User Score
8.5

Universal acclaim- based on 483 Ratings

User score distribution:
  1. Negative: 28 out of 483

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  1. ChairwomanMadge
    Apr 25, 2003
    10
    This is an ace CD and the best song (my song of the year so far) is "Nothing Fails" - infinitely moving. Mirwais' production is top-notch, there's something different in each, and while "Mother and Father" can be a bit cringeworthy at times ("I had a mother/It was *nice*), the album as a whole is outstanding and not the sonic monstrostity most reviewers would have you believe. BUY IT!
  2. BillC.
    Apr 24, 2003
    10
    Awesome.
  3. DaniCocaH
    Apr 24, 2003
    9
    she can't please everyone, she never tried so why do people still act like she will this time. the songs on the album are a fresh direction that she and mirwais with music's don't tell me. although i thoroughly enjoyed music i wasn't giddy over that particular track on american life it works, and rather well. the album is a mix of a few upbeat signiture mirwais electro she can't please everyone, she never tried so why do people still act like she will this time. the songs on the album are a fresh direction that she and mirwais with music's don't tell me. although i thoroughly enjoyed music i wasn't giddy over that particular track on american life it works, and rather well. the album is a mix of a few upbeat signiture mirwais electro and slower ballad like tracks were she spreads some of her wisdom, which can at times interfere with the groove but coming from her it doesn't sound as contrived after further listening. lyrics aside what has always kept her alfoat and ahead were the neats. its easy to see why for the first time in her career she has worked with the same principle producer twice. mirwais is by far among the most inventive and unique producers in contemporary music. the music is evidently affected by the recent progression of electroclash but acousticly so, if that makes sense it also strikes me similar to the petshops boys acoustic masterpeice release when she gets more acoustic then electronic. it might be too cool for some, judging by some of the reactions in the media but at the end its a solid record, killer new beats and more madonna. Expand
  4. DavidK.
    Apr 23, 2003
    7
    Was prepared to loathe it, but it's quite good. It's really producer Mirwais's record -- she's just an appendage of sorts, the production's rubbery AND crisp -- lot's of addictive electro layering, Cher's hijacked and run amok vocoder, and smart synth flourishes -- helping unfocus the banal lyrics -- some of her worst ever, but then she never was Joni Was prepared to loathe it, but it's quite good. It's really producer Mirwais's record -- she's just an appendage of sorts, the production's rubbery AND crisp -- lot's of addictive electro layering, Cher's hijacked and run amok vocoder, and smart synth flourishes -- helping unfocus the banal lyrics -- some of her worst ever, but then she never was Joni Mitchell in that department. Expand
  5. HenryH.
    Apr 22, 2003
    7
    On one hand , it's bloomed with brave and uncanny electro sounds. On the other hand, it's just too typical Mirwais.
  6. LouisP.
    Apr 22, 2003
    10
    Critics are afraid of what they don't understand; some will hate this album because it dares to be different. It's an original LP. I really like it a lot! The best songs are Nothing Fails, Hollywood, Mother & Father and Intervention.
Metascore
60

Mixed or average reviews - based on 17 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 17
  2. Negative: 3 out of 17
  1. This album, if it came from a newcomer, could kill a career stone dead.
  2. Vibe
    80
    This may be the first time Madonna hasn't pushed herself to explore new ground, but at least she's chosen a good place to rest. [June 2003, p.155]
  3. For once, Madonna has stumbled not because she reached too far, but because she didn't reach far enough.