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It can safely be said that Dresselhaus has nothing to learn about the instruments of technology, but a lot to learn about the ability to write a catchy tune.
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At times it's a bit like a post-techno Jesus and Mary Chain, burying tambourine rattle and two-chord bangers beneath an avalanche of clicks and static.
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There is certainly no doubt about Dresselhaus' knack for the keystroke. He takes pins and needles of sound and builds rather interesting fields. But it's the additional elements that he drags into each track that end up running him in circles.
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Q MagazineHalf of Zoomer suggests Beck being produced by Aphex Twin, but elsewhere his flimsy songwriting is drowned out by percussive clatter. [Nov 2002, p.106]
User score distribution:
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JackDJun 19, 2004Pure genius. A little top heavy, but still worth at least an 85.