Village Voice's Scores

Select another publication »
For 764 reviews, this publication has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this publication grades 5.1 points lower than other critics. (0-100 point scale)
Average Music review score: 68
Highest review score: 100 The Naked Truth
Lowest review score: 10 God Says No
Score distribution:
  1. Positive: 517 out of 764
  2. Mixed: 199 out of 764
  3. Negative: 48 out of 764
764 music reviews
view
per page
    • 79 Metascore
    • 70 Critic Score
    Time Being
    He emerges from a two-record slump contemplating sand though the hourglass with perspective beyond his 42 years.
    • 79 Metascore
    • 70 Critic Score
    Graduation
    Grating bouts of narcissism aside, Graduation contains killer pieces of production: 'Stronger' uses Daft Punk's 'Harder, Better, Faster, Stronger' to practically revive Eurodisco, while 'Champion' snarkily snatches its hook from Steely Dan's 'Kid Charlemagne.'
    • 79 Metascore
    • 70 Critic Score
    Strawberry Jam
    Just because there's an onslaught of verbiage and weird noises (like most pop these days) does not a pop album make. It is their most oxymoronic, though.
    • 79 Metascore
    • 70 Critic Score
    American Idiot
    As a rock opera, Idiot is a mostly three-penny thrill.
    • 79 Metascore
    • 80 Critic Score
    i
    His Cupid's-arrow vignettes reach deep into the fictional dream through heedless genre-bending, ingenious rhyme and incongruous simile, bleary-eyed dislocation and straight-faced melodrama.
    • 79 Metascore
    • 70 Critic Score
    Accelerate
    'Sing for the Submarine's' winking nods to old song titles ("electron blue," "gravity's pull," "high-speed train") are painfully self-aware. It's a sharp contrast to the rest of Accelerate, on which R.E.M. stop overthinking things--and start roaring toward the future.
    • 79 Metascore
    • 70 Critic Score
    Nouns
    Nouns' title stinks compared to that of their 2007 debut, "Weirdo Rippers," but the jams are way better.
    • 79 Metascore
    • 70 Critic Score
    When The Pawn...
    Apple's arty predisposition and prodigious gifts allow this 22-year-old to wax poetic and make it rock because her delivery is so dexterous and forceful.
    • 79 Metascore
    • 80 Critic Score
    House With No Home
    Singer Justin Ringle often muffles his words or loses them altogether (as though a wool scarf were covering his mouth) as he trudges through cadences reminiscent of Ryan Adams or Iron & Wine's Sam Beam, delicately dotting his stanzas with multi-dimensional characters weathering the winters of their existence. Which is more enriching than it sounds.
    • 78 Metascore
    • 80 Critic Score
    Pick A Bigger Weapon
    Their low-slung rhythms imagine what might have happened if Reagan-era Prince had been less into getting some action and more into kicking up some activism, or if P-Funk had dabbled in politics as well as psychedelics.
    • 78 Metascore
    • 80 Critic Score
    Black City
    The lyrics themselves--overstocked with darkness, paranoia, and bodily fluids--are as indecipherable as the vocals are buried. They're scene-setters. It's the death-disco groove that intoxicates and defines this City.
    • 78 Metascore
    • 90 Critic Score
    Take Care
    Take Care is a carefully crafted bundle of contradictory sentiments from a conflicted rapper who explores his own neuroses in as compelling a manner as anyone not named Kanye West.
    • 78 Metascore
    • 80 Critic Score
    Double Night Time
    His new Double Night Time is a relatively introspective affair. It's also more satisfying as headphone fodder, thanks largely to a phalanx of synthesizers (burbling arpeggios cushion most tracks) and vocals from Jeremy Greenspan of Junior Boys.
    • 78 Metascore
    • 80 Critic Score
    Grown Backwards
    [A] marvelously sophisticated, extremely political album.
    • 78 Metascore
    • 90 Critic Score
    Broken By Whispers
    Fey, coy, yet rich and deep, track after track on Broken by Whispers emits an exacting, well-crafted melodrama. Subtle electro touches only add to the wondrous acoustic guitars, wondrous and breathy declarations of love, and wondrous early morning seaside atmosphere. Those who balk at dreamy-boy nakedness will want to skip the bathos, but such people are called Americans...
    • 78 Metascore
    • 70 Critic Score
    Seventh Tree
    This whole thing sounds great, though: rue, clenched fists, and closed eyes mixed at an arena pitch.
    • 78 Metascore
    • 80 Critic Score
    Carried To Dust
    The group never abandoned its orquestra live, and that may be why this return to form sounds so welcoming.
    • 78 Metascore
    • 80 Critic Score
    Saint Dymphna
    These tracks are meticulously constructed to engulf and consume, making layers out of the Casiocore and stone-drones that contemporaries like Black Dice and Growing use to build careers.
    • 78 Metascore
    • 70 Critic Score
    Water Curses [EP]
    By submerging listeners gently, Water Curses never goes off the deep end.
    • 78 Metascore
    • 70 Critic Score
    Hot Shit
    Protest songs that are both insidiously hummable and foot-stompingly rocking.
    • 78 Metascore
    • 70 Critic Score
    A Mad & Faithful Telling
    'Basso Profundo,' sticks out like a sore thumb, overindulging the band's penchant for melting-pot quirk before the listener's had a chance to acclimate, throwing off the balance of an otherwise perfectly paced album.
    • 78 Metascore
    • 70 Critic Score
    The Devil And God Are Raging Inside Me
    The Devil and God Are Raging Inside Me builds on its predecessor's articulate wordplay, with lush tones that evidently evolved over the band's extended break.
    • 78 Metascore
    • 70 Critic Score
    Made In The Dark
    They're very much of their time--friendly indie kids from the Go! Team to Hot Hot Heat are cheerily dabbling in dance music nowadays--and much better than most of those peers.
    • 78 Metascore
    • 80 Critic Score
    Sirens of the Ditch
    The record smoothly lures and detours familiar, '70s-based rock-blues-country sounds and expectations while highlighting Isbell's character-actor flair.
    • 78 Metascore
    • 80 Critic Score
    A Hundred Things Keep Me Up At Night
    Love Is All's boisterous clamor is the real draw here. The band skips over cerebral tricks and hep posturing, instead going straight for adrenalized kicks, and it's a rush that lasts long after the record ends.
    • 78 Metascore
    • 70 Critic Score
    New Magnetic Wonder
    Both familiar and surprising.
    • 78 Metascore
    • 80 Critic Score
    The Stand Ins
    The Stand-Ins, reportedly taped at the same time as "Stage Names," is an improvement, not least because Sheff punishes himself (rather humorously) for the sin of relying on tragic heroes at all.
    • 78 Metascore
    • 80 Critic Score
    Fort Nightly
    Nearly embarrassing levels of enthusiasm, sincerity, and energy inform Fort Nightly, the band's surprisingly meaty debut.
    • 78 Metascore
    • 70 Critic Score
    Guero
    Beck's sampler-songwriter m.o. feels freshest on songs evoking some version, real or imaginary, of Southern California.
    • 78 Metascore
    • 80 Critic Score
    End Of Love
    It's sweet and sad and frequently hilarious.
Page: