• Record Label: Columbia
  • Release Date: Jan 8, 2016
User Score
8.8

Universal acclaim- based on 745 Ratings

User score distribution:
  1. Negative: 36 out of 745
Buy Now
Buy on

Review this album

  1. Your Score
    0 out of 10
    Rate this:
    • 10
    • 9
    • 8
    • 7
    • 6
    • 5
    • 4
    • 3
    • 2
    • 1
    • 0
    • 0
  1. Submit
  2. Check Spelling
  1. Jan 8, 2016
    10
    He did it again. After a more rocking, traditional "The Next Day", Bowie is back to experimental ground in "Blackstar". This is his most ambitious album since "Outside" - I'm not saying that his most rocking albums were bad, they were just most conventional than this.

    Bowie always experimented with jazz. We all remember Aladdin Sane, Jump They Say, Seven Years In Tibet, the Berlin
    He did it again. After a more rocking, traditional "The Next Day", Bowie is back to experimental ground in "Blackstar". This is his most ambitious album since "Outside" - I'm not saying that his most rocking albums were bad, they were just most conventional than this.

    Bowie always experimented with jazz. We all remember Aladdin Sane, Jump They Say, Seven Years In Tibet, the Berlin Trilogy. It's the first music genre he fell in love with when a child. But he never released a entire album of jazz music.

    Blackstar is the closer he gets, but it's not simply a "jazz album": it's dark, experimental, electronic and remiscent of his Berlin trilogy and of his underated masterpiece "Outside". Two songs are immediatly absolute masterpieces: the 10 min "Blackstar", spiritual sucessor at least in structure to "Station to Station"; and the dramatic, melancholic "Lazarus", wrote for his play of same name.

    The whole album is groundbreaking. Even the two songs that we already knew from 2014, "Sue" and "Tis a Pity" are reworked and in much superior versions here. It's a short album, but much like Station to Station and Earthling, it's immediate and without a single bad song. Without even a regular song; every song is damn good, ambitious and different in every way.

    The three final tracks are some of his finest ballads, the atmospheric "Girl Loves Me", the beautiful "Dollar Days" and the message to the fans in the final track: "I can't give everything away". And Bowie is once again right: we don't need everything away. We can cople with the mystery, wait, worry, and then he gifts us with such a treasure like Blackstar

    This album will grow, and grow, and grow on us. Happy birthday, master!
    Expand
  2. MnM
    Jan 9, 2016
    0
    A nearly unlistenable, cacophonic piece of garbage. If Bowie's name wasn't attached to it, the release would have been forgotten the minute it was released.
  3. Jan 11, 2016
    9
    On January 8th this album was good, interesting to say the least. On January 11th this album takes on an entirely new meaning. It transcends the meaning of life and death in art as we know it. Masterpiece.
  4. Jun 20, 2017
    10
    Hauntingly beautiful, excitingly experimental, bone chillingly poetic and eerily prophetic. David Bowie truly made his last album one to remember for the ages. It's a masterpiece.
  5. Mar 11, 2017
    9
    Initially, when this album first came out I was surprised by the dark and gritty lyrics and symbolism but a few days later I understood why this album was like that, it was a goodbye by Bowie showing us all that he is capable of creating magic even when suffering from cancer. This album is fantastic, every time I hear it reminds me of how influential Bowie was to music
  6. Mar 10, 2018
    10
    Definitely, one of the masterpieces of Mr. David Bowie, I listened again and again to his album, at first I was slow to understand where he wanted to go, what kind of music was and I felt bad because I did not finish love it. Until one day, I just went to my bed and I put my headphones and listen to the entire album while reading the lyrics. And that's when I understood everything, it wasDefinitely, one of the masterpieces of Mr. David Bowie, I listened again and again to his album, at first I was slow to understand where he wanted to go, what kind of music was and I felt bad because I did not finish love it. Until one day, I just went to my bed and I put my headphones and listen to the entire album while reading the lyrics. And that's when I understood everything, it was his purest form of expression, obviously without stopping to innovate, he opened his heart by making a very elaborate album that maybe everyone does not like but those who do, would love it. Making his death, work of art, that his songs make more sense or make you feel more, knowing that he is in heaven, that he sings to you with all sincerity and that his death is part of the album.
    I give him 10/10 because his album caught me, I have not been able to escape from him yet. All their songs have something that makes me keep listening to it again and again. Bowie has gone like the greats, with his head held high with a masterpiece under his cloak.
    And not to mention how beautiful is the CD and the vinyl, I never seen something so beautiful like that in years.
    No more to add, Rest in Peace Bowie, Ziggy, Starman, The Duke, Aladdin, Major Tom. My Blackstar.

    (Sorry if my English is not perfect, I am not English speaking, I just wanted to write this to inspire people to look for this wonderful album)
    Expand
  7. Mar 9, 2018
    10
    This review contains spoilers, click expand to view. Un album que es perfecto para disfrutar en todos sus sentidos. Quiza algunas canciones no te atrapan la primera vez que las escuchas pero una vez que te identificas y que lo sientes en cada una de las prtes de la cancion, definitivamente te deja marcado. Expand
  8. Jan 9, 2016
    10
    This review contains spoilers, click expand to view. Bowie showing again why he is one of the best artists ever. With this new sound, inspired by Kendrick´s To Pimp A Butterfly, David proves one more time that he has the skills to do whatever he wants, and this magnificent jazz fusion is insane . Completely loving this album, this deserves a strong 10, one of the early contenders for the Grammys 2017! Expand
  9. Jan 16, 2016
    6
    In context, this album is almost too perfect: alienation, solitude, and a perfect farewell.. But sadly, the context doesn't cover the fact that this album just isn't all that aurally pleasing. His voice kinda moans and groans, and I can't say that I enjoyed every second of it, but the good does outweigh the bad. All in all, it's a decent album that's getting way too much hype because ofIn context, this album is almost too perfect: alienation, solitude, and a perfect farewell.. But sadly, the context doesn't cover the fact that this album just isn't all that aurally pleasing. His voice kinda moans and groans, and I can't say that I enjoyed every second of it, but the good does outweigh the bad. All in all, it's a decent album that's getting way too much hype because of his passing. "Dollar Days" is pretty much the only one I can completely make it all the way through. Expand
  10. Jan 10, 2016
    10
    Records like this only come around 20 or 30 times in a lifetime. It honestly might be my favorite album since Radiohead's Kid A. The fact that a 70 year old man is the one who put it out here into the meta--only makes it that much more special.
  11. Jan 12, 2016
    10
    The record exists in a pure dual space for me, like the word "Blackstar" itself perfectly and simply captures. There was the record I remember experiencing before his death was revealed, and now there is the unraveling, amazing album we are left with forever. Truly an unrivaled record in pop or jazz that is as personal as it gets.
  12. Jan 11, 2016
    10
    An amazing coda to an amazing career. David Bowie was one of the greatest musical artists of all time. He will be missed enormously, but at least he gave us one last masterpiece.
  13. Jan 8, 2016
    10
    Blackstar is a cousin experimental work. David once again showing his daring and avant-garde way of being. David deconstructs music genres. I can not wait to start out imitating albums Blackstar. "
  14. Jan 9, 2016
    9
    David Bowie delivers one of his most darkest and experimental projects in a long time, filled to the brim with hauntingly melodic poppy and jazzy sounds.

    The album features 7 tracks with a total run-time of 41 minutes. It starts out strong with the 10 minute magnum opus "Blackstar". A song that is divided into three parts. A sinister/occult jazzy part, then traditional Bowie and then it
    David Bowie delivers one of his most darkest and experimental projects in a long time, filled to the brim with hauntingly melodic poppy and jazzy sounds.

    The album features 7 tracks with a total run-time of 41 minutes. It starts out strong with the 10 minute magnum opus "Blackstar". A song that is divided into three parts. A sinister/occult jazzy part, then traditional Bowie and then it goes back into the dark.

    The following three tracks "Tis A Pity She Was A Whore", "Lazarus" and "Sue" are an absolute treat. Especially "Sue". A track with hard hitting guitar riffs over precise jazz drums. The song increases in intensity the further it progresses.

    "She Loves Me", Track 5, is where the album loses a bit of steam. There are some interesting vocal harmonies going on in the chorus and the instrumentation is still solid. But Bowie does disappoint a bit with his vocals and songwriting.

    Which is in stark contrast to Track 6, "Dollar Days". If there is one song that will hit you in the guts, it is this one. The overarching tone of the song, plus the lyrics and Bowie's delivery, makes this an easy highlight of the album. So much that it slightly overshadows the closing track "I Won't Give Everything Away". Which by all means is still a solid closer.

    Blackstar is a fantastic project from the British icon to start the year of 2016 off with. While Bowie might have not gone as far into the Darkside like fellow avant-garde pop artist Scott Walker, he simply didn't have to. Blackstar is a treat with lush production, good songwriting and a fantastic performer.

    Fav Tracks: Blackstar, Sue, Dollar Days, Lazarus, I Won't Give Everything Away
    Least Fav Tracks: She Loves Me
    Expand
  15. Jan 10, 2016
    9
    From the unexpected return with The Next Day, Bowie is now delving even deeper into mystery and wonder than ever before. Blackstar is beginning to end a gorgeous, challenging, exciting work of Jazz/Rock/Electronics that stands proudly with The Next Day as his greatest career point since Berlin, yes, since Berlin. I said it.
  16. Jan 11, 2016
    9
    This album takes on an entire new meaning now. This is a how a legend leaves the physical world. RIP David Bowie. RIP Ziggy Stardust. RIP Aladdin Sane. RIP to the Thin White Duke. You will be missed and there will never be another like you.
  17. Jan 9, 2016
    10
    I'm no aficionado of Bowie's work. Sure, I've listened to the obvious choices of albums, but I haven't listened to literally EVERYTHING he's done, unlike many people. Upon first listen, 'Blackstar', for me, takes a while to "get going" and truly appreciate.

    But after several further listens, I absolutely love it and highly recommend it to any Bowie fan - whether that be one that owns
    I'm no aficionado of Bowie's work. Sure, I've listened to the obvious choices of albums, but I haven't listened to literally EVERYTHING he's done, unlike many people. Upon first listen, 'Blackstar', for me, takes a while to "get going" and truly appreciate.

    But after several further listens, I absolutely love it and highly recommend it to any Bowie fan - whether that be one that owns everything he's released or even just a casual one who may just merely own one of the many "best-of" packages issued over the years. This will see itself on my end of year list come December - no denying that.
    Expand
  18. Jan 13, 2016
    10
    Absolutely brilliant. David has done it again, and he left the scene with style! His lyrics would seem absurd if someone else gave out this album, but after his death, the lyrics make a lot of sense, together with his brilliant music.
  19. Jan 8, 2016
    9
    I feel pretty good about this album. Bowie's "Outside" is my favorite of his works, and this really hits in the same area. My only complaint is that it felt a bit short.
  20. Jan 21, 2016
    4
    Respect to David! I just don't think that this album is good at all. Listening for the first time I tried to tell myself "there's going to be a song i like, one I can sing along to, one that's going to be stuck in my head all day." But unfortunately, no. The melodies of this album are very unclear and holding back. There's nothing you get caught by, really. Nothing you feel like you canRespect to David! I just don't think that this album is good at all. Listening for the first time I tried to tell myself "there's going to be a song i like, one I can sing along to, one that's going to be stuck in my head all day." But unfortunately, no. The melodies of this album are very unclear and holding back. There's nothing you get caught by, really. Nothing you feel like you can sing along to. It's like Bowie ain't really 100% there in the tracks, and it gives a boring experience. He kind of sound like, tired and distant. The cover art, though, is very interesting. 4/10 fro me. Expand
  21. Jan 9, 2016
    8
    While most of the legends of the '70's and '80's got stuck on the past, being worshipped by those who believe that rock music is dead, Bowie holds his ground on contemporary music and looks towards the future, rejecting the slightest idea of being conventional or going back to his roots; Bowie's art has no fixed address, it's a timeless fluid entity . On Blackstar he's a massive celestialWhile most of the legends of the '70's and '80's got stuck on the past, being worshipped by those who believe that rock music is dead, Bowie holds his ground on contemporary music and looks towards the future, rejecting the slightest idea of being conventional or going back to his roots; Bowie's art has no fixed address, it's a timeless fluid entity . On Blackstar he's a massive celestial body, creating a distortion on space and time and dragging us all to its core. Expand
  22. Jan 10, 2016
    10
    David outdid himself again. With TND he showed the world what a legend he is, but with Blackstar- he raised the bar very high, showing that no one can be like him in terms of style, variety and talent. 10 points!
  23. Jan 18, 2016
    10
    Like most things, You don't appreciate it until you see it in a different light. After he died, I went back to Blackstar with a different view and it blew my mind. You don't really think of themes going into an album and after everything happened, It all came together. Blackstar was his last good bye, The cherry on top of an epic career. To me, It was David's way of saying I have to go butLike most things, You don't appreciate it until you see it in a different light. After he died, I went back to Blackstar with a different view and it blew my mind. You don't really think of themes going into an album and after everything happened, It all came together. Blackstar was his last good bye, The cherry on top of an epic career. To me, It was David's way of saying I have to go but you can still enjoy what I left for you while I was still alive. Expand
  24. Jan 18, 2016
    10
    The other worldly feel of this album is entrancing. His death brought the album to our attention but this album is so very, very good that it would have happened anyway.
  25. Jan 11, 2016
    7
    Although vocally flawed, one must kneel before Bowie's courage to experiment with futuristic production once again just before hitting 70 years. Lyrically and musically it is very strong although both aspects are unavoidably viewed through a different spectrum with his death coming just after the album's release.
  26. Jan 11, 2016
    10
    A magical record that feels better and better every time you listen to it. Of course a lot of us are moarning now because of Bowie's death but, and this isn't cheap talk at all, he'll live forever through his incredible work and Blackstar is no exception. Dollar Days and I can't give everything away were two wonderful songs a couple of days ago, now they are the brilliant end of a genius career.
  27. Jan 21, 2016
    4
    4 only for the last song and Lazarus and the amazing videos, but this album seems to be Emperor's New Clothes, really sad as a fan that Bowie is dead, but avant jazz doodles that make the worst of Station to Station or the free jazz intro on the full Absolute Beginners seem well, like pop music? The weird thing is, when Bowie was writing songs he couldn't NOT be pop, there are tunes4 only for the last song and Lazarus and the amazing videos, but this album seems to be Emperor's New Clothes, really sad as a fan that Bowie is dead, but avant jazz doodles that make the worst of Station to Station or the free jazz intro on the full Absolute Beginners seem well, like pop music? The weird thing is, when Bowie was writing songs he couldn't NOT be pop, there are tunes peaking out, drowning in the dirgey jazz, glimmers of what might have been. I wouldn't expect a full return to Hunky Dory or early 80's pop Bowie, but something closer to the experimentation on Low, Buddha of Suburbia, Earthling, would've been nicer. Sad really, because I'd hoped for a better epitaph, but hey Wasn't That Just Like Him? Bye bye bluebird... Expand
  28. Jan 10, 2016
    2
    The trouble with artists as revered as Bowie is that they are lionized to such a degree that many critics and fans alike lap up anything they offer and ask for more.

