The Wire's Scores

  • Music
For 2,618 reviews, this publication has graded:
  • 51% higher than the average critic
  • 7% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 SMiLE
Lowest review score: 10 Amazing Grace
Score distribution:
2618 music reviews
    • 88 Metascore
    • 90 Critic Score
    Building a strong, solid foundation for his skyscraper of words, the rapper channels everyone from Malcolm X to James Brown into a mountainous manifesto of beautiful blackness that is reflective of the struggle for dignity and equality, while also working towards the banishment of stereotypes. [Jan 2017, p.61]
    • The Wire
    • 78 Metascore
    • 90 Critic Score
    It's simultaneously the group's most successful integration of the various strands they've chased over the years and their most ambitious and expansive work to date. [#241, p.50]
    • The Wire
    • 82 Metascore
    • 90 Critic Score
    Sonic Youth have made a joyful return to their No Wave hardcore rock roots with a vibrating set of muscular songs which glide effortlessly from Gooey power pop to full on guitarmageddon meltdown, skulled out psychedelia and beyond. [#220, p.53]
    • The Wire
    • 84 Metascore
    • 90 Critic Score
    Shygirl represents the very best of avant leaning contemporary UK pop on this generous seven track EP without a single dull moment. [Jan 2021, p.85]
    • The Wire
    • 91 Metascore
    • 90 Critic Score
    In emotional terms Titanic Rising is immense – names like Annette Peacock, Linda Perhacs and Judee Sill come to mind, but only because it feels like so long since you’ve heard pop this epic yet unmannered. ... With tracks like the stunning “Something To Believe” lodging themselves into your heart with the sure knowledge that your relationship with this music will only deepen as the year unfolds. [Jul 2019, p.52]
    • The Wire
    • 95 Metascore
    • 90 Critic Score
    This constellation of miniature masterpieces is arguably the finest introduction to the Ra universe there is. [Jan 2017, p.84]
    • The Wire
    • 85 Metascore
    • 90 Critic Score
    Absolutely gorgeous. ... It’s as clear, translucent and dazzling as the medium it both plays with and describes. [Mar 2018, p.52]
    • The Wire
    • 87 Metascore
    • 90 Critic Score
    Exquisite acoustic compositions meet Crampton’s taste for dissonance and distortion. [Aug 2020, p.54]
    • The Wire
    • 80 Metascore
    • 90 Critic Score
    A splendid piece of work; compelling even when shorn of its conceptual and procedural backdrop, and infinitely more invigorating when considered as one with its making. [#205, p.58]
    • The Wire
    • 95 Metascore
    • 90 Critic Score
    Rough And Rowdy Ways is undoubtedly the work of an artist with one eye on his legacy, yet it’s so full of wit, mischief and life that it positively sings. [Sep 2020, p.52]
    • The Wire
    • 88 Metascore
    • 90 Critic Score
    Even when the songs aren't motivated by anger or frustration, they have a drive and a momentum that's breathtaking. [#256, p.52]
    • The Wire
    • 85 Metascore
    • 90 Critic Score
    Most of these songs will startle you at some point. [#268, p.50]
    • The Wire
    • 84 Metascore
    • 90 Critic Score
    It joins Titanic and Big Thief’s UFOF (members of Big Thief are present) as one of 2019’s leftfield pop gems, a record created with no detectable consciousness of a wider scene but with a bedroom-wide sense of possibility. [Jul 2019, p.52]
    • The Wire
    • 94 Metascore
    • 90 Critic Score
    There probably isn’t a better sequenced album on your shelves. ... The remastering is immaculate, tightening up the jangle and twang, cleaning up Russ Kunkel’s drums and improving the separation of instruments throughout. Some of the alternative versions are a little slower than others; take three of “Some Misunderstanding” might just possibly be superior to the issued take, in the usual sense that sometimes musicality was sacrificed to technical perfection. [Jan 2020, p.78]
    • The Wire
    • 82 Metascore
    • 90 Critic Score
