NOW Magazine's Scores
- Music
For 2,812 reviews, this publication has graded:
-
43% higher than the average critic
-
2% same as the average critic
-
55% lower than the average critic
On average, this publication grades 6.9 points lower than other critics.
(0-100 point scale)
Average Music review score: 66
Highest review score: | The Life Of Pablo | |
---|---|---|
Lowest review score: | Testify |
Score distribution:
-
Positive: 1,287 out of 2812
-
Mixed: 1,452 out of 2812
-
Negative: 73 out of 2812
2812
music
reviews
- By Date
- By Critic Score
-
- Critic Score
Despite the evident talent of his backup band – vocalists Patti Griffin and Jill Sobule, guitarist Smokey Hormel, bassist Don Was and Giant Sand's Howe Gelb on piano – it takes a while to get into, in part because the arrangements are often so busy that they verge on chaotic.- NOW Magazine
- Posted Sep 8, 2011
- Read full review
-
- Critic Score
It’s refreshing to hear O sing so delicately--a contrast to the over-the-top persona of her slick main gig--we wish she’d let the heartbreak linger a few moments longer.- NOW Magazine
- Posted Sep 4, 2014
- Read full review
-
- Critic Score
A solid offering that could have been improved by swapping some of the remixes for the originals.- NOW Magazine
- Posted Oct 29, 2015
- Read full review
-
- Critic Score
Calla deal in that dark romantic narcissism guys like Nick Cave and Tom Waits are known to wallow in on record after record.- NOW Magazine
- Read full review
-
- Critic Score
At her best, Sumie evokes the poeticism of Joni paired with the headiness of Mazzy Star. But given the songs’ lack of variation in tone and tempo, an EP might have offered a more focused introduction.- NOW Magazine
- Posted Dec 5, 2013
- Read full review
-
- Critic Score
New wave, soul and house beats make this his most genre-bending album yet.- NOW Magazine
- Posted Jan 31, 2013
- Read full review
-
- Critic Score
Without shattering any paradigms, they’ve assembled a very listenable collection of songs that’d be a welcome addition to a Starbucks summer playlist.- NOW Magazine
- Read full review
-
- NOW Magazine
- Posted Mar 5, 2015
- Read full review
-
- Critic Score
As the title suggests, the band is evolving gradually rather than in dramatic swells.- NOW Magazine
- Posted Sep 8, 2011
- Read full review
-
- Critic Score
There are worse artists to jack than David Byrne and company, but after all the breathless hype, you'd expect something a little more innovative.- NOW Magazine
- Read full review
-
- Critic Score
It's an accomplished record for singer Adam Levine and his faceless group, even if the whole affair sometimes sounds clinical in its approach.- NOW Magazine
- Read full review
-
- Critic Score
The production is restrained, leaving plenty of space for Staples's rich vocals, although some songs feel a bit too clean and reserved. It's all very pleasant but lacks the fire and passion we want from her.- NOW Magazine
- Posted Feb 25, 2016
- Read full review
-
- Critic Score
At times, this sense of vulnerability in the music can grow stagnant and forgettable, but it’s usually pleasurable in the moment.- NOW Magazine
- Posted Jan 16, 2014
- Read full review
-
- Critic Score
There's nothing especially memorable on offer, and a lyrical artlessness becomes obvious as the album continues.- NOW Magazine
- Posted Jun 25, 2015
- Read full review
-
- Critic Score
Kings of Leon often seem torn between their stadium rawk impulses and their hip underground aspirations.- NOW Magazine
- Read full review
-
- Critic Score
It's nice that he's managed to keep things tasteful, but instead of quiet intensity, it comes across more as overly cautious and timid – not exactly what he was aiming for.- NOW Magazine
- Read full review
-
- Critic Score
When the punk, doo-wop, early R&B and psych influences come together, the high points are strong enough that you can easily forgive the lack of focus.- NOW Magazine
- Posted Feb 23, 2012
- Read full review
-
- Critic Score
This pretty solid record shouldn't disappoint existing fans. However, it's more pleasant than mind-blowing, and you notice the pretty sounds more than the songs themselves.- NOW Magazine
- Posted Apr 7, 2011
- Read full review
-
- Critic Score
The best rhymes come courtesy of Kendrick Lamar on Solo Dolo, Pt. II, and the worst are from Too Short on the album’s weakest link, Girls.- NOW Magazine
