The Telegraph (UK)'s Scores
- Music
For 1,238 reviews, this publication has graded:
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63% higher than the average critic
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4% same as the average critic
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33% lower than the average critic
On average, this publication grades 4 points higher than other critics.
(0-100 point scale)
Average Music review score: 77
Highest review score: | Hit Me Hard and Soft | |
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Lowest review score: | Killer Sounds |
Score distribution:
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Positive: 882 out of 1238
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Mixed: 354 out of 1238
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Negative: 2 out of 1238
1238
music
reviews
- By Date
- By Critic Score
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- Critic Score
The 60-year-old producer has clearly been keeping an aficionado’s ear on developments in digital electronica, and there is nothing particularly retro or dated about this comeback. Thorn’s voice has a timelessness that will always sound contemporary. She never strains or overemotes but lets her instinct for elegant melody and the understated intelligence of her lyrics carry the dramatic weight.- The Telegraph (UK)
- Posted Apr 21, 2023
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There are duds, mostly when Aitch is chasing LA acclaim and aping US trap rappers on tracks like Cheque or Fuego. But when he leans into the silky, bumpy ’90s-era smooth-licking RnB that he raised himself on – see Sunshine or R Kid – he’s hard to beat.- The Telegraph (UK)
- Posted Aug 19, 2022
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While this album invigorates and intrigues, in future I would hope to hear her expand lyrically, while exploring the hauntingly melancholic sounds her violin can produce. For now, at least, the defiant joy her work evokes is a stimulating jolt to the senses.- The Telegraph (UK)
- Posted Sep 9, 2022
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Mabel also retains the tender, thoughtful quality that infused her debut album High Expectations (2019), and this makes for an impressively nuanced flow.- The Telegraph (UK)
- Posted Jul 15, 2022
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The 12 tracks that make up Expert in a Dying Field are lean and propulsive, with hooks that get under the skin.- The Telegraph (UK)
- Posted Sep 16, 2022
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He's made the kind of record that every kid rummaging through boxes of Seventies vinyl at the car boot sale hopes to find. One that lovingly reassembles a 21st-century impression of that era's warm autumnal hues and tactile textures.- The Telegraph (UK)
- Posted Mar 12, 2012
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This would all be simply infuriating were it not for the melodiousness that binds these strange sounds and images together, the feeling stirred up by Vernon’s voice, and his gift for chord progressions that sweep you along almost against your will.- The Telegraph (UK)
- Posted Sep 30, 2016
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The kids might not understand, but rock fans should be delighted that Kerr and Thatcher are still in the ring, giving it everything they’ve got.- The Telegraph (UK)
- Posted Sep 1, 2023
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Sharper production focuses the singer's woozier tendencies, revealing a succession of hooks to adorn his take on Neil Young's grooving folk-rock and Blur's twisted indie.- The Telegraph (UK)
- Posted Jun 6, 2011
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It’s infested with the collective naughtiness and layered irony of a B-movie all-nighter.- The Telegraph (UK)
- Posted Apr 12, 2013
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This is an album of mature, accessible pop-rock. The singing is beautiful, the playing immaculate, the sound warm and rounded, with nothing to scare the horses.- The Telegraph (UK)
- Posted Sep 20, 2019
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These are songs rich in detail, soul deep, often burdened with worry and a lifetime’s baggage, yet it’s the hazy sense of a drifter’s freedom in New Magic II which wins through, lifting your spirits time and again.- The Telegraph (UK)
- Posted Apr 21, 2023
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- The Telegraph (UK)
- Posted May 12, 2023
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Lisa Hannigan is on confident form in her second solo release since the split from Damien Rice.- The Telegraph (UK)
- Posted Oct 17, 2011
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She really does sweep the listener away, spinning wild webs of sound and carrying us off to her own aural dreamland.- The Telegraph (UK)
- Posted Oct 28, 2011
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It is as if one of the saddest albums you will ever hear is masquerading as a set of party hits. Nevertheless, No Shame should be compulsory listening for every young wannabe who still thinks pop stardom will be a panacea for all their problems.- The Telegraph (UK)
- Posted Jun 7, 2018
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Wild Beasts have shed a lot of excess, offering a stripped-back amalgamation of analogue Eighties synths, snappy machine rhythms and industrial rock guitar buzz, coloured with great swathes of harmonic panache, that is lean and mean enough to pass for modern pop. This newfound purpose is the real revelation of Wild Beasts’ strongest album to date.- The Telegraph (UK)
- Posted Aug 2, 2016
