makes the trio’s unique blend of noise and hip-hop so effective, however, isn’t any kind of obvious messaging, or an attempt at allegory. It’s that you don't have to read it in any particular way.
  2. Oct 17, 2019
    85
    Here, they’ve given their most focused project, all while exploring the darkest corners of humanity over envelope-pushing industrial production. With a carefully constructed chaos, Clipping. throw us into their torturous musical realm and boldly ask us to find the art in fear.
  3. Uncut
    Nov 14, 2019
    80
    Disturbing, but also enthralling. [Jan 2020, p.23]
  4. Nov 4, 2019
    80
    The usual and worn out horrorcore lyrics resemble now parts in “found poetry,” left to their own devices. They are no longer pastiches made by humans but cosmic shards of meaning. The tracks recorded with Benny the Butcher and Elcamino (“La Mala Ordina”) and with La Chat (“Run For Your Life”) are hints at what’s possible when our-worldly lyrics paired down with otherworldy music.
  5. Oct 23, 2019
    80
    There Existed An Addiction to Blood is shocking, insightful and unlike any other hip hop release this year, and quite possibly Clipping’s most impressive work to date.
  6. Oct 18, 2019
    80
    What Clipping have done on ‘There Existed An Addiction To Blood’ is show that hip-hop doesn’t need to keep to convention to be gripping and visceral; refusing to be placed in stasis for the sake of chart success, the group deserve all the plaudits that will come their way.
  7. 80
    With There Existed An Addiction To Blood, Clipping have artfully seized upon the viscera of the horrorcore genre, creating an album which is both disheartening and sonically intriguing. It is yet another successful experiment for the group and one of the eeriest examples of modern hip-hop to date.
  8. Oct 17, 2019
    80
    Daveed Diggs' rapid-fire verses are precise and unflinching, detailing gruesome scenes with pinpoint accuracy. Much of the album, particularly the interludes, is filled with field recordings, giving the sensation of being on the run and uncertain of one's fate.
  9. Oct 17, 2019
    80
    It takes multiple listens to get to the heart of this record, each one well worth your time.
User Score
8.1

Universal acclaim- based on 32 Ratings

User score distribution:
  1. Positive: 29 out of 32
  2. Negative: 1 out of 32
  1. Oct 21, 2019
    8
    Real tired of Pitchfork's condescending gibberish. Piano Burning is a tough sell, but the rest is quite impressive.
  2. Oct 19, 2019
    10
    This is my favourite album of the year. Every aspect of this album impresses me so much. It's so dark, has incredibly hard instrumentals, andThis is my favourite album of the year. Every aspect of this album impresses me so much. It's so dark, has incredibly hard instrumentals, and awesome overarching storytelling. It hasn't been out very long but I've listened to it at least 10 times. I think of it being like if Joyner Lucas had great storytelling ability, an artistic vision, and had producers that could execute on it. It's been a while since I've been blown away by an album this much. Full Review »
  3. Apr 30, 2020
    9
    Just in time for Halloween, clipping releases a hip-hop/horrorcore album with imagery straight out of a gory horror movie and hard, intricateJust in time for Halloween, clipping releases a hip-hop/horrorcore album with imagery straight out of a gory horror movie and hard, intricate production. Thematically, this is a nearly 100% cohesive album. My only complaints are a couple of guest verses that don't seem to know what the album is about and the 18 minute final track that's just audio of a piano burning 101 (I did not listen to that in full). Really liked this one, will definitely be coming back for repeat listens because I'm sure there's bits and pieces I didn't pick up on after my first two listens. Full Review »