- Posted Apr 25, 2013
- Read full review
-
- Critic Score
No matter how sobering Hypercaffium Spazzinate gets, Descendents keep things light by playing these wistful, grown-ass songs like teenagers.- NOW Magazine
- Posted Aug 17, 2016
- Read full review
-
- Critic Score
When they stop aiming for catchiness and instead get real about relationships, LYTD sparkles.- NOW Magazine
- Posted Jun 1, 2016
- Read full review
-
- Critic Score
Musically it’s a gloriously tacky mix of dance pop and hair metal, and we mean that in the best way possible....The only problem is that he doesn’t go far enough, likely the result of the label trying to tone down his flamboyance.- NOW Magazine
- Read full review
-
- Critic Score
Burton deserves some of the blame for the album's shortcomings as well, even if his creative engineering is the high point. He gives us some gorgeously layered textures and swirling atmospherics, but then backs those up with tepid and forgettable beats.- NOW Magazine
- Read full review
-
- Critic Score
For all its unexpected sounds and catchy choruses, Emotion falters in its lyrical blandness.- NOW Magazine
- Posted Aug 19, 2015
- Read full review
-
- Critic Score
It might be too overwrought for many, but for those of us who like drama, this is a fine introduction.- NOW Magazine
- Posted Oct 7, 2011
- Read full review
-
- Critic Score
Only about half of the songs captivate; the others could be used as sleep aids. This is frustrating, because the strong songs are fantastic. The lesser ones suffer from too much washed-out dreaminess.- NOW Magazine
- Posted Mar 9, 2016
- Read full review
-
- Critic Score
It's so soft-focus as to rarely assert itself or command attention, but fuzz-pop Free The Skull brings to mind Pink Mountaintops, boogie rocker Slow Down Low has a blissful pulse, and Thieves gets terrific mileage out of a hypnotically repetitive riff.- NOW Magazine
- Posted Mar 5, 2015
- Read full review
-
- Critic Score
On MTMTMK, the duo moves through a range of global sounds, from Congolese kwassa kwassa to reggaeton to electro house.- NOW Magazine
- Posted Aug 2, 2012
- Read full review
-
- Critic Score
Though there’s some absolutely gorgeous production that recalls the lush sound and synthscapes of 80s rock, the songwriting is weighed down by clichés.- NOW Magazine
- Posted Feb 13, 2017
- Read full review
-
- Critic Score
Moving further away from sugar-coated post-Idol fare, Clarkson steps up with more rockers and a few ballads that, while not all destined to be radio hits, are all convincing and emotionally bare.- NOW Magazine
- Read full review
-
- Critic Score
There is some filler here and there, but the record is fun and catchy.- NOW Magazine
- Read full review
-
- Critic Score
Like his debut album, the sequel suffers and shines due to inconsistency. Cudi's strong creative streak leads him to follow through on every idea that crosses his mind, resulting in brilliantly unique moments and lots of stoner stumbles.- NOW Magazine
- Posted Dec 21, 2010
- Read full review
-
- Critic Score
Sonically, Demons has a lot in common with Renmin Park, although this disc feels a bit more produced. It's a touching tribute, to be sure, but we wish they'd left a few more of the rough edges in this time.- NOW Magazine
- Posted Apr 1, 2011
- Read full review
-
- Critic Score
Once you’ve finished playing Name That Influence, it becomes just a nice mid-tempo indie pop record with catchy guitar hooks.- NOW Magazine
- Posted Aug 19, 2015
- Read full review
-
- Critic Score
It's actually startlingly dark, and understandably so – drummer Paul Hester took his own life only two years ago, and the tragedy definitely shades Neil Finn's songwriting on Time.- NOW Magazine
- Read full review
-
- NOW Magazine
- Read full review
-
- Critic Score
The overall effect is pleasantly daydreamy, though the album quickly settles into one gear.- NOW Magazine
- Posted Feb 21, 2013
- Read full review
-
- Critic Score
Take You High, Dance With Me and Nostalgic find her ceding the floor to a few grating drops, builds and chopped-up vocal samples as well as some trendy 80s synth rhythms. Those diversions aside, this is another Kelly Clarkson album that's all about maximizing her big steamroller of a voice.- NOW Magazine
- Posted Mar 5, 2015
- Read full review
-
- Critic Score
