For 2,093 reviews, this publication has graded:
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66% higher than the average critic
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3% same as the average critic
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31% lower than the average critic
On average, this publication grades 0.6 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
Highest review score: | City of Refuge | |
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Lowest review score: | Lulu |
Score distribution:
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Positive: 1,670 out of 2093
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Mixed: 412 out of 2093
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Negative: 11 out of 2093
2093
music
reviews
- By Date
- By Critic Score
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- Critic Score
Weed Garden is both a wonderful bonus in relation to "Beast Epic" and an enchanting collection that deserves to be valued for its own plentiful merits.- Boston Globe
- Posted Aug 31, 2018
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Even without backstories, the songs speak for themselves. Michael plays keyboards and wields his clarion tenor like a flaming sword. Tanya’s voice is sinuous and muscular, with a raw edge that was wrapped in layers of reverb on her earlier work but now packs an invigorating punch as she tears through high notes.- Boston Globe
- Posted Aug 24, 2018
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With 14 tracks clocking in at around 30 minutes, the album is a remarkably fast listen given the amount of detail packed into each song. Mitski is generally successful at wrapping big ideas into impactful vignettes, although there are some points that move so fast they feel inconsequential.- Boston Globe
- Posted Aug 15, 2018
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With both her words and music, Shires isn’t holding herself back on To the Sunset, and though the left turns might take some getting used to for old fans, her growing conviction in herself as a songwriter and frontwoman is enough reason to stick around.- Boston Globe
- Posted Aug 1, 2018
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Full of feel-good, sonically textured Americana jams about peace and love, Nash’s latest batch of songs make for a satisfying, if somewhat one-note, late addition to your summer vibes playlist.- Boston Globe
- Posted Jul 25, 2018
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The wisdom she imparts across the songs that follow is profound in its simplicity, but it still needs to be heard: McKenna’s omniscient narrators are simultaneously understanding toward their subjects and interrogating toward themselves, a generosity of spirit that, when paired with Cobb’s thoughtful, subtle arrangements, is a quiet yet welcome tonic to the current landscape.- Boston Globe
- Posted Jul 20, 2018
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Punch Brothers have crafted a deeply meaningful and downright gorgeous record that takes the world for what it is, but doesn’t use that as an excuse to give up.- Boston Globe
- Posted Jul 18, 2018
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“Dirty Projectors” struggled toward hope, but Lamp-Lit Prose has found it, and at its end it opens toward new possibilities.- Boston Globe
- Posted Jul 11, 2018
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How much Gorillaz fans enjoy The Now Now will depend on why they became fans in the first place. Anyone captivated by Hewlett’s world-building will probably feel a little let down, as will those who fell for their eclectic, big-tent approach to pop. That leaves the Damon Albarn diehards.- Boston Globe
- Posted Jul 5, 2018
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The songs on “High as Hope” don’t have as much youthful urgency of past anthems, but Welch’s thoughtful words and the raw power of her melodies keep the songs compelling. The lush production by Emile Haynie (Lana Del Rey) and Welch herself (her first production credit) bolster each song with sweeping atmosphere.- Boston Globe
- Posted Jun 29, 2018
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Lloyd complements Williams’s plaintive growl with his own tenor saxophone cries, in some cases the obbligatos becoming an ongoing commentary. ... “Blues for Langston and LaRue” shows off Lloyd’s buoyant flute work. The Lloyd/Frisell duet on Thelonious Monk’s “Monk’s Mood” is capacious and endearing. And the album closer, Jim Hendrix’s “Angel”--with just the trio of Williams, Frisell, and Lloyd--is a spare and apt benediction, dispelling darkness with the faith of art.- Boston Globe
- Posted Jun 27, 2018
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Production-wise, the album sounds amazing, every multilayered arrangement and synth tone calibrated for maximum headphone-listening pleasure. ... Reznor is still making records that crackle with restless energy.- Boston Globe
- Posted Jun 20, 2018
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This album offers a 12-song slice of unpretentious, lovely Americana. Her songs didn’t vie for my attention or seize it; instead, I felt like I was settling into their embrace, unrushed. My heart rate slowed. Erin Rae’s lyrics are wistful and sometimes personal.- Boston Globe
- Posted Jun 14, 2018
