User Score
Generally favorable reviews- based on 32 Ratings
User score distribution:
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Positive: 27 out of 32
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Mixed: 2 out of 32
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Negative: 3 out of 32
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- Most helpful
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TimT.Nov 28, 2007They lied... This album is like a really bad sandwitch. The first two tracks are really good, and the last two tracks are ok... The whole middle is just noise. Not all that impressive.
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[Anonymous]Aug 27, 2007Angus Andrew makes me wanna be a woman!
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MarcFeb 3, 2008Very strong album. It makes me wanna freak out.
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DanielNov 17, 2007Liars has made an almost perfect mix of everything I like on this album. I hear traces, the Stooges, Can, Sonic Youth, Primal Scream, MBV, TVOTR etc.. The most varied and interesting album of the year.
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AViewAMAug 30, 2007Who or what is Dusted Magazine....and why do they hire music critics with tin ears and slumped, sagging writing skills? I suppose their business model must be to fail quietly and without much in the way of fond remembrance outside of their six-person, crack-riddled art scene. Oh well....
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Mikes.Aug 24, 2007
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kdeAug 31, 2007The production is what really fails many of the songs. While some of the songs may or may not be fully flushed out... i still don't think any of them are terribly gripping. This is a band that has steadily declined since their debut.
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GmanSep 13, 2007
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PatrickMSep 15, 2007I'm a little bothered that ridiculous opinions like Dusted and TMT are include, yet antiMusic is not represented. Any rating below an 80 for this album is completely foolish. Clear Island itself make this a great album.
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mattkAug 28, 2007
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ChrisI.Sep 11, 2007okay i'm not going to get into details on why this record is awesome, it just plainly is.
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Mar 2, 2012
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Aug 16, 2012****
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Aug 8, 2012One of the best albums of 2012 so far, "No. 1 Against the Rush" is a truly haunting track, and "Brats" sounds like a mix between Gorillaz/NIN/Marilyn Manson and defies all genre definitions. Definitely an album worth buying.
Awards & Rankings
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Far more accessible than anything the act have produced in recent years, Liars shifts perceptions in the way most have come to expect, but with the dense conceptual themes and boundaries limited it is as if they have met most listeners halfway only to lure them back into their own sordid comfort zone, littered with the contents of a fifteen-year-old's bedroom.
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They have built up a group of songs so restless and unsatisfying that a group of teenagers with the proper training could have made them, or likely something better.
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You could accuse Liars of abandoning all of their high-art concepts and otherworldly thoughts so they could secure their place on a tour of America's enormodomes with Interpol. Well, you could if this album wasn't so perfect.