All Day is a more complicated mix than Girl Talk's previous albums, with more to notice on repeat listens. And just like everything else he's done, it's an exhausting experience.- NOW Magazine
- Posted Dec 14, 2010
- Read full review
-
- Critic Score
TNV’s latest rises above previous efforts thanks to anthemic No Time, No Hope, which might jog memories of a barely coherent Lou Reed.- NOW Magazine
- Read full review
-
- Critic Score
There's no particular deficiency, but the new approach pushes the Brooklyn-based Athens, Georgia, band closer to the middle of the road than ever before.- NOW Magazine
- Read full review
-
- NOW Magazine
- Posted Feb 25, 2016
- Read full review
-
- Critic Score
Lyrics are reflective and well written--Watt is also a published author--but a middle-age malaise runs through these 10 tracks.- NOW Magazine
- Posted Jul 10, 2014
- Read full review
-
- Critic Score
Considering it’s only 44 minutes long, MGMT’s self-titled third album feels much lengthier. This is partly due to the dense layers and constantly shifting textures, but it’s also a result of the abrasive digital distortion shrouding the psych-pop jams, making it a tiring listen even at its most melodic.- NOW Magazine
- Posted Sep 12, 2013
- Read full review
-
- Critic Score
The production (thanks to Jim Diamond) also sounds more radio-ready, but the increased crispness makes the looseness of Maya Miller’s drums far more distracting than it used to be, and everything is far too cold.- NOW Magazine
- Posted Jan 27, 2014
- Read full review
-
- Critic Score
This album feels firmly in the gutter, and that’s a positive for slurring Dylan-phile Hamilton Leithauser, who moans and wails throughout, ruminating about lost friends and lovers while the guitars pour reverb-drenched notes over his sepia moments.- NOW Magazine
- Read full review
-
- Critic Score
Recorded mostly live off the floor, including some of the vocals, Paul’s Tomb has a power that the band’s previous albums lacked.- NOW Magazine
- Read full review
-
- Critic Score
Mood is the driving force, making it function best as background music, if occasionally forgettable.- NOW Magazine
- Posted Nov 11, 2015
- Read full review
-
- Critic Score
The moody minimalism is still present, but under the rich vocal treatment the band sounds more subordinate and self-effacing, at times to a fault.- NOW Magazine
- Posted Apr 1, 2015
- Read full review
-
- Critic Score
The result is tunes that are pleasant more often than arresting, tailor-made for playing quietly in the kitchen.- NOW Magazine
- Posted Mar 18, 2014
- Read full review
-
- Critic Score
One Love goes surprisingly deep, but an instrumental companion disc would’ve been a nice touch.- NOW Magazine
- Read full review
-
- Critic Score
She almost always goes for the jugular, belting out Super Bowl Sunday-sized performances over the most laid-back of summer-afternoon soul clappers. Her voice overflows with emotion, and subtlety's in short supply.- NOW Magazine
- Posted Mar 21, 2011
- Read full review
-
- Critic Score
No No No's a pleasantly nostalgic experience, but ultimately it feels insubstantial.- NOW Magazine
- Posted Nov 11, 2015
- Read full review
-
- Critic Score
Don’t expect any major changes to their 50-million-records-sold formula. Neil Tennant and Chris Lowe keep things grandiose with paddy retro synths, discotheque drum machines and downtrodden lyrics.- NOW Magazine
- Read full review
-
- Critic Score
The 15 songs are relatively short by ambient standards, which makes the album feel like a collection of sketches.- NOW Magazine
- Posted Jul 16, 2015
- Read full review
-
- Critic Score
While the rest of the band have proven they can write solid music, it's singer Geoff Rickly who presents the biggest problem, and that's mostly because the man simply cannot tone down his over-emoting.- NOW Magazine
- Read full review
-
- Critic Score
Takes’ boldest move and its artistic centrepiece must be the mashing up of Aphex Twin’s positively scary To Cure A Weakling Child and Boy/Girl Song into a melodious lullaby.- NOW Magazine
- Read full review
-
- Critic Score
Great sleepy Sunday-afternoon music, but it could have been more than that.- NOW Magazine
- Read full review
-
- Critic Score
There's no denying Bronson is a supreme talent, but Mr. Wonderful feels more like a low-stakes failed experiment than a grand proclamation.- NOW Magazine
- Posted Apr 1, 2015
- Read full review
-