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The Civil Wars offers up 12 perfectly elegant, subtly arranged Americana songs of bad love, misplaced emotion, cheating hearts, fighting and fleeing.- The Telegraph (UK)
- Posted Aug 1, 2013
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Dealing frankly with love, rejection, frustration, self-doubt and self-acceptance, almost every one of the 10 tracks is catchy and distinctive enough to become a hit.- The Telegraph (UK)
- Posted Feb 8, 2013
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A defiantly bravura set of melodic metal on which the 73-year-old genuinely sounds as though he’s having the time of his life.- The Telegraph (UK)
- Posted Sep 9, 2022
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A side project should be challenging and unusual; it should stretch the boundaries of the artists involved. Since that is what this characterful, strong, self-contained album does, you really have to like it or lump it.- The Telegraph (UK)
- Posted Jun 7, 2018
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The result is furiously syncopated, no-holds-barred rock made marvellously strange by Camara's squawking fiddle and invocatory singing.- The Telegraph (UK)
- Posted Aug 2, 2011
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Given the circumstances surrounding its creation, there is unsurprisingly a sadness at the heart of Two Ribbons, but even in quieter moments such as the acoustic Strange Conversations, or the atmospheric interlude In The Cemetery, the air is of light breaking through. And, equally often, there is a redemptive clarity and a wonderful sense of healing.- The Telegraph (UK)
- Posted Apr 29, 2022
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With the right collaborators she can conjure golden moments.- The Telegraph (UK)
- Posted Nov 28, 2011
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Thoughts on suicide, homelessness, injustice, heartbreak and mortality are framed with supple grooves, melodious chords, gorgeous harmonies and lushly detailed arrangements.- The Telegraph (UK)
- Posted Oct 11, 2019
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Sour is a melodramatic pop opera of broken teen dreams: right now, it puts Rodrigo in the driver’s seat, and woe betide anyone who gets in her way.- The Telegraph (UK)
- Posted May 21, 2021
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His pensive, personal songs often evoke nocturnal drives on dusty highways with hypnotic allure.- The Telegraph (UK)
- Posted Nov 28, 2011
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Muse are a blockbuster band, and this is another box-office-demolishing spectacular – it would feel like self-denial not to surrender. Honestly, the end of the world has rarely sounded like so much fun.- The Telegraph (UK)
- Posted Aug 26, 2022
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Hideous Creature doesn’t possess the same pop immediacy of Sim’s day job, but it does feel like a record that needed to be made: vital and beautiful.- The Telegraph (UK)
- Posted Sep 9, 2022
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Drill is a music aimed at dedicated acolytes rather than general listeners. But strip away the lyrics, and the strange mix of electro loops, nervous beats, sad melodies and sci-fi sounds is utterly compelling and contemporary, evidence of a cutting edge local music scene that continues to thrive even with venue doors barred shut.- The Telegraph (UK)
- Posted Oct 8, 2020
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The two make a fine vocal duo, but even more astonishing is their instrumental virtuosity.- The Telegraph (UK)
- Posted Jul 5, 2011
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He knows how to fill a dance floor. But his music comes with the sharp awareness of how it feels to stand, alienated and feigning aloofness, on the sidelines.- The Telegraph (UK)
- Posted Jul 6, 2016
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In terms of emotional insight and sheer singer-songwriter genius, it is not in the league of such heartbreak classics as Bob Dylan's Blood on the Tracks and Joni Mitchell's Blue, but at least it reaches for such heights.- The Telegraph (UK)
- Posted Apr 18, 2024
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Without a feeling that it’s intentionally waiting for the rain in order to go out dancing in it, it draws on its authors’ memories of the good times – reflecting, according to Philippakis, right back to their earliest days – and projects them huge and bright.- The Telegraph (UK)
- Posted Jun 24, 2022
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Coexist may not sound as dramatically original as their debut but it is every bit as other-worldly, like eavesdropping on intimate conversations between forlorn lovers on a space station orbiting around a distant planet.- The Telegraph (UK)
- Posted Sep 7, 2012
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If I have a caveat, it is that it is all so single minded, it lacks the dizzying splendour of Monae’s earlier epics. But on its own down and dirty terms, The Age of Pleasure is sheer pleasure.- The Telegraph (UK)
- Posted Jun 9, 2023
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Ugly Season may seem just that to those who prefer Hadreas’s smoother side. Yet the most compelling elements of his work remain, and the album is a culmination of one of the most consistent and emotionally generous artists today. Without the focus of the dance performance, the onus is on the listener to concentrate – but the rewards are as rich as ever.- The Telegraph (UK)
- Posted Jun 24, 2022