    This is a virtually unlistenable album masquerading as high art.
  29. Jan 25, 2016
    9
    Favourite Songs: Blackstar, Girl Loves Me, Lazarus
    Least Favourite Songs: Dollar Days
    From 'The Next Day' I certainly wasn't expecting David Bowie to make an experimental jazz album. I mean sure there's been bits of jazz here and there in his huge discography but never to this extent and that might alienate some people but I'm sure most of his fan base are used to him switching sounds at
    Favourite Songs: Blackstar, Girl Loves Me, Lazarus
    Least Favourite Songs: Dollar Days
    From 'The Next Day' I certainly wasn't expecting David Bowie to make an experimental jazz album. I mean sure there's been bits of jazz here and there in his huge discography but never to this extent and that might alienate some people but I'm sure most of his fan base are used to him switching sounds at this point. At 69 David Bowie is more open minded when it comes to music than people half his age, taking influence from genre transcending artists like Kendrick Lamar, Boards of Canada and Death Grips and these influences definitely show in this album in terms of the experimental attitude it has. It's so full of jazz instrumentation but Bowie's not afraid to add in some defiantly rock drums or gutairs every once in a while which is best demonstrated by the industrial metal chaos at the end of 'Sue'. It works amazingly for Bowie with the occasional heavier sound having a much heavier impact because of its jazz backdrop. As well as having very left-field instrumentals it has perhaps even more left-field lyrics that I'm not even going to pretend I understand. This album is certainly a very enjoyable, and often times abstract, experience. I highly recommend you check it out if you haven't already.
    Better Than Previous Project?: It's not really better or worse
    Try This If You Like: Kid A by Radiohead
    Expand
  30. Jan 22, 2016
    3
    Sometimes I think artists come out with albums and just because they're famous means we have to like it. U2 for example...awesome band until pop...every since than they're albums have gotten worse and worse. Look at the strokes...freaking phenomenal band until the last few albums. Unfortunately, this has happened to David Bowie in my opinion as well. Yes, he is a freaking awesome rock starSometimes I think artists come out with albums and just because they're famous means we have to like it. U2 for example...awesome band until pop...every since than they're albums have gotten worse and worse. Look at the strokes...freaking phenomenal band until the last few albums. Unfortunately, this has happened to David Bowie in my opinion as well. Yes, he is a freaking awesome rock star who led the way to countless acts. Yes, his albums are always obscure but yet relatable at the same time. I always thought Outside was one of his best albums ever but it was seemingly hidden from peoples view and most of the critics didn't get it.
    Now I feel like I don't get Blackstar...like the critics didn't get Outside. Like another reviewer stated, if this came out from an unknown act it would have been forgotten before it was released. I love David Bowie but Blackstar was not his life defying composition.
    Expand
  31. Jan 12, 2016
    8
    The album's existence is a testament to the incredible creativity and courage of one of the greatest musical artists of all time. While I'm not absolutely in love with the entire record like most, key tracks continue to reel me back in, like Lazarus and I Can't Give Everything Away. Blackstar is a fitting close to a spectacular career.
  32. Jan 9, 2016
    8
    I've never listened to David Bowie before entering in this year as a music critic, so I wanted a heartwarming introduction to what this 69-year-old prodigy could show me. Well... it wasn't heartwarming, but it sure was a kick*** album that has shown that experimental jazz is a genre not to be forgotten. I like to do review in track by track, so here's a track by track review for thisI've never listened to David Bowie before entering in this year as a music critic, so I wanted a heartwarming introduction to what this 69-year-old prodigy could show me. Well... it wasn't heartwarming, but it sure was a kick*** album that has shown that experimental jazz is a genre not to be forgotten. I like to do review in track by track, so here's a track by track review for this album.

    Album songs in order:
    Blackstar (9/10) #3 best song: Awesome progressive-ish avant-garde rock that has a trippy, but fitting production with dark, black riffs and synths that really fits the song with Bowie's voice and in the second half with the slower boom and pop sound that fit the concept of the song.

    'Tis Pity She's a ***** (7/10) #5 best song: I think the melodic instruments are too quiet and in the backseat rather than the static synth, but nontheless a pretty solid song, which by the way is about World War 1.

    Lazarus (10/10) #2 best song: When I was a very little kid, I listened to 80's songs with my mom and there were a few I really enjoyed. Lazarus felt like a trip back to that time, and oh boy did I love it. The soaring melodic vocals with a fantastic saxophone riff and a ride-riddled percussion, makes this is a song already a contender for the best overall song of the year.

    Sue (Or in a Season of Crime) (10/10) Best song : Mark Guiliana needs to be pointed out as a modern classic percussionist because he is half the reason this song was as great as it is. The blazing fast drums go from start to finish clocking in at 4:54 ,and, add the saxophone and trombone soloing, and you have a classic avant-garde jazz song, folks. Not only that, but David Bowie, rather than delivering ghastly and "yawning" vocals, he's very clear and vibrant that really improves this song on a next level. The breakneck pace with the odd lyrics straight from a 1700's play about normal life feel so clashing, that it gets scary. But that's just one other aspect I love about this song.

