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New Musical Express (NME)Where 'The Remote Part' was their 'Green'-esque lunge into the spotlight, 'Warnings/Promises' is their full-blwon 'Out Of Time' spectacular. But with less twangle, more teeth. [5 Mar 2005, p.50]
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Idlewild may still be figuring out exactly how to juggle its conflicting elements, but there are more than enough truly bright spots on Warnings/Promises to remind the listener of what the band is capable of when it fires on all cylinders -- and even when it doesn't.
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FilterThey've arrived at a more basic and touching--at times sleep-inducing--music that lingers for better and for worse. [#16, p.89]
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Woomble’s lyrics, while literate, are never quite as clever as his supporters would like to believe.
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‘Warnings / Promises’ is the work of a band pushing itself to the limits of its generous, but ultimately not boundless musical ability.
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Q Magazine[An] album of considerable grace and poise. [Apr 2005, p.116]
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Warnings/Promises establishes Idlewild as a very good band, but also indicates that it probably won't ever be a great one.
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Warnings/Promises is even better [than The Remote Part], a set of hopeless love songs for sad-eyed city girls.
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MagnetSounding like mid-period R.E.M. isn't the noblest of ambitions, but it somehow seems to work. [#69, p.98]
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Songwriting chemistry is a tricky thing, and while having two or three competing voices can push writers to new heights, a group of five here leads to songs that are merely passable.
User score distribution:
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Positive: 17 out of 22
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Mixed: 3 out of 22
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Negative: 2 out of 22
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Aug 15, 2011
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ChelseaMSep 22, 2006
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AndrewJNov 6, 2005