Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.7 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 100 Metascore
    • 100 Critic Score
    The studio out-takes are where the real action is: a strummy Julia sounds like it could have been on Rubber Soul, the Take 17 version of Helter Skelter is thrillingly raw and there's a spectral early take of While My Guitar... he Beatles were clearly having a ball here. [Dec 2018, p.117]
    • Q Magazine
    • 100 Metascore
    • 100 Critic Score
    Familiarity hasn't taken all the shine off Led Zeppelin IV, because once you get past the aforementioned over-exposed "hits," there's still the frantic Four Sticks and When The Levee Break's big lumbering blues to knock you off your feet again. [Nov 2014, p.125]
    • Q Magazine
    • 100 Metascore
    • 100 Critic Score
    28 [demos] are included in all their fascinating what-if promise, some heralds of later solo recording. ... This collection catches the band at their peak of their powers, the space between the tension and the tenderness still full of revelation. [Jan 2020, p.116]
    • Q Magazine
    • 100 Metascore
    • 100 Critic Score
    Stick to the main text: until they invent time travel, there's no better way to inhale the decadent air of the early '70s. [Jun 210, p.137]
    • Q Magazine
    • 100 Metascore
    • 100 Critic Score
    This remaster makes it glisten like the first time you heard it, while three unreleased tracks show that their vision didn't properly take shape until well into recording. [Aug 2017, p.113]
    • Q Magazine
    • 100 Metascore
    • 100 Critic Score
    What burns from the music is The Clash's defining characteristic: the fact that they were insatiable omnivores. [Oct 2004, p.136]
    • Q Magazine
    • 100 Metascore
    • 100 Critic Score
    George Martin's son Giles's work here is superb. It helps you hear an album you know inside-out as if for the first time. [Jul 2017, p.116]
    • Q Magazine
    • 100 Metascore
    • 80 Critic Score
    It still sounds fabulous and relevant too, though this Super Deluxe Edition with lots of superfluous add-ons and a super £50-plus price tag to match is surely for completists only. [Aug 2011, p.133]
    • Q Magazine
    • 100 Metascore
    • 100 Critic Score
    The world's finest rock'n'roll combo. [Jul 2015, p.119]
    • Q Magazine
    • 100 Metascore
    • 100 Critic Score
    This six-disc "Super Deluxe" edition rescues the treasure, including alternative mixes, a complete live concert and nearly two discs' worth of unheard brilliance. [Jan 2020, p.117]
    • Q Magazine
    • 100 Metascore
    • 100 Critic Score
    Doolittle was a breakthrough.... The Peel Sessions and B-sides aren't essential, but the previously unreleased demos are fascinating. [Jan 2015, p.134]
    • Q Magazine
    • 99 Metascore
    • 80 Critic Score
    The sheer variety of music is astounding. [Jan 2013, p.114]
    • Q Magazine
    • 99 Metascore
    • 100 Critic Score
    Beery, teary, rootsy and rollicking: it's singalong genius at play. [Dec 2014, p.122]
    • Q Magazine
    • 99 Metascore
    • 100 Critic Score
    Everything you love about the band is here, along with anything you don't. ... The demos drive home just how beautifully The Smiths played together. [Nov 2017, p.116]
    • Q Magazine
    • 99 Metascore
    • 80 Critic Score
    The record's sexual frankness unfairly overshadowed the intricate songwriting idiosyncrasies or Phair's deadpan articulation of relationship dynamics. ... [The Girly-Sound tapes] provide a fascinating roadmap to her debut. [Jun 2018, p.119]
    • Q Magazine
    • 99 Metascore
    • 100 Critic Score
    Abbey Road showed The Beatles at the very peak of their collective powers. ... It's certainly not the sound of a band who were sick of the sight of one another. This is something echoed in the unreleased takes and demos included here. [Nov 2019, p.119]
    • Q Magazine
    • 99 Metascore
