Alternative Press' Scores

  • Music
For 3,071 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.5 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Major/Minor
Lowest review score: 0 Results May Vary
Score distribution:
3071 music reviews
    • 80 Metascore
    • 80 Critic Score
    RJD2 possesses the rare ability to transform moldy samples into fresh-as-tomorrow compositions. [Jun 2004, p.110]
    • Alternative Press
    • 70 Metascore
    • 70 Critic Score
    Admittedly, Emblems begins to drag towards the end, but the album succeeds on a visceral level. [Jul 2004, p.136]
    • Alternative Press
    • 72 Metascore
    • 80 Critic Score
    Even without a high-profile knob-twiddler [Walla] this would have sounded like their version of Husker Du's Metal Circus--a document of grace on the way to greatness. [Jul 2004, p.138]
    • Alternative Press
    • 74 Metascore
    • 60 Critic Score
    If you read The Wire, you probably already own [Kesto], but if you don't, don't bother. [Jul 2004, p.148]
    • Alternative Press
    • 70 Metascore
    • 60 Critic Score
    An acquired taste. [Sep 2004, p.124]
    • Alternative Press
    • 91 Metascore
    • 100 Critic Score
    Has as much to do with Ray Davies as it does with hip hop and garage. [Jul 2004, p.148]
    • Alternative Press
    • 81 Metascore
    • 70 Critic Score
    What separates Cut Copy from the retro-electro-pop pack is the mixing prowess of French house maestro Philippe Zdar. [Oct 2004, p.146]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    A progressive work with plenty to offer the open-minded. [Jun 2004, p.106]
    • Alternative Press
    • 79 Metascore
    • 100 Critic Score
    i
    Beautifully melodic, quietly clever and painfully smart. [Jul 2004, p.136]
    • Alternative Press
    • 73 Metascore
    • 60 Critic Score
    Ultimately unremarkable. [Jul 2004, p.134]
    • Alternative Press
    • 66 Metascore
    • 80 Critic Score
    He's brought classical melodic sophistication and beauty to this recording while retaining the post-punk edginess Gang Of Four disciples love. [Jul 2004, p.148]
    • Alternative Press
    • 81 Metascore
    • 80 Critic Score
    Full of the most intense guitar rock to come out of L.A. since Jane's Addiction's Nothing's Shocking. [Jun 2004, p.104]
    • Alternative Press
    • 84 Metascore
    • 80 Critic Score
    MOB have managed to preserve their legacy without tarnishing their origins. [Jun 2004, p.92]
    • Alternative Press
    • 71 Metascore
    • 80 Critic Score
    For fans of Sigur Ros and Mogwai, this is a godsend, but those who feel like those bands just incessantly mine one-chord riffs would do better to stay away. [May 2004, p.96]
    • Alternative Press
    • 74 Metascore
    • 70 Critic Score
    The Beta Band have added muscle to their rickety rock chassis without losing their past work's wood-fairy charm. [Aug 2004, p.106]
    • Alternative Press
    • 72 Metascore
    • 80 Critic Score
    Ratatat seem harmless, but these melodies will seep into your brain. [Jun 2004, p.111]
    • Alternative Press
    • 84 Metascore
    • 60 Critic Score
    An accurate representation of the prolific group's career. [Aug 2004, p.106]
    • Alternative Press
    • 78 Metascore
    • 40 Critic Score
    Finn employs an arrhythmic delivery... sounding like Jello Biafra covering Talking Head's "Once In A Lifetime," or a snake-oil huckster participating in a poetry slam. [May 2004, p.96]
    • Alternative Press
    • 83 Metascore
    • 100 Critic Score
    Accessible enough for people who learn about new music from [NPR] and sonically interesting enough to appeal to hardcore electroheads. [May 2004, p.110]
    • Alternative Press
    • 74 Metascore
    • 80 Critic Score
    Where Starsailor failed at morphing Britpop with orchestral flair, the Veils soar. [Aug 2004, p.118]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    About as riveting as a glass of water. [Jun 2004, p.97]
    • Alternative Press
    • 73 Metascore
    • 80 Critic Score
    Dark and compelling. [May 2004, p.104]
    • Alternative Press
    • 70 Metascore
    • 80 Critic Score
    String arrangements--plus frontman Dan Eastop's expressive vocals--save songs like "SF" from falling into rehash hell. [Jul 2004, p.146]
    • Alternative Press
    • 68 Metascore
    • 40 Critic Score
    A dozy dud. [Jun 2004, p.98]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    If Lush hadn't died, it might have wound up in the same solemn, yet provocative, place. [May 2004, p.104]
    • Alternative Press
    • 62 Metascore
    • 80 Critic Score
    Most of Neighborhood Watch is uncompromising proof that hip-hoppers, like rockers, can move units and still stay true. [May 2004, p.106]
    • Alternative Press
    • 74 Metascore
    • 100 Critic Score
    An impeccable album that makes good on the promise he's shown in the past. [May 2004, p.102]
    • Alternative Press
    • 83 Metascore
    • 80 Critic Score
    If Good News... isn't the pillar-like masterpiece Modest Mouse fans have waited years for, it's proof that things haven't completely fallen apart. [May 2004, p.92]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    A fantastic musical landscape that's practically carnivalesque. [Jul 2004, p.136]
    • Alternative Press
    • 73 Metascore
    • 60 Critic Score
    This heart-cleansing vulnerability renders much of Final Straw's latter half monotonous. [May 2004, p.96]
    • Alternative Press