• Record Label: Sub Pop
  • Release Date: Feb 10, 2017
User Score
8.1

Universal acclaim- based on 25 Ratings

User score distribution:
  1. Positive: 24 out of 25
  2. Mixed: 0 out of 25
  3. Negative: 1 out of 25
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  1. Feb 20, 2017
    9
    Every track is solid except for the ones where she tries to impersonate other talented and not-so-talented songwriters of these days (PJ Harvey, Angel Olsen, etc), and the vocal work is usually terrific -playful, ethereal, angsty; you can find whatever you want-. It's never predictable where a song is heading to, and with just a few background vocal takes Jesca manages to give theEvery track is solid except for the ones where she tries to impersonate other talented and not-so-talented songwriters of these days (PJ Harvey, Angel Olsen, etc), and the vocal work is usually terrific -playful, ethereal, angsty; you can find whatever you want-. It's never predictable where a song is heading to, and with just a few background vocal takes Jesca manages to give the impression that there's an entire band playing with her. Memories Are Now is a fresh example of what kind of music folk-esque songwriters can aim to create these days. Expand
  2. May 16, 2017
    8
    This is a beautiful, connected, and spirited album with wonderfully intelligible harmonic language and simplistic textures that create a work of bravery and accessibility. My Score: 146/180 (Great) = 8.1/10

Awards & Rankings

Metascore
83

Universal acclaim - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 13 out of 14
  2. Negative: 0 out of 14
  1. Apr 17, 2017
    60
    Hoop’s experimental tack often requires repeated listens, but it’s creativity and not mere quirkiness that ultimately leaves alingering afterglow.
  2. 80
    Hoop has been producing thought-provoking, arresting folk music since Kismet was released nearly a decade ago, but this is her most cutting, cohesive, and critical record yet.
  3. Q Magazine
    Feb 14, 2017
    80
    Memories Are Now is an inventive nine-song affair. [Apr 2017, p.112]