    • 80 Critic Score
    This willfully obscure yet eerily beautiful music sounds all the more absorbing in remastered form. [May 2014, p.124]
    • Q Magazine
    • 99 Metascore
    • 100 Critic Score
    One of the best yet: a sprawling 19-track min-movie, which takes in obscure left-field rock, creepy children's choirs, bucolic ambient and sombre Celtic poetry. [Dec 2016, p.117]
    • Q Magazine
    • 99 Metascore
    • 100 Critic Score
    Reissued with a raft of extras, it remains a masterpiece of uneasy listening. [Dec 2016, p.117]
    • Q Magazine
    • 98 Metascore
    • 100 Critic Score
    Blue Lines doesn't need [extras]. It was a classic in the truest sense, and unimprovable template that sound like it was recorded yesterday--or tomorrow. [Dec 2012, p.118]
    • Q Magazine
    • 98 Metascore
    • 100 Critic Score
    Upgrading previous remasterings, Page's personal touch brings out even more detail.... Each album's companion disc supplies both pleasure and an education. [Jul 2014, p.120]
    • Q Magazine
    • 98 Metascore
    • 100 Critic Score
    Led Zeepelin would get bigger, louder and very imperious very soon. But they'd rarely sound like they were having as much fun as they do here. [Nov 2014, p.125]
    • Q Magazine
    • 97 Metascore
    • 100 Critic Score
    Sound System gives the full, eclectic picture. [Oct 2013, p.116]
    • Q Magazine
    • 97 Metascore
    • 80 Critic Score
    The real revelation of this new Smile is its melodic depth, even if lyricist Van Dyke Parks's oblique ruminations seem unnecessarily flowery. [Nov 2004, p.114]
    • Q Magazine
    • 97 Metascore
    • 90 Critic Score
    Nothing short of remarkable. [Jun 2004, p.102]
    • Q Magazine
    • 97 Metascore
    • 100 Critic Score
    Upgrading previous remasterings, Page's personal touch brings out even more detail.... Each album's companion disc supplies both pleasure and an education. [Jul 2014, p.120]
    • Q Magazine
    • 97 Metascore
    • 100 Critic Score
    Presents Led Zeppelin in all their ragged glory and heavy splendour. [Jul 2003, p.119]
    • Q Magazine
    • 96 Metascore
    • 80 Critic Score
    It's a challenging, ambitious combination of words and music that becomes increasingly absorbing over time. [Jun 2015, p.103]
    • Q Magazine
    • 96 Metascore
    • 80 Critic Score
    Gorgeous, grief-stricken LP. [Dec 2019, p.108]
    • Q Magazine
    • 96 Metascore
    • 80 Critic Score
    This exemplary boxset tells the whole, rather sorry saga of how a band who seemingly had everything going for them ended up with precisely nothing. [Oct 2009, p.122]
    • Q Magazine
    • 96 Metascore
    • 100 Critic Score
    This 25th anniversary deluxe edition includes a collection of curious demos and live takes. ... The record itself remains a masterpiece, a cross-generational smash hit from which they'd never truly recover. [Dec 2017, p.115]
    • Q Magazine
    • 96 Metascore
    • 100 Critic Score
    The bonus material on both albums offer up further evidence that this was the Pumpkins' purple path. [Jan 2012, p.130]
    • Q Magazine
    • 96 Metascore
    • 60 Critic Score
    Ultimately Smile is a case of what might have been, and after all this time that's probably only to be expected. [Dec. 2011 p. 140]
    • Q Magazine
    • 95 Metascore
    • 100 Critic Score
    A snapshot of one of the most vital, intellectual, breathlessly thrilling bands Britain's ever produced. [Dec. 2011 p. 143]
    • Q Magazine
    • 95 Metascore
    • 80 Critic Score
    Essential not only for fans of roots music but anyone who cares about how it shaped rock. [Apr 2015, p.116]
    • Q Magazine
    • 95 Metascore
    • 80 Critic Score
    Dre and Big Boi (alias Andre Benjamin and Antwan Patton) fill their technicolour vision with the ghosts of Sly Stone, James Brown and, most notably, Funkadelic-era George Clinton. Factor in some distinctly unorthodox production and you've rap at its risk-taking best...
