• Record Label: Nettwerk
  • Release Date: Aug 5, 2003
User Score
8.5

Universal acclaim- based on 10 Ratings

User score distribution:
  1. Positive: 9 out of 10
  2. Mixed: 0 out of 10
  3. Negative: 1 out of 10

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  1. Smacky
    Nov 18, 2005
    1
    Please, please, please do yourself a favour and judge it by its cover.
  2. LucyPN
    Jan 27, 2006
    10
    The music of BT is something that you either get or don't get. This album is a little different from 'Movement in Stil Life'; but all the hallmarks are there - incredible attention to detail, crazy / inspired sample exploration, and the unconventional mixing of disparate elements to create something unique and beautiful. Maybe this album isn't for you; but really, who The music of BT is something that you either get or don't get. This album is a little different from 'Movement in Stil Life'; but all the hallmarks are there - incredible attention to detail, crazy / inspired sample exploration, and the unconventional mixing of disparate elements to create something unique and beautiful. Maybe this album isn't for you; but really, who are you going to trust - the fans, or the E! franchise and the words, "Judge it by it's cover"? Expand
  3. davidc
    Sep 11, 2003
    10
    it's a cd where you know it's a fucking music
  4. JonathanLawLaw
    Jun 22, 2004
    9
    An incredible album filled with variety. Extraordinary production values, and a real emphasis on the music, rather than the packaging.
  5. DaveT
    Oct 25, 2005
    10
    awesome
  6. BrandonR
    Feb 24, 2006
    8
    In a way, it seems like BT was trying to reconstruct his last album but with a little more mainstream appeal. The results are mixed but over all, it's a decent album.
Metascore
61

Generally favorable reviews - based on 7 Critics

Critic score distribution:
  1. Positive: 3 out of 7
  2. Negative: 0 out of 7
  1. Entertainment Weekly
    58
    He's too reserved as a solo performer to keep things interesting. [5 Sep 2003, p.77]
  2. Just a shade less stunning than his last full-length, Emotional Technology at least establishes him as one of the better album constructors in the singles-driven world of dance.
  3. Urb
    80
    At seventy-eight minutes, Emotional Technology gets a bit long in the tooth, but you get the feeling that the myriad streams of sound that pass between (and through) his ears have finally nestled together in a grandiose manner he envisioned. [Sep 2003, p.99]