    Girl Loves Me (6/10) Worst song : Although boasting a unique origin and "language", the structuring of this song feels kind of "I've heard this before quite a few times, and it's only okay." And that, to me, hurts the mood of the song. There isn't even really a musical standout here and that makes the song almost worthless other than the lyrics. The atmosphere is really good though, I'll give it that.

    Dollar Days (9/10) #4 Best song : A really good, "noisy, but not noisy" ballad that has a great piano intro with really appropriate jazz elements put into the song.

    I Can't Give Everything Away (6/10) #6 Best song : Kind of a disappointing closer, since it hosted the almost the exact same feel as Tis' Pity She's a ***** without the gritty percussion or as gritty synth. Thankfully, the song fades out with a pleasant surprise, a guitar solo.

    With an experimental album that's in the wrong genre of mainstream, when the headmaster is in the mainstream scene, the proper listing on the album probably won't exist, which it doesn't (it's not a concept album either). Bowie could've done better with the overall feel of the song sequencing for the album, but it's fair enough; however, you won't care about any of that when you listen to those songs on the album because these songs are awesome, and so is this album.
    Expand
  33. Jan 8, 2016
    8
    David Bowie's creativity and quirkiness he catches in the crushing musical sounds of Blackstar. Where The Next Day was still quite accessible and brought little innovation into his music, Bowie puts with Blackstar an experimental and profound record down. The choice of Donny McCaslin as saxophonist and bandleader tackles perfectly the musical paths that Bowie takes on the album. The basisDavid Bowie's creativity and quirkiness he catches in the crushing musical sounds of Blackstar. Where The Next Day was still quite accessible and brought little innovation into his music, Bowie puts with Blackstar an experimental and profound record down. The choice of Donny McCaslin as saxophonist and bandleader tackles perfectly the musical paths that Bowie takes on the album. The basis in the jazz places his beliefs, the changing society and his attitude towards the press down in an intriguing way, to create a powerful fusion with the addition of beats, synths and guitars. In his cryptic and sharp song-texts he may not give everything away, but that's exactly what Bowie his strength is. Along with the strong production of Tony Visconti he shows what a star he is and how he in his long career let the light shine on us. 7.8/10

    Full Review: http://www.platendraaier.nl/albumrecensies/david-bowie-blackstar/
    Expand
  34. Jan 9, 2016
    10
    Blackstar:
    This could be the most interesting album since the 70's coming out of the 1940's generation of rockers.
    Bowies best album ever?
    Featuring guitar genius Ben Monder.
    Musical influences of jazz and metal meet with Bowie Classic Soundscape to form tunes for the present.
  35. Jan 11, 2016
    10
    RIP David Bowie! I was just listening to his new album the day after it came out and then I find out he died that day!! We've lost another icon, but I'm so glad he lasted until until he released his final masterpiece. Best album in 36 years.
  36. Jan 13, 2016
    10
    I've never been what you'd call a huge Bowie fan. I own some of his records - Aladdin Sane, Ziggy, Station to Station, Berlin trilogy, Fame, Outside, Heathen - I've listened to most of his albums (via Spotify), and I was thoroughly underwhelmed by The Next Day.

    So, when Blackstar came out last week, I didn't take notice until I saw it getting good reviews over the weekend. I downloaded
    I've never been what you'd call a huge Bowie fan. I own some of his records - Aladdin Sane, Ziggy, Station to Station, Berlin trilogy, Fame, Outside, Heathen - I've listened to most of his albums (via Spotify), and I was thoroughly underwhelmed by The Next Day.

    So, when Blackstar came out last week, I didn't take notice until I saw it getting good reviews over the weekend. I downloaded it to my phone on Apple Music, and on a rare drive to work on Monday (I usually get the bus) I listened to it. I thought it was great - experimental and edgy, with great craft running through it - a real pleasure, I was glad I'd taken the time, and looked forward to listening again. When it had finished, the radio came on (BBC 6 music of course!) and I heard the spookily coincidental (for me) news that Bowie had died.

    This news has obviously coloured my view of the album, maybe even made it greater than it is, but I've listened to it obsessively this week, and found new surprises and delights each time. It's clear that Bowie used his impending death as inspiration to create something special. He confronted death with a celebration of creativity, and he turned it into something to cement his legacy. His death has become a melancholy, yet celebratory and triumphant work of art.

