Slant Magazine's Scores

For 3,119 reviews, this publication has graded:
  • 35% higher than the average critic
  • 3% same as the average critic
  • 62% lower than the average critic
On average, this publication grades 7.7 points lower than other critics. (0-100 point scale)
Average Music review score: 65
Highest review score: 100 Who Kill
Lowest review score: 0 Fireflies
Score distribution:
3119 music reviews
    • 50 Metascore
    • 30 Critic Score
    Justin Timberlake and Drake both offer admirable turns, but are forced to operate with unenviably tepid production. The overall laziness of that facet is even more inexcusable coming from one of the most renowned producers of the last decade.
    • 49 Metascore
    • 30 Critic Score
    Undoubtedly crafted to be an easy listen, the overstuffed, lumbering, and joyless #willpower is quite the opposite.
    • 46 Metascore
    • 10 Critic Score
    Hank 3 may be one of the most creative recording artists in music today, but Cattle Callin proves that not all of his ideas are good ones.
    • 44 Metascore
    • 30 Critic Score
    Many of the album’s nine songs feel unfinished, with only half managing to crack the two-minute mark.
    • 44 Metascore
    • 30 Critic Score
    Some singles may work their way loose, but as a whole the album will is too long and monotonous; the affected style of Paul's voice, fine for the occasional single, becomes a grating trial over 21 songs.
    • 43 Metascore
    • 30 Critic Score
    God Did lacks an organized artistic vision, or at least a sense of purpose beyond engaging in purely attention-grabbing theatrics.
    • 43 Metascore
    • 30 Critic Score
    Were the central conceit not so half-assed and Lee's lyrics not so shallow, Venus might qualify as actively misogynist in a way that could be interesting to engage and dissect. As is, the album is simple to an annoying, tiresome degree.
    • 39 Metascore
    • 30 Critic Score
    Sadly, the only compelling thing about the incoherent Graffiti is the material (both external and internal) that makes it even less palatable than a simply below-average collection of paint-by-numbers R&B beats.
    • 37 Metascore
    • 20 Critic Score
    Though more adventurous than 2005's "The Best Little Secrets Are Kept," the band's sophomore LP, Slick Dogs and Ponies, still rings soulless at its core.
    • 37 Metascore
    • 30 Critic Score
    The result is not a rock record as much as a total misperception of what makes a rock record. The base elements are all here (the sex and sleaze and guitar solos), but they're delivered in such a flat, awkward way that they feel interpreted by an alien.
    • 15 Metascore
    • 20 Critic Score
    This disc is just as disposable and dumb as you'd expect.