    • 95 Metascore
    • 100 Critic Score
    Damn. is an almost flawless hip-hop masterclass that crunches Kendrick's consuming concerns--life and death, pride and guilt, fate and freewill--into the tightest, most explosive package yet. [Jul 2017, p.102]
    • Q Magazine
    • 95 Metascore
    • 100 Critic Score
    Upgrading previous remasterings, Page's personal touch brings out even more detail.... Each album's companion disc supplies both pleasure and an education. [Jul 2014, p.120]
    • Q Magazine
    • 95 Metascore
    • 80 Critic Score
    A new rock force was born. [Jan 2018, p.117]
    • Q Magazine
    • 95 Metascore
    • 100 Critic Score
    Upon its release in 1994, Definitely Maybe sounded messy and thrilling. Now, of course, it sounds like a classic. [Jun 2014, p.127]
    • Q Magazine
    • 95 Metascore
    • 80 Critic Score
    Moral and financial considerations aside, this stands a monument to success and excess. [Summer 2018, p.118]
    • Q Magazine
    • 95 Metascore
    • 100 Critic Score
    Skeleton Tree is untouchable. [Dec 2016, p.108]
    • Q Magazine
    • 95 Metascore
    • 80 Critic Score
    Sugar may have lacked the outsider appeal and cataclysmic cultural impact of Nirvana but he furnace-forged guitar pop of 1992 debut Copper Blue was a handsome match for Nevermind. [Aug 2012, p.114]
    • Q Magazine
    • 94 Metascore
    • 80 Critic Score
    [Start Together] reveals a remarkable output across punk, pop and rock for a band that you can't help but feel still had much to do, As of now, they still may do it. [Dec 2014, p.124]
    • Q Magazine
    • 94 Metascore
    • 80 Critic Score
    The Promise itself is a strange thing, less a companion to Darkness than the blueprint for a lost sequel to Born To Run. [Dec 2010, p.118]
    • Q Magazine
    • 94 Metascore
    • 100 Critic Score
    Newly-remixed outtakes reveal Clark's progress and a posh limited-edition box set version gives this excellent album the treatment it deserves. [Dec 2019, p.117]
    • Q Magazine
    • 94 Metascore
    • 80 Critic Score
    It's frequently unsettling listen, but never a joyless one. [Dec 2019, p.110]
    • Q Magazine
    • 94 Metascore
    • 80 Critic Score
    17 years on, Liquid Swords represents hard-nosed hip-hop at its peak. [Oct 2012, p.117
    • Q Magazine
    • 93 Metascore
    • 90 Critic Score
    One utterly badass album. [Jul 2004, p.116]
    • Q Magazine
    • 93 Metascore
    • 80 Critic Score
    Before stardom, they stopped off to reinvent guitar rock. [Aug. 2011, p. 128]
    • Q Magazine
    • 93 Metascore
    • 80 Critic Score
    A second disc continues the upbeat mood of the main album. [Jan 2012, p.135]
    • Q Magazine
    • 93 Metascore
    • 80 Critic Score
    The fact that Grace Jones actually made a run of visionary '80s albums has long been rather overlooked, but this luxurious reissue goes a long way to righting that wrong. [Jun 2014, p.124]
    • Q Magazine
    • 93 Metascore
    • 80 Critic Score
    This is little short of a treat: a rambunctious dance through the more sepia-tinted corners of US musical history. [Oct 2001, p.122]
    • Q Magazine
    • 93 Metascore
    • 100 Critic Score
    This reissue underlines how much Achtung Baby's high-wire triumph owed to an era in flux and it's as excessive as it needs to be. [Dec. 2011 p. 138]
    • Q Magazine
    • 93 Metascore
    • 80 Critic Score
    The wild rhythms, unusual arrangements and often manic energy of the selections here still resonate. [Jan 2006, p.139]
    • Q Magazine
    • 93 Metascore
    • 80 Critic Score
    How, exactly, do you follow an album like Loveless? It's a question that pop has yet to answer. [Jun 2012, p.119]
    • Q Magazine
    • 93 Metascore
    • 80 Critic Score
    Weirdly timeless, even now. [Feb 2012, p.117]
    • Q Magazine
    • 93 Metascore
    • 80 Critic Score
    This first rate box-set shines a light on the bass magus's idiosyncratic solo output. [May 2018, p.117]
    • Q Magazine
