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Apr 27, 2015There may be nothing particularly original here, but the gritty ambience of electric instrumentation suits Mumford & Sons’s way with melody, emotion and dynamics. Simply put, the Mumfords rock.
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May 4, 2015With new tools, they’ve taken liftoff from a proven formula when they really didn’t have to.
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May 1, 2015Not only does Wilder Mind reintroduce the band members as rock gods worthy of the title, it does so without changing what fans cherished most about them in the first place: their songwriting, their sentiment, their gusto.
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Q MagazineApr 29, 2015This is a record marked by its elegance, pace and excitement. [Jun 2015, p.110]
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Apr 27, 2015Only Love is the perfect synthesis of the two distinct elements of this album, and in turn its makers, a whispered build-up bursting into a gigantic beast, brimming with passion and 1970s Fleetwood Mac guitars.
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Apr 27, 2015The new instrumentation affords a more nuanced approach, from the thrumming bass, piano, tom-toms and subtly tingling guitar evoking the resolute support of “Broad-Shouldered Beasts”, and the keening, spacious synth textures of “Tompkins Square Park”, to the unison guitar thrash that opens “The Wolf.”
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May 5, 2015The sentiment is Springsteen, the guitars are straight-up Strokes, and even if it's not going to work out for the relationship in this song, the music itself bristles with self-assurance.
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May 1, 2015While first single “Believe” seems to mimic the worst qualities of a Coldplay deep cut, the album’s remaining 11 tracks adhere more to The National’s tightly wound brooding, and with good reason.
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May 6, 2015Whilst Wilder Mind is not very good, it's really not as bad as you want it to be.
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May 14, 2015With Wilder Mind, they eschew their recognizable sound, supplanting it with a less memorable collection of songs more readily relegated to background music than either of their previous albums. As big and perhaps unanticipated an adjustment as it is, however, Wilder Mind then deepens and improves with each consecutive listen.
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May 4, 2015Heard one song at a time, Wilder Mind builds convincing dramas. But Mumford & Sons’ greatest skill--their strategic crescendos--starts to feel like a formula over the course of the album.
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May 4, 2015Wilder Mind will only make Mumford & Sons more enormous. Mercifully, it has also significantly improved them as a band.
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May 8, 2015Where the album fails to eclipse its predecessor, and where it fails to match the band’s new Brooklyn buddies, is in Marcus Mumford’s vanilla songwriting.
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May 5, 2015In the hands of the grandiose Mumford & Sons, this shading [similar to the National] doesn’t quite work, forcing the band to shape-shift in a way so it sounds... well, not quite like itself.
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May 5, 2015It aims to give fans something different, but it does the bare minimum.
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May 5, 2015With Wilder Mind, Mumford & Sons have morphed from a band that’s easy to either love or hate into a band that’s hard to care much about at all.
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May 4, 2015Wilder Mind may be something altogether worse than divisive: unremarkable.
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May 4, 2015Without their old-timey affectations, the band seems interchangeable with any number of blandly attractive AAA rockers, a group that favors sound over song.
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UncutApr 29, 2015Abandoning their trademark has forsaken their identity. [Jun 2015, p.80]
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MojoMay 20, 2015Far from electrifying. [Jun 2015, p.86]
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May 11, 2015Wilder Mind is incredibly one-track, so much so that even on your first listen-through, you’ll likely already feel like you’ve heard closer ‘Hot Gates’ five or six times in the past hour.
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May 7, 2015It does sound very different from their previous two albums. Unfortunately, in doing so, they’ve produced the most crushingly average album of the year so far.
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May 4, 2015Switching this band’s sound to international rock just amounts to trading one bland canvas for another.
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May 4, 2015Marcus Mumford leaves his Irish-folk years behind and adopts a transatlantic burr for “The Wolf”, whose chugging riff and sappy lyrics (“You are all I’ve ever longed for”) pinpoint the album’s core failings: absences of both lateral intrigue and the elemental oomph its track-titles (“Broad-Shouldered Beasts”, indeed) hint at.
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Apr 30, 2015For the most part, however, the music on Wilder Mind just passes you by: the nondescript sound of a band trying to shake off an image they feel they’ve outgrown, without coming up with anything to replace it.
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May 11, 2015The band begins to slog through the session--each song sounds like the sonic embodiment of utter indifference, only this time it’s accompanied by electric instruments.
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May 6, 2015Following a rigid set of programming, they’ve stripped away the artifice from their ostensible Americana aesthetic to reveal the boilerplate alt-rock that forms its core circuitry.
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May 7, 2015They are 12 variations on vaguely Don Henley-inspired arena schlock, and in this transition, they've found a new bottom.
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May 4, 2015Wilder Mind, airless to the extreme, plods on, song after saccharine song. Melodies do abound. But they’re wearying, like the mundane hell of children’s tunes, blasted on repeat, throughout a long car trip.
Awards & Rankings
User score distribution:
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Positive: 88 out of 189
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Mixed: 28 out of 189
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Negative: 73 out of 189
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May 4, 2015
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May 5, 2015
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May 4, 2015