User Score
Generally favorable reviews- based on 191 Ratings
User score distribution:
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Positive: 135 out of 191
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Mixed: 16 out of 191
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Negative: 40 out of 191
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Aug 21, 2020Un très bon disque de U2, toujours en forme. Intéressant de bout en bout. Petit bémol peut-être au niveau de la cohérence.
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Mar 25, 2020
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Oct 11, 2019This review contains spoilers, click expand to view.
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Mar 10, 2019
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Nov 3, 2018
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Jun 4, 2018A bit of a return to form, showing some of the energy they likely found in themselves while touring the anniversary of The Joshua Tree last year. No real new ground, but a lot to please fans.
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May 18, 2018
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Apr 6, 2018
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Mar 22, 2018
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Jan 22, 2018I witnessed with horror over the years as U2 and Coldplay were heading towards each other, colliding like the andromoder galaxy into the milky way, but U2 have now just gone further and sound more like Coldplay than Coldplay.
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Jan 12, 2018A vastly underrated effort. In my opinion, among their best work without Eno or Lanois. Less bloated than its far inferior predecessor -- they are not trying to pull a hit single out of every track "Revolver" style. Also it feels as their most "edge" album since Zooropa. Very satisfying!
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Jan 2, 2018
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Dec 21, 2017U2 continue to do what they’ve always done and find inspiration through politics and love, though this individual passion project shows an absence of musical care and reliance on intuition over potential, which still produced some forceful choruses and nice delicate guitar textures to make it more enjoyable than much of today’s popular market. My Score: 129/180 (Good) = 7.2/10
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Dec 20, 2017This review contains spoilers, click expand to view.
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Dec 17, 2017Their best album from 2004. This album contains the real U2 band without any contamination and reassume all their best in any song you could listen to. Very appreciated and a great surprise. The Bono Vox testament of his music and voice.
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Dec 16, 2017They try but something has gone missing. Only a couple of songs are alright but otherwise the production is somewhat horrid. Remembering how utterly fresh and capable their sound was in the early years. As a longtime fan these last albums have been disappointing but well, we all get old.
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Dec 16, 2017
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Dec 15, 2017
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Dec 15, 2017Acredito que no geral o álbum ficou num nível bom, mas nada comparado aos grandes álbuns da carreira da banda. Tem algumas músicas boas, umas poucas excelentes e algumas ruins. No geral a nota 7 seria a mais compatível com o nível do álbum.
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Dec 14, 2017
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Dec 12, 2017
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Dec 11, 2017
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Dec 10, 2017As good as Songs of Innocence but without the fillers. Last two albums has been an improvement and I think are the best after Zooropa. Outstanding production and strong songwriting.
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Dec 10, 2017This review contains spoilers, click expand to view.
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Dec 10, 2017
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Dec 10, 2017U2 clearly have no sense of direction left otherwise they wouldn't put their name to an album like this.
I've been a fan from the beginning, but no longer. I'm done. -
Dec 9, 2017I love how the positive, yet constructive, reviews are the ones getting downvoted. Clearly orchestrated by members of the "I hate U2" bandwagon who have a goal to clearly undermine how most people really feel about it. Get a life...
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Dec 9, 2017The positive reviews must surely come from die hard fans only. While I'm not exactly a fan, I have admired some of U2's work, so am no hater by any means. This album, even after repeated listenings just left me cold.
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Dec 8, 2017No Doubt much better than Songs of Innocence. At least this time the Production seems on track. We can't compare all the time each new released album back to Achtung Baby. Move on!!
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Dec 8, 2017
Awards & Rankings
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Jan 5, 2018The emotional climax of The Little Things That Give You Away is one of several moments that promise more than the album as a whole can deliver.
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Dec 19, 2017Songs of Experience, clicks into place more boldly than Songs of Innocence did three years ago. Tempos are alert, riffs punchy, melodies sharp. ... It’s also too bad the album’s second half gets stuck in pensive midtempo mode and never recovers.
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Dec 12, 2017It may not even share the same ambition as ‘No Line On The Horizon’ however, it’s an undeniable improvement on their two misfiring predecessors, marking this collection as their most cohesive and heartfelt in almost 15 years.