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Jan 28, 2022Time has shaped their voices fascinatingly, adding comforting heft to Callahan's baritone and resilience to Oldham's warbly tenor. The former lends some warmth to the wry elegance of Steely Dan's "Deacon Blues," while the latter adds a mystical melody to Leonard Cohen's "The Night of Santiago," a spoken-word piece from his final album Thanks for the Dance. When they join their voices, they complement each other perfectly.
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Jan 11, 2022Callahan’s honeyed, slightly gravelly bass-baritone, which comes across as dispassionate to the point of being noncommittal on Blind Date Party at times, and Bonnie Prince’s tenor, consistently vulnerable, raw, wide open, complement each other in a compelling way, establishing dramatic tension and unearthing emotionally resonant inner dialogues within the album’s songs.
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MojoJan 11, 2022Blind Date Party is intriguing enough to be more than a one-night thing. [Jan 2022, p.82]