    • 92 Metascore
    • 100 Critic Score
    In time, as this 2LP Best Of shows, they mellowed, eventually got political, then split up, leaving behind a perfectly formed legacy. [Apr 2020, p.118]
    • Q Magazine
    • 92 Metascore
    • 80 Critic Score
    As with the Beatles, the outtakes and rarities are the best place to appreciate the abundance of songwriting chops and interpersonal chemistry Blur had at their disposal. [Sep 2012, p.118]
    • Q Magazine
    • 92 Metascore
    • 80 Critic Score
    Lemonade hits hard. Beyonce has chosen to portray herself like this, and those choices are bold, powerful and at times, properly shocking. [#361, p.110]
    • Q Magazine
    • 92 Metascore
    • 80 Critic Score
    The remaining selections cover Newport appearances from all the major phases of his career. [Sep 2015, p.119]
    • Q Magazine
    • 92 Metascore
    • 80 Critic Score
    The heartening sounds of an old master at work. [Oct 2011, p.117]
    • Q Magazine
    • 92 Metascore
    • 80 Critic Score
    They retained their best ideas for themselves though, since their debut album is striking escape from mere genre. [Review of UK version]
    • 92 Metascore
    • 80 Critic Score
    Brighten The Corners found the Califirnian indie five-piece buoyed by a more consistent set of songs than 1995's sprawling "Wowee Zowee." [Feb 2009, p.124]
    • Q Magazine
    • 92 Metascore
    • 70 Critic Score
    A long, sometimes hard, often inspired haul, this could easily have been pared down to a uniformly excellent double disc. [Dec 2006, p.138]
    • Q Magazine
    • 92 Metascore
    • 80 Critic Score
    Their joyous music has an even greater emotional weight. [Dec 2008, p.133]
    • Q Magazine
    • 92 Metascore
    • 70 Critic Score
    [A] strikingly stark and innovative debut. [Sep 2003, p.102]
    • Q Magazine
    • 92 Metascore
    • 80 Critic Score
    This 23-track collection of his formative spell with the New York-based Bang label makes a welcome reminder what a top pop tunesmith Neil Diamond was in his younger, Brill Building days. [Jul 2011, p.126]
    • Q Magazine
    • 92 Metascore
    • 80 Critic Score
    Deeply ambiguous yet wittily epigrammatic, You Want It Darker is all one might want from a final testament, short of cosy reassurance. [Dec 2016, p.114]
    • Q Magazine
    • 92 Metascore
    • 80 Critic Score
    Vol. 1 is long on quality, variety and versatility, whatever format you choose. [Aug 2009, p.114]
    • Q Magazine
    • 92 Metascore
    • 80 Critic Score
    While Ocean's artistic ambition is impressive, it's his haunting candour that really casts a spell. [Sep 2012, p.106]
    • Q Magazine
    • 92 Metascore
    • 60 Critic Score
    The sheer wealth of material--over four hours' worth--seem designed to only excite the tastebuds of tourbus veterans. [Nov 2013, p.120]
    • Q Magazine
    • 92 Metascore
    • 90 Critic Score
    A record sufficiently impressive to suggest that White Blood Cells caught Jack and Meg using only a fraction of their talents. [Apr 2003, p.98]
    • Q Magazine
    • 92 Metascore
    • 100 Critic Score
    The vindication of this luxury raw Power is it bestows still greater kudos on Ron's band. [Jun 2010, p.140]
    • Q Magazine
    • 92 Metascore
    • 80 Critic Score
    It's a good album. [Apr 2014, p.122]
    • Q Magazine
    • 91 Metascore
    • 80 Critic Score
    Beautiful stuff. [Jun 2019, p.116]
    • Q Magazine
    • 91 Metascore
    • 80 Critic Score
    Lorde's biggest achievement is retaining her emotional insight into herself and her generation despite her utterly transformed life. [Aug 2017, p.100]
    • Q Magazine
    • 91 Metascore
    • 80 Critic Score
    Speakerboxxx takes up where Stankonia left off.... The Love Below isn't really hip hop at all. Its sound and lyrics owe a huge debt to, inevitably, George Clinton. [Sep 2003, p.97]
    • Q Magazine
    • 91 Metascore
    • 80 Critic Score
