• Record Label: Warp
  • Release Date: Jun 1, 2018
User Score
7.8

Generally favorable reviews- based on 36 Ratings

User score distribution:
  1. Positive: 30 out of 36
  2. Negative: 0 out of 36
Buy Now
Buy on

Review this album

  1. Your Score
    0 out of 10
    Rate this:
    • 10
    • 9
    • 8
    • 7
    • 6
    • 5
    • 4
    • 3
    • 2
    • 1
    • 0
    • 0
  1. Submit
  2. Check Spelling
  1. Jun 5, 2018
    9
    A strange album in so much as if there's one artist you'd never have expected to stop testing his audience/pushing the boundaries it would be Daniel Lopatin. 'Age Of' start off with a lot of nods to 'R Plus 7' and then slowly gets chewed up into something that resembles a more 'pop' as opposed to 'rock/industrial' version of 'Garden of Delete'. None of this is a criticism in the slightestA strange album in so much as if there's one artist you'd never have expected to stop testing his audience/pushing the boundaries it would be Daniel Lopatin. 'Age Of' start off with a lot of nods to 'R Plus 7' and then slowly gets chewed up into something that resembles a more 'pop' as opposed to 'rock/industrial' version of 'Garden of Delete'. None of this is a criticism in the slightest as it turns out, the quality is still ramped up, wild innovation wasn't required this is still fascinating and addictive. Collapse

Awards & Rankings

Metascore
83

Universal acclaim - based on 24 Critic Reviews

Critic score distribution:
  1. Positive: 21 out of 24
  2. Negative: 0 out of 24
  1. 83
    All told, Oneohtrix Point Never’s latest album is good, but it’s also his worst ‘proper’ album since his critical breakthrough. In attempting (but not fully committing to) his most accessible release, Age Of doesn’t feel like it’ll go down well with any particular audience.
  2. The Wire
    Jul 13, 2018
    80
    Age Of is arguably Lopatin’s best album to date. He achieves exactly what he sets out to. [Jul 2018, p.55]
  3. Mixmag
    Jul 6, 2018
    90
    Textures plough and pound throughout the album, revealing yet another new, unclassifiable side of OPN's musical brain as he brings more disparate sounds to the fore. [Jun 2018, p.115]