Entertainment Weekly's Scores

For 3,519 reviews, this publication has graded:
  • 81% higher than the average critic
  • 1% same as the average critic
  • 18% lower than the average critic
On average, this publication grades 5 points higher than other critics. (0-100 point scale)
Average Music review score: 78
    • 72 Metascore
    • 100 Critic Score
    American Beauty/American Psycho, the quartet's seventh studio album, is even better [than 2013's Save Rock and Roll], and reveals them as perhaps the only current mainstream rock combo capable of making big-venue sing-alongs that also reward deep headphone analysis.
    • 88 Metascore
    • 100 Critic Score
    69 elegant observations by a pop master.
    • 84 Metascore
    • 100 Critic Score
    Ndegeocello's dreamy vocal styles buttress this boudoir-freindly work. [28 Sep 2007, p.106]
    • Entertainment Weekly
    • 93 Metascore
    • 100 Critic Score
    Captures the punk attitude, brittle R&B vamps, and quirky lyrical trips of their early years. [20/27 Aug 2004, p.123]
    • Entertainment Weekly
    • 79 Metascore
    • 100 Critic Score
    This lush, un-hurried album reveals a surer character, rebuking other rappers who talk smack "just to get a reaction" and even relatives diminished by easy money and proximity to fame.
    • 77 Metascore
    • 100 Critic Score
    Their ensemble sound remains sharp and inimitable.
    • 85 Metascore
    • 100 Critic Score
    It's their trademark boisterous hyper-melodies... that will have you involuntarily humming their praises for weeks (months!) to come. [26 Aug 2005, p.59]
    • Entertainment Weekly
    • 67 Metascore
    • 100 Critic Score
    The cumulative result is an exhilarating, bone-deep experience--a true album, built for sustained listening.
    • 72 Metascore
    • 100 Critic Score
    The delicate melodies--sung by Merritt and various innocents, including longtime collaborator Claudia Gonson--make all the psychic mayhem go down smoothly, barely leaving a trace of blood on the floor.
    • 89 Metascore
    • 100 Critic Score
    The album radiates universal beauty and truth in the tradition of Stevie Wonder and Minnie Ripperton--and the whole world could simply use more of that.
    • 95 Metascore
    • 100 Critic Score
    After delving into the personal on 2012’s good kid, m.A.A.d. city and going broader on Butterfly, Lamar has found a middle ground on DAMN. that yields some of his most emotionally resonant music yet.
    • 81 Metascore
    • 100 Critic Score
    Ward's talents have never been more persuasively showcased. [1 Sep 2006, p.77]
    • Entertainment Weekly
    • 68 Metascore
    • 100 Critic Score
    A glorious blend of punk and power pop straight outta '78. [22/29 Aug 2003, p.133]
    • Entertainment Weekly
    • 75 Metascore
    • 100 Critic Score
    A magisterial album.... If the group has cast off some of the youthful eclecticism, the three Chicks have pulled off something more difficult: refined their trademark sound without allowing it to turn into a copyrighted formula.
    • 83 Metascore
    • 100 Critic Score
    You could figure it as a sop to today's interactive mash-up culture. Or you could say it's just extending the medley-ish, segue-happy ethos of Abbey Road to the band's entire catalog. Really, it's both, and it's bliss.
    • 62 Metascore
    • 100 Critic Score
    In Your Dreams, Nicks' first studio album since 2001, is also streaked with the witchy-woman weirdness only she can bring.
    • 82 Metascore
    • 100 Critic Score
    Another set of songs that are political and unflinchingly personal, but still manage to entertain. [7 June 2002, p. 76]
    • Entertainment Weekly
    • 80 Metascore
    • 100 Critic Score
    Displaying a cohesion rarely heard in albums these days, ''A Rush of Blood'' bobs from one majestic little high to another.
    • 78 Metascore
    • 100 Critic Score
    This concert CD/DVD does a great job of highlighting both sides of The White Stripes' carefully controlled public persona.
    • 72 Metascore
    • 100 Critic Score
    Their [the guest artists'] fresh influx of ideas on The Flaming Lips and Heady Fwends creates new flavor profiles for the band's loopy psychedelic slurry.
    • 95 Metascore
    • 100 Critic Score
    Stankonia reeks of artful ambition rendered with impeccable skill -- or as one song title so concisely has it, ''So Fresh, So Clean.''
    • 80 Metascore
    • 100 Critic Score
    The season's most thrilling holiday release. [1 Dec 2006, p.85]
    • Entertainment Weekly
    • 94 Metascore
    • 100 Critic Score
    He samples atmospheric noodling from Aphex Twin and bombastic nuggets from Black Sabbath and King Crimson, and he gets help from some of the biggest names in pop, rap, and indie rock. West crafts these influences into a fever dream with a crescendo around every corner - the Beautiful Fantasy of the album's title.
    • 70 Metascore
    • 100 Critic Score
    From start to powerful finish 16 tracks later, Scorpion pumps up the volume, the rhythms, everything.
    • 87 Metascore
    • 100 Critic Score
    Lovely, heartbreaking, and just diffident enough to get perspective on this bittersweet old world. [26 Sep 2003, p.94]
    • Entertainment Weekly
    • 85 Metascore
    • 100 Critic Score
    Alt-rock blues darker and scarier than Jon Spencer or even Jack White ever imagined. [24 Dec 2004, p.66]
    • Entertainment Weekly
    • 89 Metascore
    • 100 Critic Score
    A stunning effort. Solange creates such fully realized art that even when she may be expressing uncertainty and doubt, she’s charging herself--and her audience--with finding possibility.
    • 75 Metascore
    • 100 Critic Score
    His major-label debut proves he's more than a magnetic hedonist.
    • 73 Metascore
    • 100 Critic Score
    Magic, his best record since "The River" in 1980. [5 Oct 2007, p.68]
    • Entertainment Weekly
    • 86 Metascore
    • 100 Critic Score
    It's not all darkness: The Brighton, England-based quintet offers enough straight-ahead rockers to keep the CD from turning into dirge overkill. [Oct 2003, p.95]
    • Entertainment Weekly