User Score
8.1

Universal acclaim- based on 18 Ratings

User score distribution:
  1. Positive: 17 out of 18
  2. Mixed: 0 out of 18
  3. Negative: 1 out of 18
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  1. May 13, 2014
    8
    A good, fun, 80's/90's disco type vibe. Hardly any filler....except all the skits at the end of tracks. Should've made them separate tracks so they can be deleted.
    Hard to rate accurately given 'Barbara Streisand' & 'Anyway' were bangers in their day but totally sick of now that the album's come out 3 years later. Would given it a 9 otherwise.
  2. Apr 26, 2014
    8
    It's a fun electronic music album that has many influences, ranging from 70s disco, to 80s pop, to 90s dance music . It has many great beats, while the skits are a hit and miss. My favorite tracks are: "aNYway", "NRG", "Ring Me", and "Time Waits for No-One". I'll definitely be listening to them when the summer hits.
  3. Apr 21, 2014
    9
    A great fun 90s style house album in 2014! A 9 only because some of the end of song skits get annoying. Other than that a great house album and perhaps the best album of its kind we will see for a long time.
  4. Apr 15, 2014
    10
    An album full of fun and good party. Makes you feel like you're in another planet.
    Songs like 'Radio Stereo', 'Goody Two Shoes'' feels like a real good summer's party.
    A 70's anthem like is aNYway. 'NRG' and 'Spandex' is like heaven.
Metascore
76

Generally favorable reviews - based on 8 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 8
  2. Negative: 0 out of 8
  1. 75
    They make what is quite complex musical structures look easy, almost juvenile, and package them in shiny production gift wrapped for the masses over the airwaves or PA system or turntable.
  2. It’s cheeky, groovy, and it always sounds as though it’s teetering on the edge of being a genuine irritant.
  3. Apr 17, 2014
    75
    Even if they don't quite hit the heights of the A-Trak-name-checked influence of Beastie Boys' Paul's Boutique (how could they, let alone anyone?), they've created a hedonistic, piston-pumping album that bears as much relation to the urban hustle-and-bustle as it does to festival crowds' surging, ecstatic mindsets, a love letter to NYC that sounds good just about anywhere you're likely to hear it.