New Musical Express (NME)'s Scores
- Music
For 6,013 reviews, this publication has graded:
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55% higher than the average critic
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4% same as the average critic
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41% lower than the average critic
On average, this publication grades 1.9 points lower than other critics.
(0-100 point scale)
Average Music review score: 71
Highest review score: | to hell with it [Mixtape] | |
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Lowest review score: | Maroon |
Score distribution:
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Positive: 4,233 out of 6013
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Mixed: 1,627 out of 6013
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Negative: 153 out of 6013
6013
music
reviews
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- By Critic Score
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- Critic Score
About as funny as pouring weedkiller on your genitals and then setting fire to them. [7 May 2005, p.66]- New Musical Express (NME)
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[They] not only resemble hoity-toity Fields Of The Nephilim lookalikes but are just as godawful to listen to.- New Musical Express (NME)
- Posted Apr 5, 2011
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'The Boy With No Name' is everything you'd expect from a new Travis album and less.- New Musical Express (NME)
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'Break The Cycle' is nu-metal as envisaged by Tipper Gore - 14 tracks of parent-friendly grunge-flavoured soft rock that make Creed sound like GG Allin.- New Musical Express (NME)
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The only person this record would ever appeal to is the man who made it--Jack Black. [11 Nov 2006, p.43]- New Musical Express (NME)
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What follows is the sound of a band trying and failing to forge a new identity - boy-band balladry, U2-style stadium rock and Metallica-esque melodic crunch are all attempted with predictably patchy results.- New Musical Express (NME)
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The title track sounds like it is vocalised by the female speech function on a Mac's TextEdit facility and is roughly the worst thing ever made, yet it's still only the third-worst track on the album- New Musical Express (NME)
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Radric Davis is deeply flawed, and ultimately Gucci has committed the worst crime in rap: he’s boring.- New Musical Express (NME)
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The beats are from the worst Ice Cube album ever made and the rhymes are sub-Coolio. [18 Dec 2004, p.51]- New Musical Express (NME)
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Yeah, it’s his shtick, and you could laugh with him if the music was in any way exciting. Unfortunately, however, Dark Touches filth-funk fury is made impotent by sheer lack of hooks.- New Musical Express (NME)
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She has talent to burn, but rather than challenge herself, Stone has chosen to throw herself on a multi-million dollar bullet train to the centre of mediocrity.- New Musical Express (NME)
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Things limp from bad to tedious with 'White Noise', a song so passé it just bought its first shares in ITV Digital.- New Musical Express (NME)
- Posted Apr 24, 2012
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Ensconced in the current UK hip-hop trend of being both depressing and cheesy, 23-year-old James Devlin raps about weapons, swine flu and diabetes.- New Musical Express (NME)
- Posted Feb 6, 2013
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Sounds like helium-voiced rockers Rush discovering a social conscience. [30 Oct 2004, p.65]- New Musical Express (NME)
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James' big thing was anthems, and here they do every single anthem they ever thought of. The crowd think it's brilliant, and they cheer when Tim Booth talks about God. The crowd are plainly mad.- New Musical Express (NME)
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You can’t help but feel that Gary Go’s biggest ambition is to be on the soundtrack for "The Hills."- New Musical Express (NME)
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'Mimi' manages the unique trick of being self-indulgent without actually ever sounding much like Mariah. [16 Apr 2005, p.51]- New Musical Express (NME)
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Dummy Boy is one of the most unlistenable rap records of this year. ... He’s delivered a bland project. Often, it’s as though he took what was in his drafts folder and released it as a “studio album.”- New Musical Express (NME)
- Posted Dec 3, 2018
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The Loudest Engine punches for psychedelia and falls flat in a puddle of MOR.- New Musical Express (NME)
- Posted Feb 1, 2012
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So, you're a founding member of the legendary hip-hip combo Wu Tang Clan. And your fans are extremely pissed because you went and done a track with that Justin Bieber.- New Musical Express (NME)
- Posted Mar 7, 2011
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And what illuminating revelation do we learn from the half conceived, cottonmouthed rubbish that constitutes ‘Democrazy’? In full: ‘thank Christ Blur usually finish writing their songs before they sell them, otherwise they’d be shit’.- New Musical Express (NME)