    This compilation of that [debut] album, Apple, plus preceding EP Shine, show what all the fuss was about. [Jan 2017, p.117]
    • Q Magazine
    • 91 Metascore
    • 80 Critic Score
    The record's second half feels a little dreary after the spectacular opening, but the combination of doleful beauty and violent emotion that makes Hadreas's work extraordinary is never hard to find. [Summer 2020, p.104]
    • Q Magazine
    • 91 Metascore
    • 80 Critic Score
    This definitive 77-track anthology favours the early years, illustrating how quickly Stone and his multiracial crew evolved from a decent R&B outfit into a trailblazing psychedelic-soul gang show, [Oct 2013, p.117]
    • Q Magazine
    • 91 Metascore
    • 100 Critic Score
    The best album of 2004 so far, and by some distance. [Jun 2004, p.92]
    • Q Magazine
    • 91 Metascore
    • 100 Critic Score
    Throughout, quality doesn't waver; always sensually and intellectually rigorous, her songs touch on degrees of romantic disaffection and beyond with a sometimes uncomfortable gaze, and still sound freshly minted. [Jan 2013, p.119]
    • Q Magazine
    • 91 Metascore
    • 80 Critic Score
    They capture a group on the brink of a startling transition. [May 2013, p.116]
    • Q Magazine
    • 91 Metascore
    • 100 Critic Score
    Magnificent. [Nov 2013, p.121]
    • Q Magazine
    • 91 Metascore
    • 80 Critic Score
    Thrilling, thoughtful and unrestrained by existing rap templates, Grey Area confirms Little Simz as an artist who is increasingly difficult to dismiss. [Apr 2019, p.115]
    • Q Magazine
    • 91 Metascore
    • 80 Critic Score
    Creeper may lack originality, but they make up for it with ambition and sheer cheek. [Aug 2020, p.105]
    • Q Magazine
    • 91 Metascore
    • 80 Critic Score
    Stellar fifth album is a determined attempt to push back the genre's long-established boundaries, folding in everything from glitchy electronica and lysergic Americana to gnarled pop into their full-frontal noise. [Aug 2019, p.108]
    • Q Magazine
    • 91 Metascore
    • 80 Critic Score
    This box set may be a dizzying experience at times, but it shows a superstar-in-the-making working out where he wants to go, and contains all the excitement that promises within. [Jan 2016, p.116]
    • Q Magazine
    • 91 Metascore
    • 100 Critic Score
    Their chemistry seeped into the post-punk water table but Pere Ubu still dance alone. [Oct 2015, p.121]
    • Q Magazine
    • 91 Metascore
    • 100 Critic Score
    It makes the case for some long-forgotten virtues: fast songs, staccato chords, songs about trysts in squalid apartments. You know, the good stuff.
    • 91 Metascore
    • 80 Critic Score
    A noble, affecting sign-off worthy of the name. [Feb 2017, p.118]
    • Q Magazine
    • 90 Metascore
    • 80 Critic Score
    Disc five means you can now hear it in its aborted "quadrophonic" surround sound mix. [Dec. 2011 p. 145]
    • Q Magazine
    • 90 Metascore
    • 80 Critic Score
    Stevens's love for the region, its people and legacy is palpable and infectious enough to send the curious scuttling straight towards the bookshelves to discover more. [Aug 2005, p.137]
    • Q Magazine
    • 90 Metascore
    • 80 Critic Score
    Unquestionably his finest album to date. [Apr 2015, p.113]
    • Q Magazine
    • 90 Metascore
    • 80 Critic Score
    A dark album for darker times--at 53, Saadiq is still ahead of the curve. [Oct 2019, p.110]
    • Q Magazine
    • 90 Metascore
    • 80 Critic Score
    Newcomers may be amazed that a rock band can still feel so vital. Even diehard fans will wonder at the sheer melodic intensity. [Feb 2015, p.107]
    • Q Magazine
    • 90 Metascore
    • 80 Critic Score
    Eve
    Eve is a hip-hop delight. [Nov 2019, p.115]
    • Q Magazine
    • 90 Metascore
    • 100 Critic Score
    These lavish Deluxe Editions are fat with rare tracks and live performances on accompanying DVDs - they are all the Beat anyone could ever wish for. [Aug 2012, p.112]
    • Q Magazine