NOW Magazine's Scores
- Music
For 2,812 reviews, this publication has graded:
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43% higher than the average critic
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2% same as the average critic
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55% lower than the average critic
On average, this publication grades 6.9 points lower than other critics.
(0-100 point scale)
Average Music review score: 66
Highest review score: | The Life Of Pablo | |
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Lowest review score: | Testify |
Score distribution:
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Positive: 1,287 out of 2812
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Mixed: 1,452 out of 2812
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Negative: 73 out of 2812
2812
music
reviews
- By Date
- By Critic Score
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- Critic Score
The Miami radio DJ and Terror Squad member takes few stylistic chances, making We The Best Forever a mostly tedious listen despite its flashes of lyrical invention.- NOW Magazine
- Posted Aug 19, 2011
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- Critic Score
They're still making forays into metal (Crash), but most Sum fans will agree that the band just hasn't been the same since guitarist Brownsound left town.- NOW Magazine
- Posted Mar 31, 2011
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- Critic Score
The increased repetition of blurted nonsense phrases and the further dumbing down of their very basic progressions should serve to rid them of numerous long-time fans who hoped the Hives could save rock 'n' roll.- NOW Magazine
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Though deftly orchestrated, Everyday Robots feels deflated and aimless, and the nature-versus-technology theme frequently results in clichés.- NOW Magazine
- Posted Apr 24, 2014
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His intentions sound pure, but Shaggy's musical moonshine will leave all but the biggest fans with a heavy hangover.- NOW Magazine
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- Critic Score
Max Martin wrote the opening track on each of those early records, as he does here on their eighth. But even the anthemic title tune can’t hoist the group out of elevator-music territory.- NOW Magazine
- Posted Aug 1, 2013
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He's still getting more women than a taping of Ellen, but on Tha Carter IV – his most emo album to date – it sounds like what he really needs is a hug.- NOW Magazine
- Posted Aug 30, 2011
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Selway sounds like a space-age Badly Drawn Boy, only less lovable. His melodies are simplistic, his lyrics amateurish. If he weren't in the band, it'd be easy to write him off as a Radiohead rip-off.- NOW Magazine
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G-Unit needs to stop remaking Lloyd Banks's first hit, On Fire, from, like, two years ago.- NOW Magazine
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Whereas Chaplin's sharply drawn social comment is rightly considered a modern classic, Dylan's Modern Times -- sung in a strangely affected croak you'd expect to hear from Leon Redbone's grandfather -- comes off like a feeble anachronism in which our man cynically attempts to pass off public-domain blues and folk tunes as his own by changing a few words.- NOW Magazine
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TBS's main problem is that they write precisely two kinds of songs: energetic pop rock with whiny vocals, and midtempo power rock, again with whiny vocals.- NOW Magazine
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this sounds like the soundtrack to the hell of cheese-ball Las Vegas bottle service clubs.- NOW Magazine
- Posted Dec 13, 2012
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They're still doing that brooding medieval ambient pop thing, but with less drama and inventiveness.- NOW Magazine
- Posted Aug 29, 2012
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- Critic Score
ew singer William DuVall spends half his time replicating Staley’s nasal misanthropy and the other half buried by Cantrell’s vocals.- NOW Magazine
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The squelchy playfulness in Ewen’s arrangements that marked FBH’s most memorable tunes is now cloistered by cynicism and studiousness.- NOW Magazine
- Posted Jun 6, 2013
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- Critic Score
In the end, Horses is another addition to a catalogue short on standouts.- NOW Magazine
- Posted Jun 24, 2011
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Isbell shows us his sensitive side in a collection of lightly strummed breakup ballads and weepy slow-dancers you'd expect to get from Ryan Adams. That's not an endorsement.- NOW Magazine
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Ashanti’s still got a decent voice, but she’s badly in need of a better songwriting and production team.- NOW Magazine
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And though her voice is strong enough to carry the tracks, most of the time it’s needlessly strained. Memorable as these songs may be, they could use a good kick of grit to truly set them in motion.- NOW Magazine
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What made the band so charming--their indiscernible vocals, the prickly, overbearing guitars, the lo-fi grittiness of it all--has been lost in the makeover.- NOW Magazine
- Posted Jul 12, 2013
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- Critic Score
The hooks are in short supply, and the production, as on "Flashover," overstuffed and claustrophobic. That cat photo almost saves the day, but not quite.- NOW Magazine
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The only tracks that don't make us cringe are the back-to-basics club bangers likely added to pad out the album, and even those don't contain anything to get excited about. Someone needs to explain to Digitalism that it's way too soon for mid-00s retro.- NOW Magazine
- Posted Jul 14, 2011
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He composes rich, intimate electronic and acoustic soundscapes that suggest myriad emotions and intriguing songwriting possibilities. As a singer, however, he's maudlin.- NOW Magazine
- Posted Nov 11, 2011
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- Critic Score
Unfortunately, they mostly come across as predictable and chuckle-worthy for the wrong reasons.- NOW Magazine
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Unfortunately, there are none of the ridiculous disses, insane freestyles or wacky interludes that make real mixtapes entertaining.- NOW Magazine
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Unlike Rick Ross, who entertainingly describes his (completely fictitious) exploits in fantastically opulent terms, Joe brags with a dullness that betrays how often he's repeated this story. And the production seems dated all the way down to Kilo, which uses a sample that Ghostface Killah and Raekwon employed to much grimier effect in 2006.- NOW Magazine
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Mopey, twee, orchestral, downbeat--the duo cover all these bases in the flattest, most sophomoric way. Worse, though, is that the album sounds like a bunch of outtakes.- NOW Magazine
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Most of what Barnes throws together here doesn't get beyond annoying pastiche, and he still lacks the chops as a wordsmith to magically transform mediocre jams into memorable songs.- NOW Magazine
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- Critic Score
Charlotte Gainsbourg's Beck-produced IRM was a stellar sleeper gem of an album, but this follow-up sounds tossed together.- NOW Magazine
- Posted Dec 8, 2011
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