    I wasn't a huge Bowie fan, but I've spent all week trying to find somewhere that had the vinyl album in stock, and finally today, I have (I always buy the albums I like on vinyl after trying on Spotify or Apple music). I became a huge Bowie fan at the last.
    Expand
  37. Apr 26, 2016
    0
    I know this wont be popular (so I wont be reading any comments) but I listened to this before he died and thought it was awful. And I havent changed my mind now that he is dead. Sounds like a self-indulgent noise to me and probably he was trying to find a way of coming to terms with dying and fine if that's what he wanted to do and people are buying it and like it. But we are all entitledI know this wont be popular (so I wont be reading any comments) but I listened to this before he died and thought it was awful. And I havent changed my mind now that he is dead. Sounds like a self-indulgent noise to me and probably he was trying to find a way of coming to terms with dying and fine if that's what he wanted to do and people are buying it and like it. But we are all entitled to our opinions. Expand
  38. Feb 21, 2016
    9
    The Blackstart video was classic and dark. Then was touched by the CD initially. After Bowie's death, the CD really hits home. What a way to wrap up one's life!
  39. Mar 26, 2016
    9
    This album really is one of a kind. Never before has an artist managed to incorporate his impending demise into such a substantial self-aware body of work. Songs such as "Lazarus" and "I Can't Give Everything Away" are hauntingly beautiful. Whilst I acknowledge Bowie was in remission for much of this album's making, this album is an obvious commentary on mortality and coming to terms withThis album really is one of a kind. Never before has an artist managed to incorporate his impending demise into such a substantial self-aware body of work. Songs such as "Lazarus" and "I Can't Give Everything Away" are hauntingly beautiful. Whilst I acknowledge Bowie was in remission for much of this album's making, this album is an obvious commentary on mortality and coming to terms with the possibility of death, and would have been regarded as such even if Bowie's cancer hadn't become terminal (that is, if his cancer battle was revealed at all, Bowie was very private in his final years and wouldn't want us to shower him with sympathy). Expand
  40. Jan 10, 2016
    8
    Inspired by Kendrick Lamar? Avant garde Jazz album? Title track inspired by ISIS? All of this is nonsense. What we have here though is a very good and interesting album. The title track is the weakest thing on here, a bunch of mumbling about the villa or ormen whatever the hell that is, its just wierd for the sake of wierd. Bowie is probably laughing his ass of at those trying to uncoverInspired by Kendrick Lamar? Avant garde Jazz album? Title track inspired by ISIS? All of this is nonsense. What we have here though is a very good and interesting album. The title track is the weakest thing on here, a bunch of mumbling about the villa or ormen whatever the hell that is, its just wierd for the sake of wierd. Bowie is probably laughing his ass of at those trying to uncover some meaning to what is really just a bunch of gibberish, like Stairway to Heaven. But the remakes of Sue and Tis a pity she was a whore are worth the price of admission alone. And the closer I can't give everything a way is a keeper as well, and has the telling lines about saying no but meaning yes, basically Bowie acknowledging that there is no deeper meaning here other than what people afix to it. Expand
  41. Jan 20, 2016
    9
    This album just hit all the right notes sonically. Each song is unique but fits with the theme and sound; it's very experimental and influenced by genres like jazz, hip-hop, and electronica, but features Bowie's signature rock style and distinct vocals. The instrumentals are beautiful and intricate, lyrics practically assemble a masterful poem about death and passing away, and theThis album just hit all the right notes sonically. Each song is unique but fits with the theme and sound; it's very experimental and influenced by genres like jazz, hip-hop, and electronica, but features Bowie's signature rock style and distinct vocals. The instrumentals are beautiful and intricate, lyrics practically assemble a masterful poem about death and passing away, and the production is just gritty enough. Personal favorites are Lazarus, Girl Loves Me, and Dollar Days. The only song I can say I had a few issues with at all was Blackstar, simply because of it drags on just a bit too long. Also, The Clockwork Orange references get a bit much on Girl Loves Me. Overall, truly a stellar album and a legendary artist. R.I.P. Mr. Bowie, you'll be missed. Expand
  42. Jan 15, 2016
    9
    A very strong and artistic message to the world, from a timeless Legend. That's plenty of said, given what we all know and have seen. What I would add: we should not be sad. We should keep his words of wisdom close, remember him and enjoy his legacy.
  43. Jan 15, 2016
    10
    This album is a 5X listen to begin to appreciate it. So much going on. Fantastic blend of trip-hop, jazz, and rock. Haunting lyrics over driving rhythms. Possibly Bowie's most complete work in the past 30 years.
  44. Jan 15, 2016
    5
    This album is filled with messages and meaning, but it doesnt avoid being too dark and obnoxious. Sure the last 4 Bowie albuns have been more dark than light, and now we know what he was beeing trough. But I think the songs I Can't Give Everything Away and Dollar Days should be the singles instead of Blackstar and Lazarus. Dollar Days is specially touching knowing the recorded it on hisThis album is filled with messages and meaning, but it doesnt avoid being too dark and obnoxious. Sure the last 4 Bowie albuns have been more dark than light, and now we know what he was beeing trough. But I think the songs I Can't Give Everything Away and Dollar Days should be the singles instead of Blackstar and Lazarus. Dollar Days is specially touching knowing the recorded it on his very last days. Expand
  45. Jan 12, 2016
    10
    I can't think of any album that surpasses David Bowie's magnum opus Blackstar. It's a courageous, monumental gift. I know it must have taken him away from his family at times or preoccupied his thoughts in his last living months, so I thank them for encouraging him. It's an absolute treasure.
  46. Jan 17, 2016
    9
    Its pretty amazing that even though I personally haven't gotten a lot out of David Bowie's early material, I found it easy to slip right into "Blackstar" in terms of accessibility. Its something I'm not entirely sure why I found so compelling. I don't think it was his recent death that paints "Blackstar" as David Bowie's modern masterpiece, since for one it completely bucks and shakesIts pretty amazing that even though I personally haven't gotten a lot out of David Bowie's early material, I found it easy to slip right into "Blackstar" in terms of accessibility. Its something I'm not entirely sure why I found so compelling. I don't think it was his recent death that paints "Blackstar" as David Bowie's modern masterpiece, since for one it completely bucks and shakes off most modern music trends like fleas on a dog. It also manages to jump around genres unlike anything I've ever heard. The fact that its being hailed as a masterpiece has more to do with the artistic ability of David himself and his ability to reinvent himself for years now. When I listened to it I thought of it as a culmination of sound from everyone he's ever worked with in his musical career, but that isn't quite giving a [would have been] 70 year old David Bowie his just dues for making a genre defining album in this day and age. Its obvious that he wasn't really influenced by current pop music trends here either- its all him. This album is a love letter to all his work, and in a way, a rebirth of David Bowie as a music icon. Though its tragic to not know what would have followed, "Blackstar" cements David Bowie as one of the best artists of his time. Expand
  47. Jul 10, 2016
    8
    This album was released on a Friday. I bought it on the Saturday but didn't get a chance to listen to it over that weekend. I had the CD with me for the car journey to work on the Monday morning only to hear on the news that Bowie was no longer with us. As a result, I, like most people I guess, have never been able to listen to "Blackstar" the way I listen to any another Bowie album. MadeThis album was released on a Friday. I bought it on the Saturday but didn't get a chance to listen to it over that weekend. I had the CD with me for the car journey to work on the Monday morning only to hear on the news that Bowie was no longer with us. As a result, I, like most people I guess, have never been able to listen to "Blackstar" the way I listen to any another Bowie album. Made by a man facing his impending doom, the context of "Blackstar" gives it a different dimension in terms of a listening experience and in a morbid way, the knowledge that Bowie made it with his dying bursts of creativity greatly enhance the album. For me, his last offering is his most experimental, disconcerting yet engaging in over 20 years. The White Duke bowing out as only he could, leaving the world in awe. It's not quite his very best work but it's certainly close behind and overshadows his excellent 2013 comeback album "The Next Day". If your looking for highlights, at 7 tracks long, the whole record deserves to be listened to together. The more I listened to "Blackstar", the more I think that Bowie could have gone on making brilliant records into his 90's has he survived. How many people can you say that about? Expand
  48. Jan 22, 2016
    10
    This album is incredible. I'm a passive fan of the man, and never really followed him closely. However, I would be a fool to not appreciate this as an artistic masterpiece. Never before has the contemplation of imminent death been made so musically thought provoking. What a way to end an illustrious career. Props to you, Mr. Bowie.
  49. Feb 21, 2016
    9
    An experimental, thrilling album. Bowie made even his death a work of art, and executed it so beautifully. Apparently inspired by Kendrick Lamar, showing that Bowie was on trend right up to his last breath. My favourite songs are ''Girl Loves Me'', ''Lazarus'' and ''Blackstar''. RIP David Bowie.
  50. Apr 1, 2016
    9
    It is absolutely incredible that even death didn't stop Bowie from doing what he wanted to do. In a time where most would be quite frightened, Bowie stared at death and contemplated it. This is eaisly one of the best albums I have heard so far this year, and will probably go down as one of the best of the year.

    Starting with the epic ten minute title track, Bowie sets the tone early on.
    It is absolutely incredible that even death didn't stop Bowie from doing what he wanted to do. In a time where most would be quite frightened, Bowie stared at death and contemplated it. This is eaisly one of the best albums I have heard so far this year, and will probably go down as one of the best of the year.

