Alternative Press' Scores

  • Music
For 3,071 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.5 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Major/Minor
Lowest review score: 0 Results May Vary
Score distribution:
3071 music reviews
    • 66 Metascore
    • 70 Critic Score
    The jarring stylistic shifts sometimes make listening to RNR feel more like scanning the radio dial than listening to a CD. [Jan 2004, p.106]
    • Alternative Press
    • 74 Metascore
    • 70 Critic Score
    Hazardous and hostile. [Dec 2003, p.152]
    • Alternative Press
    • 86 Metascore
    • 80 Critic Score
    Seamless and sparkling. [Jan 2004, p.98]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    Denali sound more comfortable in their skin. [Dec 2003, p.140]
    • Alternative Press
    • 77 Metascore
    • 90 Critic Score
    Better than its predecessor. [Dec 2003, p.150]
    • Alternative Press
    • 80 Metascore
    • 80 Critic Score
    Amazing. [Jan 2004, p.108]
    • Alternative Press
    • 67 Metascore
    • 40 Critic Score
    Even Westerberg knows that he can do better. [Jan 2004, p.108]
    • Alternative Press
    • 80 Metascore
    • 80 Critic Score
    Moody music that avoids settling on any one sound for more than half a song. [Feb 2004, p.78]
    • Alternative Press
    • 79 Metascore
    • 80 Critic Score
    The Stills succeed where other time-travelers fail by emphasizing substance over style. [Jan 2004, p.108]
    • Alternative Press
    • 78 Metascore
    • 40 Critic Score
    Muddy, swamp rockabilly. [Jan 2004, p.108]
    • Alternative Press
    • 85 Metascore
    • 100 Critic Score
    Mescaleros Martin Slattery and Scott Shields have yielded a remarkably cohesive set of songs with arrangements that Strummer would have approved of. [Dec 2003, p.135]
    • Alternative Press
    • 88 Metascore
    • 100 Critic Score
    [They] satisfy largely by serving up more of what made their debut so good. [Dec 2003, p.142]
    • Alternative Press
    • 64 Metascore
    • 80 Critic Score
    [Travis have] set aside the drifting atmospherics iin favor of complex arrangements. [Dec 2003, p.154]
    • Alternative Press
    • 86 Metascore
    • 100 Critic Score
    The rare sort of album that convinces you original music still exists. [Jan 2004, p.110]
    • Alternative Press
    • 67 Metascore
    • 70 Critic Score
    Perhaps the strangest and most successful finale ever. [Nov 2003, p.116]
    • Alternative Press
    • 81 Metascore
    • 80 Critic Score
    Rachel's create classical music for people who listen to bands like Boards Of Canada. [Nov 2003, p.100]
    • Alternative Press
    • 64 Metascore
    • 40 Critic Score
    Succeeds only as an inessential novelty. [Jan 2004, p.98]
    • Alternative Press
    • 63 Metascore
    • 40 Critic Score
    There's little sign of life here, only gently unassuming arpeggios and blanketing softness. [Jan 2004, p.98]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    Koala contours his cuddly cuts for the ADD set. [Nov 2003, p.118]
    • Alternative Press
    • 75 Metascore
    • 80 Critic Score
    Deliciously out of touch, Ladybug Transistor are sly, simpering and irresistible. [Nov 2003, p.99]
    • Alternative Press
    • 70 Metascore
    • 100 Critic Score
    Jet storm the new rock pack with the diverse appeal and catchy compositions. [Nov 2003, p.112]
    • Alternative Press
    • 84 Metascore
    • 90 Critic Score
    It's Death Cab's slowest and most mature recording, and over time, hidden bits of magic reveal themselves brilliantly. [Nov 2003, p.98]
    • Alternative Press
    • 73 Metascore
    • 60 Critic Score
    You'd be hard pressed to find a more confessional album released this year. [Dec 2003, p.142]
    • Alternative Press
    • 77 Metascore
    • 100 Critic Score
    Equally adept with paradiddles and software plugins, these digital-age surrealists have birthed a musical hybrid all their own. [Nov 2003, p.100]
    • Alternative Press
    • 73 Metascore
    • 80 Critic Score
    LFO executes these retro moves with flamboyance and subtlety, so we can forgive Bell his derivativeness. [Nov 2003, p.118]
    • Alternative Press
    • 77 Metascore
    • 70 Critic Score
    Though it has a couple great cuts that are in the running for Britpop song of the year, With The Tides lacks definition, making South more a group in the midst of a movement than one defining it. [Oct 2003, p.138]
    • Alternative Press
    • 72 Metascore
    • 80 Critic Score
    Seven's Travels ultimately nods to the mainstream as much as to the underground. [Nov 2003, p.116]
    • Alternative Press
    • 70 Metascore
    • 60 Critic Score
    Unfortunately, the tinny stutters and retro keyboards... drag when they're not amped up on desire. [Dec 2003, p.158]
    • Alternative Press
    • 74 Metascore
    • 80 Critic Score
    An album as dense and uncompromising as his native New York. [Nov 2003, p.116]
    • Alternative Press
    • 33 Metascore
    • 0 Critic Score
    Forgettable to anybody with a soul. [Jan 2004, p.103]
    • Alternative Press