User Score
8.4

Universal acclaim- based on 17 Ratings

User score distribution:
  1. Positive: 16 out of 17
  2. Mixed: 0 out of 17
  3. Negative: 1 out of 17
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  1. May 25, 2023
    7
    What a mess. For my first time hearing Wednesday, I only find myself trying to let myself go with the flow, which is a nice exercise of momentary explosiveness that simply stains the walls out of control. By the time you grasp a sense of what is going on, it's still hard to take control over what it can be enjoyed on the album, and by the time you have your mind sent, the album ends with aWhat a mess. For my first time hearing Wednesday, I only find myself trying to let myself go with the flow, which is a nice exercise of momentary explosiveness that simply stains the walls out of control. By the time you grasp a sense of what is going on, it's still hard to take control over what it can be enjoyed on the album, and by the time you have your mind sent, the album ends with a feeling that you have heard so little of them. This might not be for me. Expand
  2. Apr 8, 2023
    9
    This review contains spoilers, click expand to view. a charming attempt at showing a gross side, Wednesday presents us with a very ambitious project, full of metaphors in the lyrics and visions in the sound. Expand

Awards & Rankings

Metascore
89

Universal acclaim - based on 16 Critic Reviews

Critic score distribution:
  1. Positive: 16 out of 16
  2. Mixed: 0 out of 16
  3. Negative: 0 out of 16
  1. May 1, 2023
    80
    Their commitment to the people they write about and their instincts about crafting music to match make this a stunningly powerful work that may well turn out to be a masterpiece.
  2. Apr 27, 2023
    90
    Pain remains a fertile ground for compelling art, but the brilliance of Rat Saw God lies in how the band also captures the resistant luminance within that pain. The characters in these songs suffer, but Hartzman draws them from places of empathy and honesty.
  3. Apr 25, 2023
    80
    Not everything works on Raw Saw God. The rootsy, Southern-fried Chosen to Believe sounds more Hootie than Doobie, though its meditation on love and acceptance saves its pop-leaning misdirection. It's a testament to Hartzman's nuanced lyrical bent, whose articulate observations are intriguing and even funny rather than affected.