    Starting with the epic ten minute title track, Bowie sets the tone early on. It's gloomy, depressing, and thought-provoking. There are three separate parts to this song and give it a very epic feel. The horns on this song and the other ones as well are fantastic and add character to the songs. "Lazarus" is stunning and shows Bowie could still reach into his higher singing voice even near death. The lyrics of this song are haunting and fantastic. "Girl Loves Me" has an incredibly catchy chorus and a playful beat. The other songs are great as well and come together nicely for a challenging, but rewarding 40 minute experience.

    The Death Grips and Kendrick Lamar influences come through clearly on this record, with the vocal freak-outs and digital sounding beats which make the production sound great. This is an absolutely incredible swan song and is an album I return to constantly.
    Expand
  51. Jan 24, 2016
    7
    I have never really been a fan of David Bowie but after listening to this I would say that I am pleasantly surprised by it a very good album something good to listen to after Justin Bieber and 1D purely for reviews. RIP David Bowie
  52. Dec 3, 2017
    6
    This album seems unfinished, but cuz of circumstances its stil a nice attempt -- really strong mark in Bowie's journey and testimony how he was able to renew himself and stay relevant till the very end.
  53. Mar 3, 2017
    8
    I'm not a fan of rock at all, like not at all. But Blackstar was a huge surprise. I always found something that I liked even though I never believed I would. Cool stuff Bowie! Great success!
  54. Jan 30, 2016
    10
    Here lies the rock chameleon of pop music in general. A great inspiration. David Bowie masterfully completed its passage on earth with her latest album impeccably, optimal their farewell message! We will miss Bowie and you will be greatly missed!
  55. Mar 8, 2016
    9
    It is impossible to listen to “Blackstar” without thinking about the death of legendary music icon David Bowie – after all, the album is one great cryptic allusion to his own impending death. After Bowie's great comeback in 2013 with “The Next Day”, possibly his most straightforward album ever, he provides us with an avant-garde/jazz/experimental rock album, which on first listen, isIt is impossible to listen to “Blackstar” without thinking about the death of legendary music icon David Bowie – after all, the album is one great cryptic allusion to his own impending death. After Bowie's great comeback in 2013 with “The Next Day”, possibly his most straightforward album ever, he provides us with an avant-garde/jazz/experimental rock album, which on first listen, is possibly the weirdest thing you'll hear all year, and one of his weirdest sounding albums ever. However, the music is layered enough to provide many moments of haunting beauty, the highlight of these is the saxophone on “Lazarus”. In fact, it's the sax parts that are a major stand out on many of the songs here. The title track is almost like a spiritual successor from the “Station to Station” era, however, it pushes the boundaries between sanity and chaos even further than most of the songs on that album. And while most of these songs do follow a similar style, it's with Tony Visconit's production that makes the record sound both raw and polished, and it's just sounds fantastic from front-to-back. The only song that doesn’t settle well on a musical level (with me personally) is “'Tis a Pity She Was a Whore”, though I'll admit I love the lyrics in the song, and that title... only Bowie, eh! The music is not this album's triumph though, that lies with the album's lyrics, and above all, Bowie's passionate, emotive (and almost resigned) delivery of them. There are many examples of lyrical content that can be used to back this up, but it's the most plainly stated lyrics here that are strangely the most powerful, such as “Look up here, I'm in heaven/ I've got scars that can't be seen” from “Lazarus” and the most haunting of them all, “Where the f*ck did Monday go?” from “Girl Loves Me” as Bowie had passed away on the Sunday after the record's release. Overall, Bowie went out in the way only Bowie could, and died the same way as he had lived – making both music and art. The music in and of itself is brilliant, but it would never have been interpreted so plainly as it is now if Bowie was still alive. No question his best work since the “Berlin Trilogy” and will likely be remembered in time as not only one of the best final albums an artist will ever release, but one of his most essential and greatest works. A brilliant and fitting coda to one of music's greatest odyssey’s.

    Album Highlights - "Blackstar", "Lazarus", "Sue (Or in a Season of Crime)" and "I Can't Give Everything Away".
    Expand
  56. Dec 7, 2016
    9
    ------------------------------------------------------------------------------------------------------------------------------------------------------
  57. Jan 28, 2016
    10
    Such a deeply moving record, and a fitting farewell to one of the best in the game of music. David Bowie has left us a lot to digest with Blackstar, and every word he utters bears so much emotional weight and depth.
  58. Jul 30, 2016
    10
    One of Bowie's best albums. It showcased that Bowie is an amazing artist, as he could make is own death a form of art.
    This album is just one of a kind. Not because it's Bowie, not because it's his last one. It's because it just has death breathing over every piece of lyric and music in it. And not in a bad way, I guess. It just feels rather peaceful and comforting, the death is
    One of Bowie's best albums. It showcased that Bowie is an amazing artist, as he could make is own death a form of art.
    This album is just one of a kind. Not because it's Bowie, not because it's his last one. It's because it just has death breathing over every piece of lyric and music in it. And not in a bad way, I guess. It just feels rather peaceful and comforting, the death is accepted. It almost lets you touch the other side.
    Expand
  59. Jan 16, 2016
    9
    It seems like the intention while making this absolute masterpiece, David already had saw his death coming. The lyrics, musical arrangements and meanings — even the sax solos —, it all converge to the idea of death and its deployments. Bowie always did great use of the experimental ground (like in the amazing 'Outside') ground, and his latest (please God, don't let it be the last) albumIt seems like the intention while making this absolute masterpiece, David already had saw his death coming. The lyrics, musical arrangements and meanings — even the sax solos —, it all converge to the idea of death and its deployments. Bowie always did great use of the experimental ground (like in the amazing 'Outside') ground, and his latest (please God, don't let it be the last) album keeps on looking forward. It was kind of his thing tho. A man ahead of his time.
    My favorite track by far is 'Blackstar'. Couldn't stop listening to it ever since the video clip (another incredible experience) was released.
    Expand
  60. Feb 6, 2017
    10
    Bowie burned his remains and last minutes into shining ash, into this black star. We heard lots of story of overcoming cancer. This one is different. He lost the war against cancer. But he won history of music industry. So, this is the end.
  61. Apr 18, 2016
    7
    J'ai bien aimé cet album. Hors contexte, je ne sais pas si j'aurais pu l'apprécier autant, cependant c'est un album assez planant qui se distingue des autres albums contemporains. Well done Mr Bowie.
  62. Jan 31, 2016
    10
    pure