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Musically, they’ve ripped off swathes of things contemporary and popular to make them ‘hip’, but it just feels like some dodgy old guy at a bus stop telling you he digs Klaxons.- New Musical Express (NME)
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- Posted Jul 26, 2011
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Margins though, is mawkish and self-indulgent to the last, a wet weekend of a record, drably trudging through inelegant, wannabe-Mike Leigh vignettes into Smith's failed relationship.- New Musical Express (NME)
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And Then Boom is the moment the ironic ’80s electro revival finally manages to jump the shark.- New Musical Express (NME)
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Stultifying moroseness and a constant furrowing of the brow permeate from start to finish. [21 Aug 2004, p.49]- New Musical Express (NME)
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Ineffectual hippy grumblings that will make you want to sleep. [4 Jun 2005, p.58]- New Musical Express (NME)
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Cardiology is monstrously offensive – the latest shit-streak by music's laziest sons.- New Musical Express (NME)
- Posted Nov 1, 2010
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The Christmas album can risk being a sonic Round Robin, of interest to few but its creators, dispossessed of all perspective as they've mired themselves deep in their icky, cosy world.- New Musical Express (NME)
- Posted Jan 18, 2012
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[He] returns with exactly the same sound he's been torturing us with for years. [9 Jul 2005, p.58]- New Musical Express (NME)
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- New Musical Express (NME)
- Posted Oct 25, 2012
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It’s actually Dire Straits gone trip-hop and everyone involved... should be brutally beaten to death with a tray of Ferrero Rocher.- New Musical Express (NME)
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The album itself consists of 11 tracks of unimaginative pub rock that, at best, rips off The Darkness, and at worst comes across like a bunch of teenagers in their first band.- New Musical Express (NME)
- Posted Feb 21, 2013
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It's difficult to believe Limp Bizkit could return after all this time somehow even more hateful than before.- New Musical Express (NME)
- Posted Jun 28, 2011
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'Lions' is widdle-smothered great-grandadrock shite that Hendrix could whack off in ten minutes today, despite being dead. Pumped full of funk-rawk formaldehyde to stop the choruses dropping off, it boasts all the originality of a cloned baked bean and about as many tunes as a tractor makes trying to get out of a ditch.- New Musical Express (NME)
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Ireton’s voice has an unschooled grace which elevates ‘Hiding Neath My Umbrella’ to the status of an interesting, if flimsy, curio in Murdoch’s canon. It’s just a shame the rest of the record, and the new recruits, are so fucking woeful.- New Musical Express (NME)
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Despite Cee Lo's vocal guidance (Brixton Briefcase), you almost black out from the terribleness before coming to and realising you're too good for this soulless nonsense.- New Musical Express (NME)
- Posted Feb 10, 2011
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This album is a tribute to enduring a profoundly underwhelming pop star existence. The banality could be forgiven if it included even one decent hook but alas, no.- New Musical Express (NME)
- Posted Dec 16, 2010
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- Posted Oct 26, 2011
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Suit represents Nelly going smooth and seductive for an entire LP, and it is about 9,000 times as bad as that sounds. [2 Oct 2004, p.63]- New Musical Express (NME)
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At its best, this is the sound of Captain Tofuheart; at worst -- on 'Elegy' -- it is literally an out-of-tune dirge. [29 Apr 2006, p.39]- New Musical Express (NME)
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The Hacker is still a dab hand at dark electro, his rich, chewy tracks bubbling like molasses in a cauldron; Miss Kittin still veers close to self-parody.- New Musical Express (NME)
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They peddle clichés about ugly ducklings and shagging that are so offensive they make a donkey braying into a bin sound like the ripe observations of a Charlie Brooker column.- New Musical Express (NME)
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Half the time, Good Charlotte sound like Blink-182 after the snip, the other half they sound like the Backstreet Boys without the songs. [16 Oct 2004, p.48]- New Musical Express (NME)
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In the end, this can't even make you feel angry; just desperately sad. [16 Jul 2005, p.50]- New Musical Express (NME)
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OK, here's some track titles - 'Too Little Too Late', 'Never Do Anything', 'Pinch Me' - and, guess what, THEY ALL FUCKING SUCK! Not just Weller, Ashcroft or Belle & Sebastian sucky but Mike & The Mechanics, Tin Machine and, yes, Hootie And The Blowfish sucky.- New Musical Express (NME)
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