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The WireDec 21, 2016The tracks don’t so much develop as flow--and don’t so much flow as slide slowly, tidally, from one pole to another. Those poles are, to put it crudely, a smooth Badalamenti-like gloom and a more polyphonic, Vangelis-style choral sound. [Dec 2016, p.69]
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Nov 1, 2016What keeps many listeners coming back to Hauschildt’s records is precisely the promise that each album will sound practically interchangeable with the one that came before--just, perhaps, marginally better. On both of those counts, Strands succeeds, yet it also marks a shift in tone: At just eight tracks and 43 minutes long, it is noticeably more restrained.
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Oct 28, 2016Some portions of Strands are so calming that it's hard to stay focused on Hauschildt's expertly woven details. But the album doesn't just seek to relax its listeners.