    M A S T E R P I E C E

    B O W I E

    Everything in the right place, at the right level, way ahead of conscious feelings, shocking our souls.
  63. Feb 6, 2016
    10
    This album brings back the old Bowie, and sounds hauntingly like Bowie in his prime. It's clear here that he was experimenting with music again, trying to create something new, while sticking to his message. This album was great when it first came out, but now that Bowie is gone, it has become clear that this album was a way for him to come to grips with his own mortality, while alsoThis album brings back the old Bowie, and sounds hauntingly like Bowie in his prime. It's clear here that he was experimenting with music again, trying to create something new, while sticking to his message. This album was great when it first came out, but now that Bowie is gone, it has become clear that this album was a way for him to come to grips with his own mortality, while also leaving a parting gift for his fans. Expand
  64. Feb 12, 2016
    10
    One of the best Bowie albums, remembering Aladdin Sane, Space Oddity, Let's Dance, and more albums he gived fans a great death gift. It's dark, but it seems who was David in that moment. 10/10.
  65. Jun 12, 2016
    9
    This album is a great way to say goodbye and make history again. At first I didn't like it that much, but then I understood the real meaning of the whole concept. Bowie gives us his last flame with this ambitious album, it's dark and meaningful, jazzy and rock'n'roll, a truly blackstar.
  66. Feb 29, 2016
    10
    Lazarus is the best song on the album and the only word to describe it is HAUNTING. This song truly is his last goodbye. A true legend. The album is his best work since the early days of Aladdin Sane and Ziggy. The experimentation with jazz, electronics, RnB and rock are truly impressive. Imagine if he was alive and could have given us more in the future. This is how an artist should say goodbye.
  67. Mar 28, 2016
    8
    This album was beautiful. I loved sue(or in a season of crime). Lazarus was awesome. I cry every time I listen to it. I love the way black star sounds. It's very good. I love how it sounds at the end. Girl loves me is clearly a stand out track too
  68. Aug 9, 2016
    9
    This review contains spoilers, click expand to view. 9.0
    RIP
    zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz
    Expand
  69. Apr 6, 2016
    10
    Bowie managed to prove his godlike status. Not for only for a lifetime contribution but with this very record, which happen to be a one of the most brilliant piece of work, even for Bowie's genius, in years. For me Blackstar is easily bigger than previous Next Day album. There's so much mysterious and cryptic about him but the only thing Bowie left clear - there's much more for him yet toBowie managed to prove his godlike status. Not for only for a lifetime contribution but with this very record, which happen to be a one of the most brilliant piece of work, even for Bowie's genius, in years. For me Blackstar is easily bigger than previous Next Day album. There's so much mysterious and cryptic about him but the only thing Bowie left clear - there's much more for him yet to say.

    Highlights: Blackstar, Lazarus, Sue, Dollar Days, I Can't Give Everything Away.
    Expand
  70. Apr 25, 2016
    10
    What a legendary star he was! David Bowie last album was sad, chilling and awesome! The 7 songs on this album are a triumph!. "Lazarus", "I Can't Give Everything Away and "Blackstar" are the most beautiful songs David Bowie did on this album. He did such a breathtaking effort on this album. I highly recommend every single David Bowie fan this album. It's a must have album!
  71. Jul 11, 2016
    10
    When I listened to this for the first time I was amazed. I listened to BlackStar in November last year, I thought it was strange, not bad strange, just strange. Now, I listen to this album almost every day, I bought it and I carry it in my car.
  72. Aug 30, 2016
    10
    He did it again. After a more rocking, traditional "The Next Day", Bowie is back to experimental ground in "Blackstar". This is his most ambitious album since "Outside" - I'm not saying that his most rocking albums were bad, they were just most conventional than this.
  73. Sep 4, 2016
    10
    This review contains spoilers, click expand to view. My favourite David Bowie album, except for his self-titled debut. Unfortunately nothing on this album quite matches up to 'The laughing gnome', but then again that is impossible. Rest in peace. Expand
  74. Oct 15, 2016
    10
    It was delicious, always made his fans wonder who he is. When they understood it, every time he reincarnated Read More http://muztravel.by/news/800-u-menya-drama-kotoruyu-ne-ukrast-chast-i.html
  75. Dec 1, 2016
    8
    From the ten minute eponymous song to the celestial "I can't give everything away", Bowie's 25th studio album is the definitive swan song work ever released. The musician shows his believes in the occult ("Blackstar") and fight his devils (Lazarus). Bowie brings us his redemption with jazz sounds ("Tis a pity she was a whore") and ("Sue or in a season of crime), adding his personal andFrom the ten minute eponymous song to the celestial "I can't give everything away", Bowie's 25th studio album is the definitive swan song work ever released. The musician shows his believes in the occult ("Blackstar") and fight his devils (Lazarus). Bowie brings us his redemption with jazz sounds ("Tis a pity she was a whore") and ("Sue or in a season of crime), adding his personal and characteristic touch. Expand
  76. Jan 14, 2017
    9
    The year's most compelling release, a haunting and experimental swan song that shows its depth only when presented with its backstory as Bowie's final record recorded during cancer treatments.
  77. Nov 9, 2017
    9
    Again, thank you David. You are dead now but you gave us the best "goodbye note" you could gave to us. "The Next Day" was good, but this experimental ground disc sounds better than the 2013 album. It has less rock than he should do but it is still a great disc.

    We will miss you.
  78. Jun 30, 2017
    10
    There is no doubt that it is an indisputable truth about the fact that there can be no argument that .......uuuuhhhhhh......modern rock music of late has been pretty pathetic. But when an artist of this stature leaves such a strong final mark on his legacy, I have to chime in. And for those fools who criticize this album because the whole doesn’t live up to the majesty of the opening titleThere is no doubt that it is an indisputable truth about the fact that there can be no argument that .......uuuuhhhhhh......modern rock music of late has been pretty pathetic. But when an artist of this stature leaves such a strong final mark on his legacy, I have to chime in. And for those fools who criticize this album because the whole doesn’t live up to the majesty of the opening title track: lighten up! Please consider that this release was composed and created by a man who accepted that he might not live long enough to see how the world would react to his swan song. Every track has a deeper meaning that can be seen when examined through the prism of Bowie’s terminal illness. And the eclectic nature of the different styles and tempos he used along with the world classic musicianship (best use of a brass section in recent memory) and pristine production values makes this work as good as anything DB has released in the past 2 decades in fact, it makes me sad to think that every album from every new or established artist that comes out in the near future will most likely pale in comparison to this masterpiece. –PS: it would behoove all of Bowie’s fans to supplement this release with the three original songs he elected to not release that came out on the Lazarus EP; it’s a shame that he didn’t feel that these 3 awesome tracks were not worthy of appearing on Blackstar. They most assuredly were! Expand
  79. Oct 21, 2017
    9
    As per usual, Bowie subverted expectations by teaming up with a jazz quartet to record a not-jazz album. That isn't to say that it isn't heavily influenced by that genre, but it's a very Bowie rock album through and through, probably the truest Bowie-sounding album he's put out in decades, by which I mean uncompromisingly creative and powerful, without ever forgetting the importance of aAs per usual, Bowie subverted expectations by teaming up with a jazz quartet to record a not-jazz album. That isn't to say that it isn't heavily influenced by that genre, but it's a very Bowie rock album through and through, probably the truest Bowie-sounding album he's put out in decades, by which I mean uncompromisingly creative and powerful, without ever forgetting the importance of a good hook. Of course, this having been recorded as he was facing the inevitable, it's also a brilliant goodbye. Expand
  80. Nov 4, 2017
    10
    Loved Bowie's use of every bit of energy he had before he left. What he left us was Blackstar, and it may be the most accurate vision of an untimely death for a hero anyone could imagine making. He was fearless, expressing his feelings for death in his music, devoting his entire life towards it. A very rare sighting from a rock album of this quality, probably last seen by Pink Floyd aLoved Bowie's use of every bit of energy he had before he left. What he left us was Blackstar, and it may be the most accurate vision of an untimely death for a hero anyone could imagine making. He was fearless, expressing his feelings for death in his music, devoting his entire life towards it. A very rare sighting from a rock album of this quality, probably last seen by Pink Floyd a number of times. It's rock, but it's the furthest anyone could get from rock; very left field, experimental, and artistic.