    Sirens is unlike anything produced under his other aliases The Bug, Techno Animal or Ice. It exists as a piece of sound art rather than a club record. ... Sirens is testament to the ability of sound and its manipulation to transcend language. [Jun 2019, p.60]
    • The Wire
    • 81 Metascore
    • 90 Critic Score
    Granted, Flow's torrent of words is Thirlwell's familiar angsty blurt of near operatic proportions, but closer attention reveals his skill as an arranger, producer and rhythm sampler is now verging on the monumental. [#208, p.57]
    • The Wire
    • 71 Metascore
    • 90 Critic Score
    Buck's refusal to recognise musical boundaries and his instinctive ability to pick out elements that work together--sometimes surprisingly so--have given us a genre-bending album of high artistic vision, spit and grit. [#258, p.52]
    • The Wire
    • 90 Metascore
    • 90 Critic Score
    Played front to back it works as a dazzling kaleidoscope; on shuffle, every combination worked in a different way, with no weak links because the quality of each track is insanely high. Underground, resistant US rap par excellence. [Jun 2023, p.60]
    • The Wire
    • 75 Metascore
    • 90 Critic Score
    There is no fake authenticity in this musical exploration, and Herren's musical palette is impressively wide ranging. [#241, p.63]
    • The Wire
    • 73 Metascore
    • 90 Critic Score
    Displays more intellectual rigour, subtle discipline and attention to detail than many of their younger contemporaries can ever dream of attaining. [#235, p.56]
    • The Wire
    • 86 Metascore
    • 90 Critic Score
    Explosively powerful, yet resoundingly fragile, her extended vocal technique illuminates an astoundingly rich range of embodied possibility. [Apr 2019, p.64]
    • The Wire
    • 80 Metascore
    • 80 Critic Score
    Sonnet isn't as compelling as Hymnal, with its fine balance between abstraction and form, but it's an illustration of Meluch's abilities as a skilled purveyor of rural psychedelia. [Jun 2015, p.52]
    • The Wire
    • 78 Metascore
    • 80 Critic Score
    Unlike many electronic producers whose work echoes the chill of black metal, he retains a certain subtlety – each jolt of sound is unburdened by grand posturing. [Apr 2020, p.52]
    • The Wire
    • 70 Metascore
    • 80 Critic Score
    Introduction serves both as a reminder of Thompson's often overlooked sense of humour and an exploration of certain cliches endemic to the pop song, but most importantly, it just rocks. [#266, p.63]
    • The Wire
    • 86 Metascore
    • 80 Critic Score
    Hus’s second album Big Conspiracy is the refined work of a man who’s emerging calloused and implacable from a tough decade, most recently a 2017 conviction for carrying a knife which cost him eight months and a string of festival appearances. Through it all, his music has swayed joyously escapist more than harrowing or politically charged. [Apr 2020, p.56]
    • The Wire
    • 81 Metascore
    • 80 Critic Score
    The trio’s interpretation of the material is highly sophisticated, with the freshness and spontaneity of a newly minted band. [Aug 2022, p.56]
    • The Wire
    • 81 Metascore
    • 80 Critic Score
    A combination of versatility (Lucas is both singer and multiinstrumentalist) and judicious use of the recording studio makes Vanishing Twin’s fourth artist album devoid of voids. It’s perhaps their best release to date. [Dec 2023, p.52]
    • The Wire
    • 81 Metascore
    • 80 Critic Score
    Carter has created a complete work that simultaneously looks back over its shoulder and glares straight into the eye of the future. [Apr 2018, p.50]
    • The Wire
    • 82 Metascore
    • 80 Critic Score
    While the title Shebang has percussive compactness, the music on Ambarchi’s latest release, which is scintillating from the outset and exhilarating through and through, stretches out and expands across four continuous yet distinct sections. When the music fades away, after 35 minutes, the urge to hear it again straight away is simply irresistible. [Oct 2022, p.38]
    • The Wire
    • 78 Metascore
    • 80 Critic Score
    It's an extraordinary and compelling celebration of a hardcore punk classic. [Oct 2007, p.71]
    • The Wire