• Record Label: Atlantic
  • Release Date: Mar 31, 2015
Metascore
67

Generally favorable reviews - based on 30 Critic Reviews

Critic score distribution:
  1. Positive: 16 out of 30
  2. Negative: 1 out of 30
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  1. 90
    This is one of the most profound heart and soul records I've ever experienced.
  2. Mar 31, 2015
    83
    It blends the newer sounds of the group’s recent output with the warmth and accessibility of its earlier work, which makes for a fine cocktail.
  3. 80
    It’s a smartly shaped response to two recent disentanglements, at least one of which seems to have left a residue of trauma.
  4. Mar 30, 2015
    80
    Kintsugi sees their eighteen-year-in-the-making intentions fully realised, and--eight albums in--Death Cab For Cutie are born again; a little cracked, but all the more golden for it.
  5. Uncut
    Mar 6, 2015
    80
    The tautly controlled power of the performances meshes with the barely harness emotion of Ban Gibbard's impeccably sculpted, tortured lyrics. [Apr 2015, p.73]
  6. Mar 30, 2015
    75
    Though the potential for melodrama is strong, Gibbard and his bandmates play with restraint.
  7. Apr 6, 2015
    70
    Kintsugi hits hard due to its lightness, its bitter heart shrouded in soft arpeggios and catchy riffs.
  8. Mar 31, 2015
    70
    You’ll find oblique references [to the departure of producer Chris Walla and frontman Ben Gibbard’s divorce from actress Zooey Deschanel], but it’s just as easy to find yourself in these 11 tracks.
  9. At its core, Kintsugi takes broken pieces and finds ways to put them back together into something new.
  10. Mar 31, 2015
    70
    Gibbard has a gentle touch so having cushy, sugary melodies mirrored by a production equally as supple feels like a marriage of intent and sound.
  11. Mar 31, 2015
    70
    So maybe Kintsugi isn’t a perfect effort. But like the ceramic art itself, Death Cab’s attempt at repatching was thoughtful, deliberate and, at times, really beautiful.
  12. Mar 31, 2015
    70
    Death Cab have coped with their losses collectively, and emerged with a heart-wrenchingly honest record.
  13. Mar 30, 2015
    70
    With Kintsugi, the cracks in the Death Cab veneer are undoubtedly visible, shiny or not. While many of the tracks fall flat, the vestiges of their prior form--confession and melody and, ultimately, charm--will likely still be evident enough to keep fans enamored. 

  14. Mar 23, 2015
    70
    Kintsugi is a finely-made tearjerker of a record that evokes similar levels of sadness as those examples, featuring some crisp and well-structured songwriting that launches torrents of emotive air strikes to summon an appropriate degree of solemnity.
  15. Apr 30, 2015
    67
    The acoustic "Hold No Guns" and yawning dirge "You've Haunted Me All My Life" spin austere--dramatic--but ring flat. Even so, Death Cab for Cutie's breakup ballads remain anthemic and radio-ready.
  16. Entertainment Weekly
    Mar 30, 2015
    67
    Outside of the runaway-goth jam "The Ghosts of Beverly Drive," their latest rarely rises above inertly pleasant. [3 Apr 2015, p.61]
  17. Apr 3, 2015
    60
    Gibbard’s downcast verses keep Kintsugi all too safely anchored and docked.
  18. Apr 2, 2015
    60
    Kintsugi is unfortunately as bland as they come, and no good amount of mourning, sonorous guitars can excuse the fact it’s becoming increasingly difficult to find a relatable common ground in Gibbard’s repressed impulses.
  19. Mar 31, 2015
    60
    Kintsugi suffers from many of the same flaws that have afflicted past releases, from a tendency to overthink arrangements to Gibbard’s more frequent relapses into trite turns of phrase and the occasional hint of immaturity.
  20. Mar 30, 2015
    60
    Where Kintsugi falters is in its sacrifice of momentum for structure.
  21. Mar 26, 2015
    60
    It doesn’t always work: sometimes it’s too overwrought and wanders into cliched territory.
  22. Mar 25, 2015
    60
    The band's maturing on Kintsugi, which, if you remember the haircut and attitude of your 16-year-old self, is always a good thing.
  23. Mojo
    Mar 19, 2015
    60
    Its 11, quietly assured alt-rock growers let Ben Gibbard's appealingly detached vocals and quality-controlled lyrics do the heavy lifting. [Apr 2015, p.94]
  24. Q Magazine
    Mar 6, 2015
    60
    While they are likely to appease their devotees with this solid, if unadventurous record, it seems that Death Cab For Cutie will continue preaching to the converted. [Apr 2015, p.110]
  25. Alternative Press
    Mar 6, 2015
    60
    These offerings feel uncharacteristically flat. [Apr 3015, p.92]
  26. 58
    Discarding the albums actually awesome opener, “No Room in Frame”,--which briefly had me hoping for some tangible musical progress from the band--Kintsugi is more or less 45 minutes of boy-next-door, paint-by-number indie pop
  27. Apr 2, 2015
    55
    Little of Kintsugi gives the impression that Gibbard’s motivation to reboot Death Cab is matched by legitimate inspiration.
  28. Mar 30, 2015
    55
    Despite its strengths, Kintsugi fails to leave the same lasting impression as so much of the band's prior discography.
  29. Mar 27, 2015
    42
    Gibbard never swings hard enough to strike out completely, with occasionally unfortunate production balanced by warm melodies, one of Gibbard’s greatest strengths as a musician.
  30. Mar 31, 2015
    30
    Kintsugi is the sound of a group resting on its laurels.
User Score
7.4

Generally favorable reviews- based on 57 Ratings

User score distribution:
  1. Positive: 41 out of 57
  2. Negative: 3 out of 57
  1. Mar 31, 2015
    9
    The first few listens of Kintsugi were quite disappointing for me. Still, I love Death Cab, and am more than willing to give this a bit ofThe first few listens of Kintsugi were quite disappointing for me. Still, I love Death Cab, and am more than willing to give this a bit of time. Around the fifth listen, it clicked. This is perhaps the most emotionally mature, and most soulful Death Cab for Cutie album in years. I love Codes and Keys, and I love Narrow Stairs, but they lack serious heart compared to Kintsugi. The songwriting here is as excellent as one could be. The production might seem off-putting or distracting at first, but it does begin to feel natural and earned. Though Kintsugi is by no means Death Cab for Cutie's best album, the end result is quite authentically beautifully. Definitely worth the effort. Full Review »
  2. May 18, 2015
    6
    I've pretty much given up all hope of DCFC shovelling out more Tranatlanticism-esque material, although some moments on Kintsugi make it easyI've pretty much given up all hope of DCFC shovelling out more Tranatlanticism-esque material, although some moments on Kintsugi make it easy to come to those terms, but not quite so forgiving.

    You want to teach, but not be taught
    I wanna sell, but not be bought

    Gibbard should've doubled-checked himself before accusing out loud.
    Full Review »
  3. Apr 20, 2015
    7
    It was never going to be easy for Death Cab for Cutie, it being the last album by the indie rock band to include Chris Walla, but theyIt was never going to be easy for Death Cab for Cutie, it being the last album by the indie rock band to include Chris Walla, but they ploughed through and made a pleasingly good collection of heartfelt love songs and just straight up indie. Overall a nice listen! Full Review »