For 2,093 reviews, this publication has graded:
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66% higher than the average critic
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3% same as the average critic
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31% lower than the average critic
On average, this publication grades 0.6 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
Highest review score: | City of Refuge | |
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Lowest review score: | Lulu |
Score distribution:
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Positive: 1,670 out of 2093
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Mixed: 412 out of 2093
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Negative: 11 out of 2093
2093
music
reviews
- By Date
- By Critic Score
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- Critic Score
The driving finale, 'Home,' finds her asserting, "Let's live in the glory," and hitting a magnificent buoyant piano bridge that says as much.- Boston Globe
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- Boston Globe
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- Critic Score
With such a sweeping sonic palette, it's a pleasant surprise that the record doesn't crumble under its own auspices.- Boston Globe
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- Critic Score
The veteran rock 'n' roller manages a few neat tricks on this sprawling head-spinner.- Boston Globe
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An album as lean, mean, and gritty as the cover image of someone behind a steering wheel, peering into the rearview mirror with windshield wipers in motion.- Boston Globe
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Carnival Dreams, a worthy successor to Underwood's 6-million-selling debut, will surely install the blond belter from Checotah, Okla., on the crossover throne once occupied by Faith Hill and Shania Twain.- Boston Globe
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Raising Sand is the stuff of which music lovers' dreams are made: an unexpected collision of two distinct but complementary worlds that transcend the sum of their parts to create something unique and mesmerizing.- Boston Globe
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The crowning achievement, though, comes with a fantastic slice of raw Southern soul, 'Humble Me,' that sounds like it came straight out of Muscle Shoals circa 1969.- Boston Globe
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The results are surprisingly encouraging. Flavor Flav, having been turned by VH1 into even more of a caricature (if possible) than he already was, reminds PE fans that he is still a competent and efficient hypeman, and Chuck D sounds angrier and rawer than he has in years.- Boston Globe
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The album's Gothic-tinged Americana is an uneasy road but blazes a trail worth exploring, one that is more about the journey and not so much about the destination.- Boston Globe
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Throughout, Harte infuses much of the record with the chopped-up high-hat propulsion of DFA-style dance-floor abandon that makes studying your history a lot of fun.- Boston Globe
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Even though she doesn't get the same kind of attention as some of her peers do, Angie Stone is a supreme talent, and this album really shows it.- Boston Globe
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The 15 tracks on The Real Thing feature a slew of styles and producers--among them Scott Storch (DMX, 50 Cent), Adam Blackstone (the Roots), Om'Mas Keith (Jay-Z), and Shafiq Husayn (Jurassic 5)--all gathered in pursuit of a mission outlined on the album's gorgeous, abstract opener, a meditation on open-mindedness.- Boston Globe
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Together, the EPs form a beautiful post-rock symphony, topped by singer and guitarist Jonsi Birgisson's simultaneously naive and profound singing.- Boston Globe
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If there was ever a record created to turn a pop singer into a star, it's Brown's sophomore effort.- Boston Globe
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His dance-pop tunes are surprisingly fresh and emotionally meaty, without a hint of complacency.- Boston Globe
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The band is clearly comfortable with the medium that it occupies between aggressive and technical post-hardcore yet is beginning to tread new territory.- Boston Globe
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Save the Four Tops medley there has yet to be a match for Levi Stubbs--the Boyz sound as strong and harmonious as ever.- Boston Globe
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This isn't new territory for Ghostface, and it's something of a marvel that his signature narrative style still feels fresh on his seventh solo outing.- Boston Globe
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The tracks are impeccably manicured, super-tuneful, and offer lyrics about the various agonies and ecstasies of love that are unremarkable in and of themselves but reach nuclear-threat levels of desperation thanks to Lewis's voice.- Boston Globe
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Fiasco builds on that promise [in "Food & Liquuor"] exponentially with the triumphant Cool, which gets extra style points for bringing back the idea of the headphones hip-hop album.- Boston Globe
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Distortion isn't an easy listen, with its strict, difficult palette. But it's an endlessly fascinating and provocative one.- Boston Globe
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Some People Have Real Problems reveals the other Sia: plucky, bubbly, and growling purposefully through assertive pop songs.- Boston Globe
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BSP has backed up its postured oddities and idiosyncrasies with a new raison d'être: to deliver the true stuff of rock 'n' roll.- Boston Globe
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A tender fragility still touches her music, effectively so, but these strong interpretations feel like another step toward strengthening her own foundations.- Boston Globe
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It is vintage Truckers for the stories it tells: portrayals, in the first person or the third, of lives far too achingly real and imprinted by such forces as crystal meth, the manufacturing recession, and the Iraq war to warrant the distancing moniker Gothic.- Boston Globe
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At its best, Vampire Weekend takes the exceedingly familiar template of indie rock and invigorates it with a chiming guitar sound that suggests the band has been spending its downtime browsing afropop.org.- Boston Globe
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Made in the Dark announces its intent early: it's straight electro, with a naked disdain for the minor key.- Boston Globe
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Their fourth record, the stunning Lust Lust Lust, retains the Danish duo’s fetish for early pop harmony and surf guitar, not to mention shoe-gaze buzz in their concise, fuzzy bursts of tragic romance.- Boston Globe
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Crow's strong, eclectic new album, "Detours," is filled with optimism about finding a way to correct her course.- Boston Globe
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