For 2,074 reviews, this publication has graded:
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55% higher than the average critic
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4% same as the average critic
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41% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Music review score: 71
Highest review score: | Live in Europe 1967: Best of the Bootleg, Vol. 1 | |
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Lowest review score: | Shatner Claus: The Christmas Album |
Score distribution:
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Positive: 1,596 out of 2074
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Mixed: 443 out of 2074
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Negative: 35 out of 2074
2074
music
reviews
- By Date
- By Critic Score
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- Critic Score
For about half of “Highway Companion” Mr. Petty’s reticence opens the songs to a sense of mystery. For the rest, he just sounds reserved and cagey, singing about restlessness but sounding all too settled. [24 Jul 2006]- The New York Times
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- The New York Times
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Despite Mr. Cornell’s budding outrage, and the band’s attempts to funk up its sound, “Revelations” has a tentative, unfinished air.- The New York Times
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It’s hard to imagine anyone going for the whole album, because it doesn’t hold together. [18 Sep 2006]- The New York Times
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- The New York Times
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- The New York Times
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The old Cat Stevens, who pondered earthly loves and sorrows and spiritual yearning, has been replaced by a songwriter who finds all his answers in faith. [13 Nov 2006]- The New York Times
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“Kingdom Come,” then, captures the sound of a grown-up rapper trying to make a grown-up album -- whatever that means. It’s a fascinating experiment, and a halfway successful one.- The New York Times
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The spirit is there, even when, in some cases, the songwriting is not. [25 Feb 2007]- The New York Times
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The first half of “My Name Is Buddy” may not be for those who get their news from sources other than old social-realist novels, aren’t serious cat-fanciers or are older than 12. [5 Mar 2007]- The New York Times
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He is clearly searching for a more mature style. But the musical and rhetorical convolutions of “Cassadaga” are no substitute, yet, for the way he used to blurt things out. [9 Apr 2007]- The New York Times
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There are times when Mr. Callahan’s deliberate, word-centric approach seems merely perverse instead of brave, and somehow the album seems much shorter than its 40 minutes, as if it’s only a sketch for what’s next.- The New York Times
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As an album “The Best Damn Thing” is too relentless to be heard end to end. Its songs are expected to bring occasional jolts to a playlist. [16 Apr 2007]- The New York Times
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As you might imagine, the band’s emo makeover doesn’t always go smoothly.- The New York Times
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Despite some spooky background noises, the music leans toward a glam-gone-grim style, reverting to a sound that predates Marilyn Manson’s past industrial-rock stomps.- The New York Times
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- The New York Times
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Over all, this new CD relies on familiar formulas: twitchy, singalong choruses, lyrical and musical in-jokes and affable vocal harmonies. But it also feels disjointed and indulgent, packed with stylistic U-turns.- The New York Times
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Ms. Perry is curiously blank on her major-label debut album (in 2001 she released a moody, eclectic collection of Christian contemporary music).- The New York Times
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But much of The Greatest Story Ever Told might as well be running down a familiar checklist--guns, rough sex, big cars, club brawls, anti-snitching--and Mr. Banner is running out of variations.- The New York Times
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- The New York Times
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He’s likeable but dull, rapping with nursery-rhyme cadence and simplicity. When he attempts intricacy, his words fall all over one another, scrambling for dry ground.- The New York Times
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Produced by Andy Chase of the indie-pop band Ivy, the record pairs Ms. Hatfield’s compact songs with an unabashedly commercial sound, a strategy that works about half the time.- The New York Times
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The emotional density lurking in Mr. Skinner’s early work is mostly absent. Worse still, he’s tightened up his rapping, largely sticking to simple patterns that when paired with simple ideas, are numbing.- The New York Times
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We Global is an orchestra of favor collecting, though slightly dimmer than the two albums that preceded it.- The New York Times
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"If those girls were being honest and have been where you’re at. I bet they tell you they wish they had their innocence back." But this is what passes for wisdom on Ms. Pickler’s tepid and forgettable new record.- The New York Times
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When she’s hurting, she can still sear. [But] too often here, though, Ms. Williams gets bogged down turning her magnifying glass back on music making.- The New York Times
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Even though Pink oozes disappointment in herself and others, her music mostly fails to keep up.- The New York Times
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- The New York Times
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Mr. Bentley still never colors far outside the lines, and his already smooth voice has been polished to a sheen here.- The New York Times
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- The New York Times
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