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Spirituals is tonally consistent despite its range of distinctive influences and talents. Just when Santigold threatens to lean into the corny, as on the SBTRKT-produced Shake, she pulls back, adding a whimsical, purposefully on-the-nose rattle sound at the end of each wedding disco-like “shake, shake, shake it” hook. It’s a joy to hear her back in her creative swing.- The Telegraph (UK)
- Posted Sep 9, 2022
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The sexy android cover and star-studded collaborations (including alternative icons Lizzo, Haim and Christine and the Queens) on her third album, Charli, suggest an all-guns-blazing pitch for blockbuster status. But the contents are far weirder than that implies. ... Come the century's end, you can almost imagine future critics scratching their AI-augmented brains and still touting Charli XCX as the next big thing.- The Telegraph (UK)
- Posted Sep 11, 2019
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Indeed, for all the slick but formulaic pleasures of the album’s mainstream pop push, it is arguably that Cyrus is at her most compelling when she dances like no one is watching.- The Telegraph (UK)
- Posted Mar 10, 2023
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- The Telegraph (UK)
- Posted Mar 10, 2023
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A guest spot for Little Dragon's Yukimi Nagano adds spice to this unexpected feast.- The Telegraph (UK)
- Posted Sep 26, 2011
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Their pairing might well be bananas, but it works. Buckley is certainly no luvvie on leave. This is, at times, a dazzling album.- The Telegraph (UK)
- Posted Jun 24, 2022
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Neither lets down an album that features songs by some of country music's finest lyricists.- The Telegraph (UK)
- Posted Feb 1, 2012
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Sometimes, Cage the Elephant’s lyrics can veer into a teen angst that jars against their middle-aged image: “I don’t want to play those games, will we ever be the same?”. But when they sound this good, they can just about get away with it.- The Telegraph (UK)
- Posted May 17, 2024
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Covering Black Tie, White Noise, The Buddha of Suburbia, 1.Outside, Earthling and ‘hours…’, this box set is a welcome opportunity to re-evaluate that period with a more forgiving spirit and historic context. Because (as they say in sport) form is temporary, class is permanent. And Toy is further proof that Bowie was always a class act.- The Telegraph (UK)
- Posted Nov 29, 2021
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The album is both consistently breezy and emotionally upfront, going to-and-fro between galvanising dance anthems and gentle, psychedelic country ballads à la Kacey Musgrave’s Golden Hour.- The Telegraph (UK)
- Posted Jun 24, 2022
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At 66 Raitt’s warm graze of a voice is better than ever, balancing the confidence of experienced with a more nuanced perspective. Inspirational.- The Telegraph (UK)
- Posted Feb 12, 2016
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- The Telegraph (UK)
- Posted Sep 15, 2023
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Sometimes, Forever, though on the whole a rockier, more grown up record, still has its moments of teenage innocence: Shotgun and Feel It All The Time seem like continuations of the biggest singles from color theory, royal screw up and circle the drain, that became sad anthems for disenchanted youth.- The Telegraph (UK)
- Posted Jun 24, 2022
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What Volume 16 really demonstrates is that Dylan has a certain rock and folk comfort zone, and it was a mistake to ever push himself out of it. The most surprising treat is the sound of Dylan in fine voice warming up with cover versions of old favourites, including a soulful take of The Temptations’ I Wish It Would Rain, a steamy run through Elvis Presley’s Mystery Train with Ringo Starr on drums, and a slowed-down and heartfelt version of Neil Diamond’s Sweet Caroline.- The Telegraph (UK)
- Posted Sep 16, 2021
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As a direct follow up, Evermore may lack the impactful frisson of Folklore, but is nevertheless another treat of classy, emotional songcraft.- The Telegraph (UK)
- Posted Dec 10, 2020
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Amid all the delightful nostalgia comes one glaring disappointment. When Swift committed to the re-recordings, she promised they wouldn’t lose the heart of the original – and the lyrics would stay the same. But on Better Than Revenge, a bitter rebuke to a love rival, she’s done just that.- The Telegraph (UK)
- Posted Jul 7, 2023
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Wilson unpacks her heart with poetically intimate lyrics about relationship troubles in a blur of downtempo RnB grooves and hip-hop flow, showcasing Wilson’s sensational multi-octave soul singing and masterful instrumental playing, all filtered through atmospheric digital effects that lend her old-fashioned analogue skills a contemporary sheen.- The Telegraph (UK)
- Posted Jun 18, 2021
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Del Amitri’s bracing feel-bad pop-rock won’t be for everyone, but for those of us who appreciate sweet melodies set off with sour sentiments, it is perversely good to have the old curmudgeons back.- The Telegraph (UK)
- Posted May 27, 2021
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Power Up is as exultantly fierce, furious and – let’s be honest – belligerently dumb as anything in their catalogue. It is no-nonsense, headbanging, fist-waving, foot-stomping, raw-throated, hard-screaming, riff-ripping, pedal-to-the-metal maximum rock and roll all the way.- The Telegraph (UK)
