Hot Press' Scores

  • Music
For 497 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 6 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 The Archives Vol. 1 1963-1972
Lowest review score: 10 Uncle Dysfunktional
Score distribution:
  1. Negative: 24 out of 497
497 music reviews
    • 47 Metascore
    • 40 Critic Score
    The musical equivalent of a puppy humping your leg. This is not a recommendation.
    • 58 Metascore
    • 40 Critic Score
    Shooting people, no-strings-attached sex and being a millionaire has never sounded so boring.
    • 61 Metascore
    • 40 Critic Score
    Seriously, Ms Jackson, I invite you around for high tea and you turn up leather clad, groaning, and hollering about touching yourself. Mrs Wilberforce didn’t know where to look and the vicar was most upset.
    • 70 Metascore
    • 40 Critic Score
    Sci-fi hi-jinks from ‘the nerdy Kraftwerk.’
    • 46 Metascore
    • 40 Critic Score
    There’s nowt nu about this nu metal.
    • 60 Metascore
    • 40 Critic Score
    Would be blockbuster from the Jack Johnson it’s really not okay to like.
    • 66 Metascore
    • 40 Critic Score
    Anastacia’s voice--once described by a critic as a ‘human air-raid siren’--is still hard to love: when she reaches for the trembling high notes your first instinct is to duck under the table and lock your head between your knees.
    • 82 Metascore
    • 40 Critic Score
    Underwhelming Third outing for nu-gaze duo.
    • 71 Metascore
    • 40 Critic Score
    Ego Trippin' is a subdued comeback from this once hot rapper.
    • 67 Metascore
    • 40 Critic Score
    Steady as she goes on AOR eighth outing.
    • 70 Metascore
    • 40 Critic Score
    Not as good as Beyonce.
    • 65 Metascore
    • 40 Critic Score
    Hard Candy sounds bloody expensive, but has precious little to declare except an infatuation with its own reflection in a nightclub mirror.
    • 64 Metascore
    • 40 Critic Score
    The album fifteen years in the making that sounds like a slick but robotic imitation of what it might have been long ago.
    • 55 Metascore
    • 40 Critic Score
    The clunkers come thick and fast.
    • 64 Metascore
    • 40 Critic Score
    We’re treated to less-interesting takes on the work of Bloc Party and The Libertines, low on hooks and utterly devoid of interesting production quirks.
    • 70 Metascore
    • 40 Critic Score
    Aging punks flog a rapidly expiring horse.
    • 66 Metascore
    • 40 Critic Score
    Houston, We’ve got problems
    • 74 Metascore
    • 40 Critic Score
    California dreaming, diminishing returns.
    • 70 Metascore
    • 40 Critic Score
    Woodly prog rock for weird beards.
    • 51 Metascore
    • 40 Critic Score
    The catchiest tune on The Block is ‘Summertime’, and in dignity terms it’s Cohen-meets-Waits compared to their hyperactive teen-pop of old.
    • 63 Metascore
    • 40 Critic Score
    Re-hashing a similar formula throughout 12 tracks makes for sour and rarely enjoyable listening.
    • 74 Metascore
    • 40 Critic Score
    It will probably go down as their 'sell-out' record, in that it's their first for a major label.
    • 73 Metascore
    • 40 Critic Score
    Shine remains a terribly average r'n'b album that occasionally flickers with possibility, but never burns brightly enough to matter.
    • 52 Metascore
    • 40 Critic Score
    Predictable return to stadium soft-rock from former Poodle-permers.
    • 70 Metascore
    • 40 Critic Score
    Sgt Emo’s Lonely Hearts Club Band delivers a less than thrilling album.
    • 76 Metascore
    • 40 Critic Score
    Berlin based electro crooner ratchets up the goo factor.