Revolver's Scores
- Music
For 235 reviews, this publication has graded:
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56% higher than the average critic
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7% same as the average critic
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37% lower than the average critic
On average, this publication grades 0.2 points lower than other critics.
(0-100 point scale)
Average Music review score: 73
Highest review score: | Relentless, Reckless Forever | |
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Lowest review score: | Cattle Callin |
Score distribution:
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Positive: 185 out of 235
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Mixed: 49 out of 235
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Negative: 1 out of 235
235
music
reviews
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- Critic Score
The heshers who crave this Viking death-march death-metal will have it, and those who aren't inspired by what they stream on the internet won't. Even with a lesser work, Amon Amarth have done their job.- Revolver
- Posted Apr 12, 2011
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- Critic Score
Somehow, though, every song eventually leads to Myles Kennedy keening dramatically over guitar sturm und drang, and while that nicely showcase the band’s songwriting and instrumental skills, after a while it becomes predictable and monotonous.- Revolver
- Posted Oct 7, 2013
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- Critic Score
By-the-numbers breakdowns, tired metalcore riffing, and cliched lyrics are still very much part of the group's formula. It's too bad since the band has plenty of energy and ambition. [Nov/Dec 2010, p.94]- Revolver
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- Critic Score
A 12-song set that went through a couple of permutations but still bristles with industrial-strength angst.- Revolver
- Posted Jul 24, 2013
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- Critic Score
With Shelter, Alcest have abandoned bracing storm bursts, leaving a too monotonous calm.- Revolver
- Posted Jan 24, 2014
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- Critic Score
A prog-intensive album that often sounds closer to soggy Jethro Tull outtakes than anything in his band’s mighty back catalog.- Revolver
- Posted Aug 21, 2014
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- Critic Score
Despite some high points, this is hardly the definitive live Springsteen album. [May/June 2001, p.116]- Revolver
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- Critic Score
While the album will please the band's fans, it doesn't stand out from similar releases in the subgenre today. [Jul/Aug 2011, p.92]- Revolver
Posted Jul 6, 2011 -
- Critic Score
Meandering and dirge-like, the eight songs here live up to the band's moniker, weaving slow and snaky through the album's 42 minutes and what we can only presume is a veritable wall of amplification. Tune in and nod out.- Revolver
- Posted Sep 17, 2012
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- Critic Score
Pressure & Time can bog down in its own retro pretensions, but singer Jay Buchanan is an undeniable vocal force.- Revolver
- Posted Jul 22, 2011
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- Critic Score
A 72-minute concept album that includes some of its freshest material yet, but also some of its dullest.- Revolver
- Posted Oct 19, 2012
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- Critic Score
These ominous minor-key workouts routinely change direction on a dime, not unlike a tornado or a hurricane.- Revolver
- Posted Aug 9, 2011
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- Revolver
- Posted Nov 2, 2012
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- Critic Score
Despite Chamberlain’s strong pipes and pedigree, Broken Compass lacks the umph and innovation to be something truly exceptional.- Revolver
- Posted Nov 4, 2014
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- Critic Score
OWTH aren’t covering ground that Against Me! or the Bouncing Souls haven’t already tread in the past, but there’s a palpable passion in frontman Ryan Young’s voice that keeps these songs sounding inspired for the duration of the record.- Revolver
- Posted Mar 13, 2013
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- Critic Score
The best odds and sods collected here are those on which they stray from relentless shouting.- Revolver
- Posted Nov 20, 2012
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- Critic Score
For all of its ferocity and force, though, Scurrilous is a surprisingly pleasant listen, in part due to frontman Rody Walker's high-pitched melodic vocals which belie the aggressiveness of the blistering guitars. Recommended, definitely. Diverse and innovative, definitely not.- Revolver
- Posted Mar 24, 2011
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- Critic Score
In resurrecting their original sound, Filter get caught up in the same monotonous industrial atmosphere that kept Short Bus from being an essential album. [Sep/Oct 2010, p.92]- Revolver
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- Critic Score
While the sound may flirt with alt-rock and electronica, the underlying sensibility is prog like BTBAM, in its melodic complexity and lyrical depth. Mar/Apr 2011, p.92]- Revolver
Posted Mar 18, 2011 -
- Critic Score
For all its polish and sonic approachability, this is no sell-out record. Rescue may go down easy, but at the album's core, it's still an appealingly bitter pill.- Revolver
- Posted May 2, 2011
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- Critic Score
Like their spiritual and sonic forefathers in Khanate, Asunder, and Buried at Sea, their music is bleak, crushing, and decidedly off-kilter.- Revolver
- Posted Jan 30, 2014
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- Critic Score
The Color Morale never strays too far from the tried-and-true tropes of their subgenre on full-length No. 3, but still manages to craft tunes that are passionate and memorable.- Revolver
- Posted Apr 4, 2013
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- Critic Score
While this will probably please Bleeding Through's fans, sticking with the path most traveled doesn't result in a particularly memorable record.- Revolver
- Posted Feb 23, 2012
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- Critic Score
While the formula may sound intriguing, lackluster songwriting makes much of the record sound repetitive and uninspired.- Revolver
- Posted Oct 9, 2013
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- Critic Score
Interesting, but hardly the band that made Meantime. [Sep/Oct 2010, p.90]- Revolver
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- Critic Score
An inconsistent record with flashes of brilliance, In Waves should keep diehard Trivium fans happy.- Revolver
- Posted Aug 4, 2011
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- Critic Score
The tracks on Halo of Blood sound more like computerized vessels for showing off their considerable skills than songs played by actual human beings.- Revolver
- Posted Jun 10, 2013
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- Critic Score
The bottom line: Emery may have done what they wanted, but that doesn't mean that listeners will want the result-at least, not all of it.- Revolver
- Posted Mar 31, 2011
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- Critic Score
The Constant is best when going fast and loud, keeping your heart racing (and your mind off the subpar lyrics), but it loses momentum with cookie cutter ballad "holding On To You and a track, "Remember A Time," that oddly sounds more like Weezer than Warped Tour. [Mar/Apr 2010, p.92]- Revolver
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- Critic Score
From the lumbering “Lungs” to doomy, dynamically intense epics such as “On Wretched Son,” “Swarming Funeral Mass,” and “See No Shelter Fevered Ones,” the relentless sturm and drang is not for the faith of heart, and there’s always a sneaking sense that Twilight is making this stuff up as it goes along.- Revolver
- Posted Mar 27, 2014
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