User Score
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User score distribution:
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Positive: 3 out of 3
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Mixed: 0 out of 3
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Negative: 0 out of 3
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Dec 1, 2019Labyrinth feels more delicated and sofisticated than Kanda's previous works but it still has some lack of variety of sounds and rhythms, that makes it music for well-eared people.
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Feb 7, 2020Labyrinth is strong, but dwarfed by connections to work which have made an indelible mark upon popular culture in a way this album likely won’t. There is still substance to these compositions however: it’s an electronic, neo-gothic record which brims with strangeness and decay.
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Dec 6, 2019Over the course of its thirteen tracks, Labyrinth loosely chronicles growing anxiety and its dissolution, peaking at “Mino” before settling into a level of serenity at “Bunny.” Kanda is most successful when he interrupts the album’s emotional arc.
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Dec 2, 2019The album as a whole is accomplished, but it still hasn't entirely caught up with the precision of his visual multiverse. Still, I am glad that Labyrinth offers another glimpse of Kanda's alternate realities.