- Posted Nov 11, 2020
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Arrangements are simple and sparse, everything lightly touched, with only swells of strings and brushes of horn, harmonium and other instrumental colours buoying up her guitar and clear voice.- The Telegraph (UK)
- Posted Jul 26, 2013
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Pacier than her self-titled 2018 debut, the new album is still too long. But lengthiness suits R&B’s slow-burn tendencies: lingering over syllables and songs, letting new albums simmer.- The Telegraph (UK)
- Posted May 16, 2022
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British rock desperately needs a big new act to capture the popular imagination. Though hyped in the music press and rising extra-fast, this London-based quartet lack the vision to fit that particular bill.- The Telegraph (UK)
- Posted Apr 1, 2011
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While they make no claims to be a wildly original band--they listen to Black Sabbath and they have been described as the all-female Joy Division--what makes them so compelling is their fierce focus.- The Telegraph (UK)
- Posted May 3, 2013
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- The Telegraph (UK)
- Posted Jun 29, 2012
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Paul Griffith (drums); Amanda Shires (violins/vocals and a gifted songwriter with her own album Lightning Strikes just out); Chad Staehly (keyboards); Jason Isbell (guitars) and Mick Utley (vocals) add the expertly jaunty sound to Snider's ironic and enjoyably dark lyrics.- The Telegraph (UK)
- Posted Mar 21, 2012
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- The Telegraph (UK)
- Posted Feb 19, 2013
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The excellent Sara Watkins joins on fiddle, guitar and vocals for an eclectic mix of songs.- The Telegraph (UK)
- Posted Apr 12, 2012
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It's an introspective work - family breakdowns, fractured romances and his own restless, addictive character pour forth in a variety of low-key yet lush arrangements featuring sombre brass accents.- The Telegraph (UK)
- Posted Apr 2, 2012
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- The Telegraph (UK)
- Posted Aug 18, 2011
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The 13 songs, written between 1972 and 2001, show off the range and subtlety of Lowe's songwriting.- The Telegraph (UK)
- Posted Oct 5, 2012
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There are much more vibrant records and live songs in Los Lobos's back catalogue but this is a sweet reminder of their talent.- The Telegraph (UK)
- Posted Dec 10, 2013
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This CD won't replace the originals but it's a tribute with some memorable versions of great songs.- The Telegraph (UK)
- Posted Aug 23, 2011
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It's a cleverly constructed, well-written and cohesive piece of work - albeit possibly, at 13 tracks, two songs too long.- The Telegraph (UK)
- Posted Apr 25, 2012
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Andy Cutting (accordion), Jon Boden (Hields's partner and the Bellowhead frontman is on fiddle, guitar and double bass), Sam Sweeney (fiddle, viola, cello), Rob Harbron (English Concertina and fiddle) and Martin Simpson (guitar, banjo) provide the classy framework for Hield to interpret 11 traditional songs.- The Telegraph (UK)
- Posted Sep 5, 2012
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Mike Bub (bass) and Kenny Malone (percussion) make up the tight musical unit on 13 enjoyable songs, which were recorded in Nashville.- The Telegraph (UK)
- Posted Apr 26, 2013
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There is nothing particularly daring about the album but it's classy and enjoyable.- The Telegraph (UK)
- Posted Mar 21, 2012
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The music is an acquired taste but Tales From The Barrel House is certainly a modern musical artisan at work.- The Telegraph (UK)
- Posted Apr 20, 2012
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The 'Revue Boys'--Jonny Bridgwood (double bass & rhythm guitar), Robin Gillan (harmonica), Jason Steel (guitar), Dave Morgan (percussion), and the two Paleys --swing nicely across a range of styles and songs.- The Telegraph (UK)
- Posted Jul 18, 2012
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The album is full of great music, the sort of bluesy, R&B material master guitarist Cooder does so very well.- The Telegraph (UK)
- Posted Aug 27, 2012
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After The Ball, a classic waltz in 3/4 time and a song of heartbreak as powerful today as it was more than 120 year's ago, is just one highlight on this super musical history lesson.- The Telegraph (UK)
- Posted Jun 25, 2013
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The highlight [of Mystic Pinball] is an affecting ballad called No Wicked Grin. It's Hiatt at his tender best.- The Telegraph (UK)
- Posted Oct 12, 2012
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The 58-year-old, who is writing his memoirs, is as busy as ever, and he's still got what it takes.- The Telegraph (UK)
- Posted Apr 18, 2013
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ht Sun is a bold album, and much of it seems to be about casting off the comfortable. But when it works, it works very well.- The Telegraph (UK)
- Posted Jun 29, 2012
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