- Critic score
- Publication
- By date
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The Thrills continue to crank out buoyant melodies that keep singer Conor Deasy from downing in his bittersweet lyrics and brokenhearted vocals.
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SpinA moving listen, despite patches of redundancy. [Oct 2004, p.111]
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So, yes, Let's Bottle Bohemia is dizzyingly over-produced, but here it fits.
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It's certainly not a bad second effort; simply they have attempted to downsize the large breast-beating anthems to something a little more crafted and understated, while still retaining their populist nous.
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Even though some of the novelty's worn off with Let's Bottle Bohemia, the hand claps, woo-hoo choruses and wide-eyed lyrics are still undeniably enjoyable.
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MojoThere's some startling songwriting on Let's Bottle Bohemia. [Oct 2004, p.104]
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Let’s Bottle Bohemia is a triumph.
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Filter[Van Dyke] Parks' masterful touch transforms the Thrills from barroom favorites to starry-eyed chancers with a shot at the big time. [#12, p.105]
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Los Angeles TimesToo many of the songs seem undernourished. [3 Oct 2004]
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Fans of So Much for the City's warm, Beach Boys-esque charms may be disappointed with The Thrills' musical progression, but most should enjoy Bohemia's varied charms.
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A really good record by a potentially great rock & roll band.
User score distribution:
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Positive: 10 out of 12
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Mixed: 1 out of 12
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Negative: 1 out of 12
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PatrickOFeb 16, 2006Excellent
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JohnRNov 9, 2005
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CPOct 27, 2005Embarassingly weak songwriting that makes me yearn for Bruce Willis's "The Return of Bruno." It's that bad.