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The WireJun 11, 2020White noise is the most versatile tool in Brighton producer Alan Myson’s kit: he deploys it as a gloss on everything, to either mind-quieting effect on tracks like “Angel In Ruin” and “Oblivion Theme”, or as an anxiety accelerant as on the fuzzed out battle-pitch “Bladed Terrain” where static hisses behind stomping, crunching thwacks and arpeggios. [Jun 2020, p.60]
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May 11, 2020Ambitious and profound while remaining compelling unpredictable, it's a constantly shape-shifting, all-encompassing musical experience. Outland is, quite simply, a masterpiece.
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UncutMay 7, 2020Though the more rhythmic nature of tracks like "Oblivion Theme" prevent the album from dissolving into ambient haze, the deep bass rumbles and rich textures provide plenty of pillowy comforts for other weary listeners. [Jun 2020, p.30]