Consequence's Scores

For 4,039 reviews, this publication has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Music review score: 69
Highest review score: 100 Channel Orange
Lowest review score: 0 Revival
Score distribution:
4039 music reviews
    • 85 Metascore
    • 100 Critic Score
    The rapping is impeccable, and the project doesn’t overstay its welcome.
    • 96 Metascore
    • 100 Critic Score
    The band opened the vaults for this reissue to give us a sparkling remaster, a sturdy live set from the 40 Watt Club (though it hardly begs for canonization like 2009’s revelatory, rarity-packed Live at the Olympia), and a juicy third disc of demos. Some of these are pretty fun.
    • 84 Metascore
    • 100 Critic Score
    Though the music of Face The Wall can be relatively straightforward indie rock, her enchanting voice is what really separates her from the pack. ... Face The Wall is a remarkably assured statement from a 21-year-old artist.
    • 96 Metascore
    • 100 Critic Score
    There's more than enough here to disavow thoughts that this is a needless cash grab by Corgan.
    • 76 Metascore
    • 100 Critic Score
    Through it all is a patient sense of comfort and understanding, retaining the playfulness of their previous efforts, the seriousness of being a rock musician in the 2020s, and the approachable air that ties it all together.
    • 86 Metascore
    • 100 Critic Score
    After claiming his place in the spotlight by overwhelming force with The Epic, Kamasi Washington capitalizes on both his newfound fame and his journeyman work ethic to produce a follow-up that’s more intimate and just as daring at the same time.
    • 90 Metascore
    • 100 Critic Score
    It is an absolute monster of a record that clocks in at just over 67 minutes with a staggering 23 tracks — and boy, was it worth the wait. If Ctrl was a near-perfect debut, S.O.S might be an inch closer to masterclass status.
    • 87 Metascore
    • 100 Critic Score
    Death of a Cheerleader is a cohesive, emotionally affecting work. With this album, Mia Berrin solidifies her place among the newest class of indie stalwart songwriters, carving out this space in a fearless and vulnerable way.
    • 81 Metascore
    • 100 Critic Score
    It cements what she does best: giving trends of the past a clever and useful update. Our Extended Play comes from a place of sincerity, relying on familiar comforts without ever feeling out of date.
    • 98 Metascore
    • 100 Critic Score
    Bolt Cutters delivers a much-needed auditory exercise for the sequestered masses and surely one of the best albums to grace us in 2020. Eight long years later, Fiona Apple proves her return was worth every second in waiting.
    • 88 Metascore
    • 100 Critic Score
    Mellon Collie and the Infinite Sadness doesn't need rose-colored lens for appreciation. The album's success still lies from all the stylistic risks the band assumed, especially in comparison to music other alternative bands were creating at the time.
    • 91 Metascore
    • 100 Critic Score
    Baroness currently find themselves in a place of great maturity, exhibiting superb musicianship. It’s fitting for Gold & Grey to be the conclusion of the band’s color-themed albums. The array of instrumentation and emotion throughout not only make Gold & Grey a joy to listen to, but also an achievement of which Baroness can truly be proud.
    • 89 Metascore
    • 100 Critic Score
    Woods embodies the cultural makeup of Chicago, tackles the multiplicity of identity, and balances her dominance with flawlessly selected features that build her up. ... This record could be the basis for a college course or used as an actually accurate history book.
    • 83 Metascore
    • 100 Critic Score
    It’s clear that these five musicians have learned the rules and are actively breaking them, and their unpredictability from moment to moment is powerful, fun, and enigmatic. ... If Projector is any indication, Geese will be breaking conventions for years to come.
    • 94 Metascore
    • 100 Critic Score
    It’s in her own vocal and musical versatility that Polachek can create a new map to discover, and the results are nothing short of thrilling.
    • 96 Metascore
    • 100 Critic Score
    It's easy to lose yourself in the countless studio takes. Little gasps of pure genius here and there. The slow dissolution to it all. The echoes of things to come. It's a history lesson come to life, and that's part of the reason the collection here works so well.
    • 88 Metascore
    • 100 Critic Score
    The first big album of 2022 delivers like an 80 lb. baby.
    • 90 Metascore
    • 100 Critic Score
    The 2013 remix is a bit of a wash, if only because the album already sounded great.
    • 79 Metascore
    • 100 Critic Score
    Adams assembles a stunning scrapbook that captures heartbreak in an intimate array of snapshots, a collection that marks his most accomplished record since Heartbreaker.
    • 86 Metascore
    • 100 Critic Score
    With this collection, she proves that she was not just a shot in the dark or a blaze lighting up the sky for only a moment.
    • 86 Metascore
    • 100 Critic Score
    This isn’t so much an evolution, but a complete restructuring of Van Etten’s sound. It’s her OK Computer if you want to get frank.
    • 83 Metascore
    • 100 Critic Score
    Laurel Hell follows suit in Mitski’s determined approach, and the resulting album is a sophisticated and magnetic collection of songs. But more than that, it’s Mitski trusting herself, confidently blazing forward into the next decade of her storied career.
    • 92 Metascore
    • 100 Critic Score
    Nova Twins bend and blend genres like alchemists, generating a sound specific to them and the undertones of their social movement. ... Supernova is like our generation’s “f**k you” to every version of “the man,” much like The Clash did in 1977 and Rage Against the Machine did in 1992.
    • 96 Metascore
    • 100 Critic Score
    The biblical book of Hebrews says, “Faith is the assurance of things hoped for, the conviction of things not seen.” Never has an album expressed this idea clearer than Ghosteen.
    • 91 Metascore
    • 100 Critic Score
    We now have an album from him so masterful that it'd be greedy to ask for much more.
    • 89 Metascore
    • 100 Critic Score
    With their latest studio album, Slipknot have released one of the strongest albums in their career. When it comes to We Are Not Your Kind, Slipknot live up to the title.
    • 89 Metascore
    • 100 Critic Score
    Even when Parks tries on different hats, Natural Brown Prom Queen still manages to feel cohesive and genuine. ... Meanwhile, songs like “Ciara” and “Freakalizer” feel like hits ahead of their time.
    • 86 Metascore
    • 100 Critic Score
    This is the best album for 2011, and not just the last two months.
    • 81 Metascore
    • 100 Critic Score
    On Honey, Samia finds her power in being an open book.
    • 99 Metascore
    • 100 Critic Score
    What makes Rumours so remarkable and relevant is that it remains fragile and passionate 35 years later.... From a historical, archival standpoint, this package is extremely valuable, as Rhino left in the studio banter and rough cuts from the recording sessions; you get to overhear Fleetwood Mac as they make the record.