Logo's Scores
- Music
For 88 reviews, this publication has graded:
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65% higher than the average critic
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4% same as the average critic
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31% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Music review score: 74
Highest review score: | Uh Huh Her | |
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Lowest review score: | The Ladybug Transistor |
Score distribution:
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Positive: 74 out of 88
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Mixed: 12 out of 88
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Negative: 2 out of 88
88
music
reviews
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The defining characteristic of ‘Happiness In Magazines’ isn’t its full sound, nor its sharp reminder of what a great band Blur used to be; its in the sheer imaginative scope.- Logo
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The key is - unlike the tongue-in-cheek cock-rock of The Darkness and the running joke of Electric Six - Scissor Sisters are reverential to the sounds of the 70’s.- Logo
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It most probably won’t attract new fans, but Margo Timmins’ voice is as unique as Thalia Zedek’s, for example, and remains their greatest asset.- Logo
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His mumbled burr recalls that half-awake state where reality melts, a strain of Southern Gothic best listened to at 3am with a half-empty bottle of bourbon and all the lights on.- Logo
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Quite simply, this is the most invigorating album released in recent times and definitely one for the collection.- Logo
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Though Auf Der Maur has run off with their blueprint and built it as seen, there’s raw passion and no little class here; Corgan and Love must be rueing their luck.- Logo
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This is what you get when you give an overactive imagination the space to expand; it’s indescribably perfect.- Logo
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Felix Da Housecat’s shift into the wastelands of punk- funk and No Wave has given ‘Devin Dazzle And The Neon Fever’ the feel of an excursion into virgin territory.- Logo
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Bazan will never sound truly happy on record, but here he’s as content as anyone could have hoped for, and all the healthier for it.- Logo
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The names Pitchshifter, Nine Inch Nails and Rammstein are often bandied about in this company, but here’s a tip: Skinny Puppy have rendered them once again irrelevant.- Logo
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A significant broadening of the tonal spectrum notwithstanding, the outfit manages to keep their ferocity intact, although the malevolence is structured with a shrewd infusion of melodic vocals, flourishing experimental dynamics and a motherlode of striking riffs.- Logo
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It isn’t the place of a debut to straddle styles as diverse as harmony-drenched 60’s beat-soul, the shoegazing sound-paintings of the 80’s and relaxed futurism of now, yet this is their debut, and it covers all this and more.- Logo
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Unfortunately there are only flashes of Curtis breaking free of the overwhelming dominance of their prog tendencies. When used sparingly they are rich and absorbing, but in these instances they lack impact.- Logo
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Unfortunately, whereas sounding out of place in the late 90s worked in their favour, in the mid-noughties the lack of pretty faces, Converse Allstars and - perhaps most important of all - any half-decent tunes is unlikely to bring Gomez first prize even in their local pub’s battle of the bands.- Logo
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Even a half good Morrissey album is streets ahead of the competition.- Logo
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This is music best heard in the dark, on your back.- Logo
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Mirah’s ability to paste candy-pop nursery rhymes over voluptuous, macabre arrangements is truly unique and wholly un-matched.- Logo
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It’s as simple as songwriting can get; as striking as songwriting can get.- Logo
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Catching electronica in it’s embryonic state and somehow fusing it together with lush folk stylings, weathered ambience and the slightest - most beautiful - trace of vocals ‘Summer Makes Good’ is a truly breath-taking record.- Logo
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A collection of frisky funk, slinky soul, raucous R&B and heated rock ‘n’ roll based on real songs, rather than the doodles and sketches that have recently become the norm.- Logo
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If invention and imagination are the criteria to judge, this is a future classic.- Logo
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