- Critic Score
Legend's lounge-track sentimentality often spills into schmaltzed-out Streisand-on-Broadway territory.- NOW Magazine
- Read full review
-
- Critic Score
It’s all very lush and fabulous, but also restrained and calculated to the point of coldness. If that’s intentional, they’ve pulled it off, but not necessarily to the album’s benefit.- NOW Magazine
- Read full review
-
- NOW Magazine
- Read full review
-
- Critic Score
Essentially, Evidence harkens back to 00s rap nostalgia without resorting to preachy tirades or regressive concepts, a respite during a time of sing-rap and hyper-aggressive flows.- NOW Magazine
- Posted Oct 7, 2011
- Read full review
-
- NOW Magazine
- Read full review
-
- Critic Score
There’s not a lot to get excited about, but it’s a catchy enough confection that should work well in gadget commercials, which was likely the whole point.- NOW Magazine
- Read full review
-
- Critic Score
At times it feels like she's stuck in one gear, but her energy refreshingly and irresistibly recalls the un-cynical era of old-school breakbeat and hip-house.- NOW Magazine
- Posted May 18, 2012
- Read full review
-
- Critic Score
The album is a fun novelty, but as with most tributes, there's not much to keep it in rotation.- NOW Magazine
- Posted Jun 30, 2011
- Read full review
-
- Critic Score
Angelakos’s Hot Chip-meets-MGMT sound also works on I’ve Got Your Number. His distinctive vocals backfire only on the too-cutesy Cuddle Fuddle.- NOW Magazine
- Read full review
-
- Critic Score
There are a few clunker lyrics--Grainger’s at his strongest when he’s singing about making love, not having sex--but overall it’s a worthy record from an artist who refuses to make the same one twice.- NOW Magazine
- Posted Nov 14, 2013
- Read full review
-
- Critic Score
While the rhythms may seem like invitations to dance--or at least sway--the lyrics are almost uniformly bleak, making Pale Fire a late contender for saddest album of the year.- NOW Magazine
- Posted Dec 21, 2012
- Read full review
-
- Critic Score
So even though Burnett has assembled a crack acoustic support unit to play the choice material he's selected from Gene Clark, Townes Van Zandt and the Everly Brothers, without that magical X factor you've got nothing but two good vocalists trying to stay out of each other's way.- NOW Magazine
- Read full review
-
- Critic Score
Reign Of Terror still sounds like Sleigh Bells, but a more polite and conservative version.- NOW Magazine
- Posted Feb 23, 2012
- Read full review
-
- Critic Score
The band's maturing on Kintsugi, which, if you remember the haircut and attitude of your 16-year-old self, is always a good thing.- NOW Magazine
- Posted Mar 25, 2015
- Read full review
-
- Critic Score
Dark Bird Is Home sounds carefully constructed, and Matsson keeps things simple rather than making easy moves toward a grandeur that could bury his songcraft.- NOW Magazine
- Posted Jul 30, 2015
- Read full review
-
- Critic Score
Despite a couple of interstitial tracks just past the halfway mark, RR7349 is more like a suite of discrete moods than a cycle of songs.- NOW Magazine
- Posted Sep 29, 2016
- Read full review
-
- Critic Score
M.I.A. is good at circumventing dance music clichés, often through sheer polyrhythmic excess; it’s hard to stay still during effusive bangers like Y.A.L.A., Matangi and tribal-trap anthem Warriors. On the flip side, Matangi’s forays into left-field pop (Come Walk With Me, Lights) are blandly saccharine compared with // / Y /’s pure pop moments.- NOW Magazine
- Posted Nov 7, 2013
- Read full review
-
- Critic Score
Too many of the tracks seem more like very good imitations of song types than like actual songs.- NOW Magazine
- Posted Dec 21, 2012
- Read full review
-
- Critic Score
Terraplane's saving grace is that it's fun to listen to and full of swagger.- NOW Magazine
- Posted Feb 12, 2015
- Read full review
-
- Critic Score
Ward's writing--though universal and singalongable--sometimes suffers from vagueness and clichéd rhymes. He should have a bit more faith in his audience, because Hope is most interesting when it strays a little from this formula.- NOW Magazine
- Posted Apr 27, 2016
- Read full review
-
- Critic Score
It works best when the overpowering synth lines let up and make room for experimental noises and Iwanusa’s tender voice.- NOW Magazine
- Posted Apr 4, 2013
