Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.7 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 83 Metascore
    • 60 Critic Score
    After a couple plays, his just-crawled-out-of-bed falsetto and homemade designs start taking root. [Nov 2002, p.102]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    Rejoice is sparse, just drums and bass, with Masekela's flugelhorn providing the fluidity and freshness that elevates it above the park kickabout it might've been. [May 2020, p.100]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    As richly rewarding a work of brilliance as it is, Crack The Skye will nonetheless be beyond the ken of all but those with the most open of minds--or pre--attuned ears. [Apr 2009, p.107]
    • Q Magazine
    • 82 Metascore
    • 40 Critic Score
    There are exquisite moments here, mostly the simpler ones, but not as many as there should be. [Dec 2002, p.100]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    Though not without merit, the reliance on other people's melodies (and words on the Caroline Says-pilfering Distortions) can become trying after a while.
    • 82 Metascore
    • 60 Critic Score
    Europe is a more mainstream, although melancholy, affair, all about exile and extended youth. It's sometimes too much... But when Allo Darlin' snag hooks and get hopeful, they're wonderful. [Jun 2012, p.96]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    Strangely engaging.
    • 82 Metascore
    • 60 Critic Score
    As the exclaimation mark in their name suggests, their every sentiment is exaggerated, but they do do careening anxiety rather well. [Nov 2008, p.110]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    This is cosmic R&B. [May 2013, p.95]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    Unexpectedly vibrant, like riot grrrl with tunes. [Oct 2002, p.100]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    These BBC radio sessions from the period don't offer many revelations. There's still a thrill to be had from listening to them rattle through this selection of--mostly--non-originals though. [Jan 2018, p.117]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    The overlong 'Faith/Void' aside, this is another absorbing collection. [Apr 2009, p.100]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    He mostly rises to the occasion. What the vocals lack in beauty, they make up in expressiveness. [Mar 2015, p.112]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    It's 10 tracks are produced by veteran Chicagoan No ID, who provides a consistently soulful feel for the rapper's reflection on family, fatherhood and fidelity. [Sep 2017, p.110]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    Dawson's vision is exceptional; his sound is harder to follow. [Dec 2019, p.109]
    • Q Magazine
    • 82 Metascore
    • 40 Critic Score
    Sound[s] like out-takes from [Daft Punk's] Discovery. [Jun 2005, p.118]
    • Q Magazine
    • 82 Metascore
    • 40 Critic Score
    There's too little oomph to suggest they'll bother the scorers. [Jul 2017, p.114]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    A dramatic, wide-screen, expertly executed, even genuinely executed thrilling rock record worthy of an audience way beyond nu-prog’s regular constituency. [Apr 2007]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    Rodriguez digs deeper into rave and party culture here. [Jun 2020, p.97]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    Occasionally, Byrne subtly expands her musical palette with strings and woodwind, but never at the expense of her own guitar and vocals. [Feb 2017, p.111]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    The accompanying impression of sincerity is enough to save unashamedly sentimental tunes such as Wedding Party and Two Children from mawkishness. [Jul 2012, p.96]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    He's still more traditionalist than outlier, but that's not necessarily a bad thing. [Jul 2020, p.19]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    His sometimes-still-too-warbly voice is the main instrument on this follow-up, but it's pockmarked with new friends' influence. [May 2013, p.96]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    Savages are still best viewed in the wild, then, but Silence Yourself documents a spirit and passion that could never be background music. [Jun 2013, p.98]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    With her debut, the former member of art-noise cult Gowns sounds like she would quite literally rip out her heart as a sleeve adornment if it served her creative purpose. [July 2011, p. 111]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    It might not add up to a must-have, but it's good to hear Springsteen with the pressure off. [Jun 2006, p.112]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    A curious document, but one that serves as a reminder of Hegarty's ability to catch the light live. [Sep 2012, p.97]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    Unsurprisingly, the atmosphere is often weigted with doom, though there's an intoxicating impetus to the tar-like bass and woozy funk. [Aug 2008, p.140]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    It's clear Russell was a true renaissance man, as at home with thoughtful guitar pop as he was with New York disco. [Dec 2008, p.143]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    The gauzy production effects on Lamplight are among the few concessions to modernity, though the opening credits theme proper--where Zeffira breathily channels chanteuse Francoise Hardy--is hauntingly gorgeous. [Apr 2015, p.98]
    • Q Magazine