User Score
8.1

Universal acclaim- based on 10 Ratings

User score distribution:
  1. Positive: 8 out of 10
  2. Negative: 0 out of 10
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  1. Jul 8, 2013
    8
    Please don't listen to the brony below, he's sexually attracted to horses and he has friggin' spoiler tags on a musical album. Seriously what the dude?

    Album's pretty dope. Doesn't have quite the eerieness or the stick-in-the-back-of-your-head vocal work of Vol. 2 but instrumentally Stetson is ****ing belting it. The title track is a particular standout, cycles of freestyling chaos
    Please don't listen to the brony below, he's sexually attracted to horses and he has friggin' spoiler tags on a musical album. Seriously what the dude?

    Album's pretty dope. Doesn't have quite the eerieness or the stick-in-the-back-of-your-head vocal work of Vol. 2 but instrumentally Stetson is ****ing belting it. The title track is a particular standout, cycles of freestyling chaos that gradually give way to a clanking march of clockwork titans.
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  2. May 16, 2013
    7
    This review contains spoilers, click expand to view. DO NOT attempt to listen to all three volumes back-to-back in one sitting. I did and now I can't find my way back to reality. Gotta go, the metal bears know where I am. Expand
Metascore
81

Universal acclaim - based on 18 Critic Reviews

Critic score distribution:
  1. Positive: 17 out of 18
  2. Negative: 0 out of 18
  1. May 29, 2013
    70
    The album is stacked with jaw-dropping moments, underpinned by seismic emotional shifts.
  2. May 21, 2013
    78
    In two albums, the man shatters our conceptions of music--and in the finale of his trilogy, he glues the pieces back together and hands the end product back to us, thereby redefining the word ‘musician’ in a single gesture.
  3. Q Magazine
    May 13, 2013
    60
    An intriguing collision of the musical outer reaches and American indie rock. [Jun 2013, p.107]