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Andersson brings a real sense of songcraft to the project, and many of her melodies are appealingly ethereal.
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Flying solo now, with production guidance from fellow Swede Tobias Fröberg, she’s reached a career peak with this unconventional, focused and utterly charming disc.
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These elements [traces of her jazz and blues-rock past] add splashes of unexpected color to these songs, bringing the extroversion of those styles to the too often introverted genre of indie pop and making Hummingbird, Go! sound to big for any kitchen to contain.