Contact
by Greg Fox
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Critic Reviews

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Metascore
79

Generally favorable reviews - based on 4 Critic Reviews

Critic score distribution:
  1. Positive: 4 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 0 out of 4
  1. The Wire
    Jun 11, 2020
    80
    The eight pieces here function as a drummer’s showcase, certainly, but Contact’s wilful limitations conceal an eclectic approach. ... Time spent immersed in Contact will reap reward. [May 2020, p.52]
  2. Beats Per Minute
    Jun 11, 2020
    78
    The balance between these sounds is what makes it such a three-dimensional listen, as the percussion never overwhelms; despite building up torrential speed and power, this force is made beautiful by the spare-but-carefully-adorned melodic elements. ... The only moments on Contact that don’t open up a world of sensory exploration are the three title-track-come-interludes; “Contact (sukha & somanassa)”, “Contact (dukkha & domanassa)”, and the closing “Contact (upekkhā)”.
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  3. Exclaim
    Jun 11, 2020
    70
    Between Fox at this most stripped back and Fox at his most ornate are "Vedana," "Arising and Passing" and "Parasthesia," which mostly eschew the stream of consciousness rhythms and melodic flourishes of the rest of Contact for a more pensive feel, replete with drones, tuned percussion, and tantric textures. These tracks aren't ineffective so much as they are on a different plane from the rest, one less ecstatic and adventurous.
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