    Favourites: Every single track of the album.

    Masterpiece. 11/10 actually but it wouldn't work.
    Expand
  81. Apr 27, 2018
    10
    I will never forget the album which made me dive deeply in his musical career. The goodbye album, after all, ended up to serving me up as a welcome one.
    Blackstar consists in several lines of pure shocking words, most of them to announce his becoming death, his dissatisfaction on the shortness life. Notwithstanding the closing track, little did he know he gave us everything, indeed.
    If
    I will never forget the album which made me dive deeply in his musical career. The goodbye album, after all, ended up to serving me up as a welcome one.
    Blackstar consists in several lines of pure shocking words, most of them to announce his becoming death, his dissatisfaction on the shortness life. Notwithstanding the closing track, little did he know he gave us everything, indeed.
    If I'm a Bowieholic today, it's due to these seven-strong-tracks collection, and that's that.
    Expand
  82. Feb 6, 2020
    10
    Blackstar mixes elements of eletronica, free jazz, ambient, creating a unique sounding. Great farewell from a great artist. Curious how Bowie always sounded modern and innovating in all of his carrer's eras.
  83. Nov 28, 2016
    10
    I wrote my original, glowing review of "★" before the world heard of David Bowie's death a few days after it's release. It's been nearly a year since then, and my opinion of the album has only gotten better. I originally lauded the album as an indication of amazing things to come, but now we know it was always intended to be a goodbye letter. The opening lines of "Lazarus" always hit me inI wrote my original, glowing review of "★" before the world heard of David Bowie's death a few days after it's release. It's been nearly a year since then, and my opinion of the album has only gotten better. I originally lauded the album as an indication of amazing things to come, but now we know it was always intended to be a goodbye letter. The opening lines of "Lazarus" always hit me in the gut, now. Don't get me started on the video. Expand
  84. Jun 12, 2018
    10
    Uma obra prima inquestionável. Experimental, desconcertante e enigmático como só Bowie poderia ser.

    Blackstar: 10
    'Tis a Pity She Was a Whore: 10
    Lazarus: 10
    Sue (Or In a Season of Crime): 10
    Girl Loves Me: 10
    Dollar Days: 10
    I Can't Give Everything Away: 10

    Total: 10
  85. Dec 15, 2017
    7
    Not as good as some of his other albums, but decent nevertheless. Features some good songs, but similar to most singers, he became weaker over time, and this album definitely proves it.
  86. Nov 16, 2017
    9
    David Bowie's "Blackstar" is really an unbelievable record. While most who are about to pass away are going to spend time with loved ones and family, Bowie decided to make a record reflecting on his life. With Blackstar, Bowie created a loose concept album about death that is unlike any other. This is a masterpiece, and one of the greatest final rock albums that an artist has everDavid Bowie's "Blackstar" is really an unbelievable record. While most who are about to pass away are going to spend time with loved ones and family, Bowie decided to make a record reflecting on his life. With Blackstar, Bowie created a loose concept album about death that is unlike any other. This is a masterpiece, and one of the greatest final rock albums that an artist has ever produced.

    This album would have been great with just lyrics reflecting on death, but the instrumentation is what elevates it to a whole new level. Bowie was listening to Kendrick Lamar and Death Grips while recording this album, and the influences can be clearly seen. The beats are dark, loud, and totally experimental. There are jazzy elements reminiscent of Kendrick's "To Pimp a Butterfly" and there are vocal yelps that MC Ride would be proud of on songs like "Girl Loves Me".

    The title track may go down as one of Bowie's most epic songs yet. A haunting 10 minute epic, "Blackstar" has three separate sections going from dark, to heavenly, only to quickly return to the dark. "Lazarus" has haunting lyrics like "look up here I'm in heaven", and becomes grand during the ending. "Girl Loves Me" is another standout with its cracked vocals, and hard-hitting instrumentation. There isn't a bad song on this entire album, and considering the context, it truly is a modern classic.
    Expand
  87. Sep 1, 2019
    10
    One of the best album he did. New sounds, also dont forget the videos from this album...MASTERPIECES
  88. Sep 4, 2019
    9
    Eu tava com meus mano,lá na minha quebrada,chegou o Wanderley e veio dar ideia errada...
    Obligatory Metacritic review rule,is **** dumb.
    Love Bowie,loved this album too.
  89. Tmz
    Jan 4, 2020
    10
    Uma obra prima .
    Não é o melhor álbum de Bowie, mas possivelmente é o mais emocionante, cada música deste álbum emana uma aura fúnebre que serve como despedida deste grande artista.
    E quando o álbum encerra com " i can't give everything away" as lágrimas descem e você sabe que Bowie não poderia se despedir de forma melhor.
  90. Apr 24, 2021
    10
    The best final album ever from a brilliant and extraordinary artist, David Bowie is a genius
  91. Aug 15, 2022
    8
    A magical record that feels better and better every time you listen to it. Of course a lot of us are moarning now because of Bowie's death but, and this isn't cheap talk at all, he'll live forever through his incredible work and Blackstar is no exception.
  92. Oct 9, 2022
    10
    David Bowie's final album, Blackstar, is one of, if not the greatest alt-rock albums ever. The production is excellent. Bowie's vocals on the title track of this album make it an excellent rock song.
Metascore
87

Universal acclaim - based on 43 Critic Reviews

Critic score distribution:
  1. Positive: 43 out of 43
  2. Mixed: 0 out of 43
  3. Negative: 0 out of 43
  1. Magnet
    Mar 30, 2016
    100
    Kudos to producer Tony Visconti and the tight jazz team around them for making Blackstar dynamic. If Bowie indeed knew time was tight and death’s release was imminent, this treatise to magic and loss is a gorgeous way to say goodbye. [No. 129, p.52]
  2. The Wire
    Feb 18, 2016
    80
    It is a fine, unnerving album. [Mar 2016, p.45]
  3. Jan 26, 2016
    80
    Blackstar is an absorbing (if consciously arty and perhaps a shade self-indulgent) listen.