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Songcraft is a problem throughout the album’s 12 bloated tracks, but the fact that they’re long isn’t the issue--Marr can, and has, held our attention before. It’s more that they lack conviction and structure.- Boston Globe
- Posted Jun 14, 2018
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Jordan exudes a level of confidence that’s all her own, never once flinching at the opportunity to reveal her feelings and insecurities, and it’s her insight and level-headedness that take her music beyond catchy earworms.- Boston Globe
- Posted Jun 7, 2018
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Over seven songs spanning 24 minutes, “Ye” is immediately disturbing (“I Thought About Killing You”), slightly exhilarating (“Yikes”), bafflingly underwhelming (“All Mine,” “Wouldn’t Leave,” and “No Mistakes”), and fleetingly brilliant (“Ghost Town”). The one thing it’s not is coherent.- Boston Globe
- Posted Jun 4, 2018
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Nearly every song on the new Courtney Barnett album has something to recommend it--a familiar melody that takes distinctive turns, a lyric that grows deeper with each listening, strong backup from a band led by Barnett’s rough-hewn guitar riffs.- Boston Globe
- Posted May 16, 2018
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It takes a few listens for this space oddity to come into focus, but Tranquility Base gradually proves itself a rather daring reinvention. It’s poetic and expansive, subdued yet spellbinding--altogether, one giant leap for Monkey-kind.- Boston Globe
- Posted May 14, 2018
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The sound and the playing are crisp and lean, with sharp lines drawn between the guitar, bass, keyboard, and drums in a way that keeps them distinct. It also sometimes keeps them frustratingly distanced from one another, as the otherwise pleasantly groovy “Red Light Kisses” and “Baby Don’t Leave Me Alone With My Thoughts” echo the coolly dispassionate jazz-funk lite of the ’70s and ’80s.- Boston Globe
- Posted May 7, 2018
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The headiness doesn’t always work to Dupuis’s advantage; for every song on Twerp Verse that gets its point across with fresh, memorable language, there’s one where cutting through the thickets of wordplay feels more exhausting than enjoyable. Still, when she gets the balance just right, as she does on the creepy sexual-harassment story “Villain” and the romantic-dysfunction anthem “Backslidin’,” she’s one of indie rock’s finest lyricists.- Boston Globe
- Posted Apr 27, 2018
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The goodies are hidden in the deeper tracks. The Hit-Boy-produced title track starts with a vocal siren, and the singer struts through her haunting lower octave over a high-octane stomp.- Boston Globe
- Posted Apr 13, 2018
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The songs are bigger, the production is bolder, and Hop Along is more confident than ever, expertly weaving fresh, unexpected elements into its sound.- Boston Globe
- Posted Apr 6, 2018
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An album this endlessly chill might get boring in a less talented songwriter’s hands, but Musgraves never fails to draw listeners into her reverie.- Boston Globe
- Posted Mar 28, 2018
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The only time the Neighbourhood really comes to life here is on the disc’s final track, refreshingly summery toe-tapper “Stuck With You.” That track aside, this release will do little to convince critics that the Neighbourhood is anything more than Maroon 5’s monochromatic photo negative, and about as intriguing as that descriptor suggests.- Boston Globe
- Posted Mar 21, 2018
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White does pretty much everything except what fans have learned to expect from him. It’s an ambitious, dizzying, and sometimes challenging listen, but overall makes for one of the most maniacally creative albums of the year.- Boston Globe
- Posted Mar 21, 2018
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The Breeders have never sounded so determined to make a great record, and with All Nerve their efforts have paid off.- Boston Globe
- Posted Feb 28, 2018
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All at Once is an accomplished, expertly crafted album, the kind that’s the product of years slugging it out in dank basements and half-empty bars.- Boston Globe
- Posted Feb 21, 2018
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Another great Superchunk record. What a Time to Be Alive bristles with anxious energy; even by Superchunk’s over-caffeinated standards, it keeps an unrelenting pace.- Boston Globe
- Posted Feb 14, 2018
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MGMT spikes the formula with just enough outsider charm to milk an album’s worth of inspiration from the tired aesthetic. It’s not going to inspire legions of imitators à la “Oracular Spectacular,” but Little Dark Age should be both hooky and eccentric enough to please MGMT fans of all stripes.- Boston Globe
- Posted Feb 8, 2018
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Though Milosh remains focused on exploring the full range of his vocal instrument, he infuses the album’s 11 tracks with a sultry, often carnal warmth and raw energy that Rhye’s debut eschewed in favor of hushed, slickly produced ambience.- Boston Globe
- Posted Feb 1, 2018
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