The Wire's Scores

  • Music
For 2,619 reviews, this publication has graded:
  • 51% higher than the average critic
  • 7% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 SMiLE
Lowest review score: 10 Amazing Grace
Score distribution:
2619 music reviews
    • 88 Metascore
    • 90 Critic Score
    In the end, Vespertine commits its magic by daring to go places more obvious and more human than one would have ever expected. [#210, p.52]
    • 100 Metascore
    • 90 Critic Score
    The meat of the set almost certainly wouldn’t have been released if Prince were still with us. ... They add up to arguably the strongest new set of Prince recordings since Lovesexy. [Aug 2017, p.70]
    • The Wire
    • 79 Metascore
    • 90 Critic Score
    A highlty nuanced album which is at once razor sharp, and rich in new openings and possibilities. [#206, p.60]
    • The Wire
    • 83 Metascore
    • 90 Critic Score
    Their most beautifully conceived and ambitiously extended work to date. [#252, p.59]
    • The Wire
    • 95 Metascore
    • 90 Critic Score
    This ludicrously exhaustive deluxe edition includes hour after hour of live takes, demos and interviews. Fascinating, but none of it overshadows the original album. [Dec 2017, p.70]
    • The Wire
    • 88 Metascore
    • 90 Critic Score
    Approaches the psychedelic grandeur of Spiritualized or Mercury Rev at their finest while still offering a wealth of carefully placed sonic detail. [#229, p.71]
    • The Wire
    • 84 Metascore
    • 90 Critic Score
    Countless Branches does nothing different, but seems to knock them all dead by virtue of its naked simplicity alone. Some of these tracks are scarcely crafted songs at all but simple musings, addressed to no one in particular, not even an inward self, just uttered over soft, slow piano chords. [Mar 2020, p.48]
    • The Wire
    • 85 Metascore
    • 90 Critic Score
    The folk inflection and multiplicity of Gately’s vocals make the album seem ancient. Or conjured. The songs aren’t ghostly as much as they feel witnessed, imbued with a palpable presence. ... Gately has sampled and mixed in her mother’s voice with her own, as if in acceptance of the balance of life and death. This co-existence – or the yearning for it – is ingrained in this astonishing album as a freshly carved cut in a foundational wooden beam. [Mar 2020, p.48]
    • The Wire
    • 89 Metascore
    • 90 Critic Score
    Knowles’s instincts guide the cultural conversation in a way that feels healing, intentional and authentically collectiveminded. A well-constructed spell, cast with intention. [May 2019, p.63]
    • The Wire
    • 78 Metascore
    • 90 Critic Score
    Imagine cLOUDDEAD jamming with Wilco, with David Lynch producing, and you're only halfway there. [#257, p.70]
    • The Wire
    • 99 Metascore
    • 90 Critic Score
    These performances have been rightly cherished by collectors for decades. [Oct 2011, p.54]
    • The Wire
    • 88 Metascore
    • 90 Critic Score
    Jurado's spare, edgy songs are miniature masterpieces of mood and character. [#229, p.68]
    • The Wire
    • 89 Metascore
    • 90 Critic Score
    This remake justifies the whole shebang. So perfect is the fit, in fact, that it feels uncannily like Scott-Heron’s sonorous rasp must have been recorded to fit this backing. ... Though often dark, this is both a celebration and a vindication: a truly great album. [Mar 2020, p.56]
    • The Wire
    • 86 Metascore
    • 90 Critic Score
    Narkopop has a symphonic majesty, a sense of form and forward movement that no prior Gas record quite reached. Voigt's forest no longer merely murmurs; it positively exults. [May 2017, p.46]
    • The Wire
    • 81 Metascore
    • 90 Critic Score
    This is a remarkably rich and complex achievement. [#267, p.52]
    • The Wire
    • 95 Metascore
    • 90 Critic Score
    The most triumphant volume in the series, an at times nearly orchestral realisation of Branch’s unique compositional vision. It’s a shame there won’t be further volumes, but this caps off one of the great catalogues in 21st century jazz. [Oct 2023, p.46]
    • The Wire
    • 84 Metascore
    • 90 Critic Score
    A taut, brutal collection which is as strong as anything they've released in their previous incarnations. [June 2003, p.65]
    • The Wire
    • 91 Metascore
    • 90 Critic Score
    Despite its complexity, the album is full of ravishing, soulful production and vocals--as catchy and emotionally stirring as it is subversively and intellectually thrilling. [Dec 2012, p.75]
    • The Wire
    • 90 Metascore
    • 90 Critic Score
    Burial has transcended his dubstep origins, belonging to a Gothic tradition that takes in Massive Attack and even 4AD at their most grandiosely despondent. [Jan 2008, p.53]
    • The Wire
    • 84 Metascore
    • 90 Critic Score
    The album glows white-hot with fury and energy, familiar yet fresh. [#243, p.66]
    • The Wire
    • 81 Metascore
    • 90 Critic Score
    Both totally entertaining and instantly accessible to both avant rap devotees and curious passers-by. [#246, p.66]
    • The Wire
    • 74 Metascore
    • 90 Critic Score
    The posthumous tracks that have emerged are among the best of Hendrix's late work. [Apr 2013, p.50]
    • The Wire
    • 86 Metascore
    • 90 Critic Score
    Blues Dream is both a compendious evocation and synthesis of a range of genres that never sounds merely eclectic... It's one of Frisell's most ambitious productions to date. [#207, p.61]
    • The Wire
    • 86 Metascore
    • 90 Critic Score
    As always Harris’s dedication to using a small spectrum of sounds to convey a wide range of emotions is noteworthy. Shade is another stunning piece of work – after all these years, Harris still makes it easier for some of us to get to know ourselves. [Oct 2021, p.48]
    • The Wire
    • 91 Metascore
    • 90 Critic Score
    It’s one of the most vibrant, purposeful rock records of the year, as Ambro balances the sickly weariness of this day and age with a triumphant jubilation of simply being alive. [Dec 2023, p.54]
    • The Wire
    • 87 Metascore
    • 90 Critic Score
    She’s not one to let ideology or commercial realities kill her sense of uninhibited playfulness. So the scorching “Balloons” with her withering take on white fans buying Black trauma is followed by the flirtatious “Boomboom”, buoyed by the same hunger, the whole even more than the sum of its individually magnificent parts.
    • The Wire
    • 78 Metascore
    • 90 Critic Score
    If you value surehandedness, richness, immaculate timing and the occasional tilted eyebrow then there's a lot to enjoy on Tortoise's most assured set to date. [#204, p.65]
    • The Wire
    • 90 Metascore
    • 90 Critic Score
    Timeless and considered, Lives Outgrown is a complete, but still complicated, portrait of the intersection of grief and life. [Jun 2024, p.50]
    • The Wire
    • 78 Metascore
    • 90 Critic Score
    A conceptually intriguing and emotionally powerful masterpiece based around the antihero of the title. [Feb 2016, p.59]
    • The Wire
    • 86 Metascore
    • 90 Critic Score
    This album is a stunning, multivalent piece of artistry that hits an anxious and weary world like a light-bearing gift. Remain In Light is one of the most fascinating albums in rock history, and Angélique Kidjo may have just released the definitive version. [Aug 2018, p.56]
    • The Wire