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It is logically a bloated, uncomfortable, saturated throwback to no genre, time period, or movement in particular.
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It's almost like neither [Dave Fridmann] nor the band could decide whether they were making an electronic or rock record and in dithering between the two settled on the awkward, frustrating middle ground.
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The individual songs may be big, but the road they travel is a narrow and short one.
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While Oracular Spectacular has its sophomoric moments (you’d be wise to avoid the nasal whine of 'Weekend Wars'), a listen to 'Climbing To New Lows'--a catchy demo set from their undergrad days--will make anyone see what attracted the bigwigs at Columbia in the first place.
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Opener 'Time to Pretend' exemplifies this best, as the synths provide quirky cartoonish bounces to tales of fancy car whipping and coke snorting pipe-dreams. However, the record grows sluggish at certain points, particularly when they try to get super sentimental on that ass.
Awards & Rankings
User score distribution:
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Positive: 247 out of 266
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Mixed: 15 out of 266
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Negative: 4 out of 266
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BilliW.Feb 1, 2008This is the Sargeant Pepper for the New Millennium. A work of youthful genius.
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DolanM.Mar 3, 2008
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DMcGintyFeb 25, 2008