User Score
Universal acclaim- based on 142 Ratings
User score distribution:
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Positive: 118 out of 142
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Mixed: 7 out of 142
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Negative: 17 out of 142
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NormaRMay 23, 2006I love it and I am glad that they are so defiant. It gives them a new breath of life. I love, love, love this album.
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JimmyDMay 23, 2006Excellent! Killer music and a bold message, flying in the face of war-mongering criticism. A must buy.
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MattMMay 23, 2006
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NickMay 23, 2006I honestly didn't expect much; I loved the bluegrass-tinged Home and thought their next album would find them reverting to earlier (albeit still good) form. Instead it's their best, most cohesive, hook-filled album to date - even better than Home. Enough about the politics; this is just damn good music.
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LisaLMay 23, 2006This album is an undeniable masterpiece. Music with this much honesty and integrity, and above all, talent, is certainly a rarity in the music industry.
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susanaMay 22, 2006Powerful!!! Glad to see the Chicks are back making great music. I have never been a fan of country music but I have always loved the Dixie Chicks. I am very pleased with this new release. The range and musical acuity demonstrated has long been missed by this listener.
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MattD.May 22, 2006I'm proud of the Dixie Chicks. These true patriots are beating country at its own game on this stellar album. It is something that a country/pop artist like Faith Hill would approach if she went beyond Nashville boundaries - but this CD is something only the Chicks can do. Great job!
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HectorCMay 22, 2006It rocks from beginning to end.
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DonCMay 22, 2006At one time this group was my favorite; if I hear their song being played now, I stop listening to the station playing them. Personally, I think all three of them are idiots
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Awards & Rankings
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Finally, they put their music where their opinionated mouths are.
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On first listen, Taking the Long Way seems too somber--in need of a bit of levity and more than a couple of uptempo songs (like the sexy, '60s-flavored "I Like It") to resonate for the long haul. It also seems to lack the writing quality that Darrell Scott, Patty Griffin, and Bruce Robison brought to Home. But on repeated plays, those concerns dissipate.
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BlenderThis album has some of what was missing from Home: fire, ugliness, resentment. [Jun 2006, p.135]