- Read full review
-
- Critic Score
The quietness is also the project’s greatest weakness. At times, it leaves the album feeling incomplete or intrusive, as if we’re peeking in mid-thought.- NOW Magazine
- Posted Oct 30, 2014
- Read full review
-
- Critic Score
Fans will be thrilled to know that, despite the replacement of main guitarist and co-songwriter Ben Moody, Evanescence's sophomore album is at least as unsubtle as its predecessor.- NOW Magazine
- Read full review
-
- Critic Score
While Bun B's weathered voice and lyrical detail add weight to his words, there are a lot of predictable OG conventions on this overlong album.- NOW Magazine
- Read full review
-
- Critic Score
The band's adventurous use of sampling and beats pays off when supporting Andy Maize's vocal on The Herd, but the alt-folk arrangements tend to get melodramatic on quieter songs like I'll Be There and the tremolo-piano-treated title track.- NOW Magazine
- Posted Dec 12, 2012
- Read full review
-
- NOW Magazine
- Posted Jan 18, 2012
- Read full review
-
- Critic Score
Latham's plaintive voice sounds like it's emanating from some romantically ruinous daydream. The effect suits the mood but makes his lyrics difficult to decipher, which is frustrating given his pointed message.- NOW Magazine
- Posted Mar 25, 2015
- Read full review
-
- Critic Score
Often he's trying too hard to be cool, and it's unconvincing. When it does work, the band sounds surprisingly like Broken Social Scene, but with more cowbell.- NOW Magazine
- Posted Jul 12, 2011
- Read full review
-
- Critic Score
The Polish-born, Brooklyn-based DJ, born Jakub Alexander, makes music that's as likely to induce sleep as a mild panic attack.- NOW Magazine
- Posted Dec 21, 2012
- Read full review
-
- Critic Score
Real is a beefy record that plods and dances precariously close to the jam band divider.- NOW Magazine
- Read full review
-
- Critic Score
It’s initially fun to play spot-the-references, but in the best moments the sounds are harder to pin down.- NOW Magazine
- Posted Mar 2, 2016
- Read full review
-
- Critic Score
It works best when DiFranco points to contradictions within herself, and worst when her lyrics get preachy or black-and-white.- NOW Magazine
- Posted Feb 23, 2012
- Read full review
-
- Critic Score
Closer Oh Bummer, sung by drummer Greg Saunier, is a straightforward moody rock song--at least for the first three minutes, after which a striking doomsday-meets-Thriller breakdown erupts, reminding diehard fans that the band members are still weirdos but also keeping fair-weather listeners at a distance.- NOW Magazine
- Posted Oct 30, 2014
- Read full review
-
- Critic Score
On indie pop cut One True Love and the rollicking I Need An Angel, Wisenbaker’s gritty voice scuffs up Goodman’s buoyant one – a good thing, since she can sound static at times. That said, she’s sorely missed on the jangling track Nineties, in which Wisenbaker takes sole vocal duties but lacks the charisma to pull it off.- NOW Magazine
- Posted Mar 2, 2016
- Read full review
-
- Critic Score
It’s rare to hate one half of an album so much while genuinely enjoying the other.- NOW Magazine
- Posted Sep 26, 2013
- Read full review
-
- Critic Score
While occasionally generic, nothing on Shine On is as annoying as their breakthrough single, Are You Gonna Be My Girl.- NOW Magazine
- Read full review
-
- Critic Score
Aside from flailing a bit at the end, the London group’s third full-length hits its mark.- NOW Magazine
- Posted Mar 2, 2016
- Read full review
-
- Critic Score
At 19 tracks, LAX is bloated and uneven, more often than not marked by weak beats and uninspired appearances. The Game’s skill and wit alone save this from being a complete disaster.- NOW Magazine
- Read full review
-
- Critic Score
The best moments are some of the strongest of Gibb’s career, but too much of the material lacks the hooks and pure pop sensibility to make this the truly great album we were hoping for.- NOW Magazine
- Read full review
-
- Critic Score
Though its overall sound is depressing industrial indie rock with nods to Leonard Cohen, Marilyn Manson and Tool, Six’s varied instrumentation, catchy songs and emotional impact make for an interesting listen.- NOW Magazine
- Read full review
-
- Critic Score
It may not be earth-shattering, but it’s doubtful this album will ever sound dated.- NOW Magazine
- Read full review